Twelve Days of Christmas – 1st Day – Dec. 25th – Love

TwelveDays-Slide4Merry Christmas to all the followers of the Anglican Internet Church around the world.  May the gracious Lord God bless you today and all the days to come.

Today is December 25th, the First Day of Christmas, and the Key Word is Love.  I invite you to enjoy this combination of art, music and theology and to join us again each day through the 12-day cycle ending on Epiphany Eve, Jan. 5th, with a key word or phrase for each of the days.  And No!  This series has nothing to do with the silly song of the same name.  In fact, it’s the opposite, offered in the hope of helping Christians return to a more spiritual-minded celebration of this glorious Feast.

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Lessons & Carols for Christmas Eve

LessonsCarols-Title2Here’s an encore performance of Lessons & Carols for Christmas Eve with Christian art through the ages blended with Scripture readings and music in the Anglican Christmas tradition.  The program has a bonus reading with voice responses from the AIC’s Antiphons for Christmas Eve which I used at my former parish.

The title picture is a stained glass window by F. X. Zettler, one of the foremost of stained glass artists in Europe, in Stockholm, Sweden.

Music includes Hark! the Herald Angels Sing; The First Nowell; Good Christian Men, Rejoice; It Came Upon the Midnight Clear; What Child is This?; Away in a Manger; God Rest Ye Merry, Gentlemen; Joy to the World; Once in Royal David’s City; and, of course, Silent Night.

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Tomorrow I will begin posting links to The Twelve Days of Christmas series.   Please be sure to attend your local service of Lessons and Carols.

Great “O” Antiphons – O Emmanuel – Dec. 24th

The final Great “O” Antiphon episode is here, with O Emmanuel for Dec. 24th.  Many of Christianity’s problems in the modern world are owed to the Church’s reluctance to teach the kind of faith that generated the Great “O” Antiphons in the 12th C.  The hymn for today is, of course, O Come, O Come, Emmanuel, sung by soloist Jared Haselbarth.  Mr. Haselbarth’s music is available in a boxed set of DVDs from nab audio.com.

For this occasion, I’ve integrated the Christmas Eve program from my former parish into the traditional wording.  For interested listeners/viewers the hauntingly evocative theme music for the series was purchased from a vendor who identifies the artist as Ricky Theory.

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Later today I will post Lessons & Carols for Christmas Eve, an electronic version of the classic Christmas Eve service offered by nearly every Anglican parish everywhere but made available here for a wider audience.  The program leads into another series, The Twelve Days of Christmas, with a theme word or phrase for each day from Christmas Day to Epiphany Eve.

 

Great “O” Antiphons – O Rex Gentium – Dec. 23rd

O-Antiphons-Slide55Join us for today’s Great “O” Antiphons observation for December 23rd, when the key words are O Rex Gentium, or King of Nations.  This presentation was adapted, with illustrations and music, from the original 12th C. office.

Today’s hymn is The Coming of Our God by Charles Coffin, circa 1736 A.D.  In the St. Chrysostom Hymnal the same hymn (Advent Hymn No. 4)  is titled The Advent of Our King.  The soloist is Mr. Jared Haselbarth, whose music catalogue is available at http://www.nabaudio.com.  This and other teaching and worship videos are linked from the Digital Library page on this site.

Tomorrow there will be links to both the office for Dec. 24th, O Emmanuel, and also the AIC Seasonal Video, Lessons and Carols for Christmas Eve.

Watch the video.   Listen to the Podcast

The AIC urges you to attend a local Church for Holy Communion on Sunday, Dec. 24th, and, if available, a local Lessons and Carols service.  Our version of Lessons and Carols is available 24/7 via the Web.

Great “O” Antiphons – O Orien – Dec. 22nd

O-Antiphons-Slide44For December 22nd the key words are O Orien (Dayspring) in the 12th C. devotions known as the Great “O” Antiphons.   The hymn for today is Wake, Awake, the Night is Dying (Anglican translation is Awake, the Night is Flying), sung by Mr. Jared Haselbarth.  You can access all his beautiful Christian music at http://www.nabaudio.com.

This series will be followed by the AIC video Lessons and Carols for Christmas Eve and, beginning Dec. 25th, The Twelve Days of Christmas.  These and other AIC teachings and worship programs are linked from the Digital Library page.

Watch the Video.     Listen to the Podcast.

 

Great “O” Antiphons – O Clavis David – Dec. 21st

O-Antiphons-Slide31The Great “O” Antiphon for December 21st is O Clavis David (Key of David).  This evocation from our joint Hebrew-Christian past is part of the 12th C. celebration of the last 7 days of Advent,  The hymn for the occasion is Come, Thou Long-expected Jesus, sung by soloist Jared Haselbarth.  The hymn was composed by Charles Wesley and is sung to the German-inspired tune, Stuttgart.  You can access much of Mr. Haselbarth’s Christian music at http://www.nabaudio.com.

The Great “O” Antiphons seasonal video series offers not only stirring music, including a wonderful, evocative Celtic-inspired playing of O Come, O Come Emmanuel, but also graphic images from the rich artistic tradition of Christianity.  Other episodes in the series are linked from the Digital Library page.

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Great “O” Antiphons – O Radix Jesse – Dec. 20th

O-Antiphons-Slide23The key phrase for Dec. 20th in the 12th C. observation, The Great “O” Antiphons, is O Radix Jesse, or Key of Jesse.  It’s such a shame that the modern Church rarely uses these great teaching assets, but you can still enjoy and, hopefully, learn from them here.

Today’s hymn is Hear the Herald Voice Resounding, a Latin hymn from the 6th C. The Anglican version is Hark! A Thrilling Voice Is Sounding, an 1849 A.D. translation set to the tune Merton by W. H. Monk).  It is performed by Jared Haselbarth.  You can find this and other music by him at http://www.nabaudio.com.

The series was originally recorded in 2014 A.D. and revised with Jared Haselbarth’s great and uplifting solos and other modifications in 2015 A.D.  This program and other resources for traditional worship are available from the Digital Library page.

Watch the Video.        Listen to the Podcast.

 

Great “O” Antiphons – O Adonai – Dec. 19th

O-Antiphons-Slide12The key word for December 19th is Adonai, the Hebrew word for Lord, for which the Latin and Greek equivalent is Kyrie.  This is the second of seven presentations leading up to Christmas Eve based on the 12th C. celebration of the Roman Catholic Church augmented with pictures, music and Scripture readings.   It was recorded in 2015 A.D.

The hymn for today’s presentation is The King of Glory Comes, written by Willard Francis Jabusch in 1966 A.D.  Here it is sung by Mr. Jared Haselbarth, whose music is available at http://www.nabaudio.com.  The hymn is arranged to a Hebrew folk tune to which Fr. Jabusch set wonderful Christian lyrics.    I hope you like it.

Tomorrow’s key words will be O Radix Jesse (Root of Jesse).

Watch the video      Listen to the Podcast version.

 

Great “O” Antiphons – O Sapienta – Dec. 18th

O-Antiphons-Slide4

Today is December 18th, the first day of the seven-day cycle of The Great “O” Antiphons, which date from the Roman Catholic Church in the 12th Century.

Today’s key word is O Sapienta, Latin for wisdom.  Episodes in the series run approximately 12 minutes each.  Both video and podcast versions are available.  Includes appropriate Scripture and music.  On this episode, On Jordan’s Bank the Baptist’s Cry is sung by Mr. Jared Haselbarth.  His music is also available at http://www.nabaudio.com.  The song was written by Charles Coffin in 1736 A.D. and is still sung world-wide during Advent (as it was on Advent 3 at the Anglican Church I attended yesterday).  This version was recorded in 2015 A.D.

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St. Chrysostom Hymnal – 4th Edition Revised

Hymnal-2017-OneVol-Cover-FrontI’m very pleased to announce that initial problems with producing The St. Chrysostom Hymnal in a single volume are being resolved this month. The first effort resulted in a volume far to large to transmit to our printer unless the book was separated into two volumes.  The problem was resolved using file compression technology and by making the file compatible only with the most recent versions of Adobe Acrobat.

The 4th Edition Revised will be available in early December as a single volume offering lovers of traditional Christian music access not only to many of the best hymns from the venerable 1940 Hymnal but also an expanded collection of traditional and easily-sung hymns and carols from many denominations as a supplement for other hymnals.  The following is but a small sample of the contents.

The following are selected highlights of the contents.  For Advent there is one new song, Charles Coffin’s The Advent of Our King (1789).  Other music is set to tunes that are easier to sing.  These include Lift Up Your Heads, Ye Mighty Gates (which is Hymn 484 in the 1940 Hymnal, here set to Veni Emmanuel); O Word, That Goest Forth on High (7th C.); and While Shepherds Watched Their Flocks By Night, set in the English style to Winchester Old..

For Christmas the selection is expanded to include two of Martin Luther’s hymns, Good News from Heaven the Angels Bring (in a different translation more easily sung) and All Praise to Thee, Eternal Lord; James Montgomery’s Bright and Joyful Is the Morn (1825); and John Simpson Cook’s Gentle Mary Laid Her Child (1919) (reset to Tempus Adest Floridum); and the German Christmas hymn, Rejoice, Rejoice, Ye Christians (1640).

For Epiphany I have added the renowned English cleric and music scholar John Mason Neale’s O Thou, Who By a Star Didst Guide (1842); Basil Woodds’ evangelical hymn Hail, Thou Source of Every Blessing (1810); plus the celebrated Catherine Winkworth’s 19th C. translation of O Christ, Thou True and Only Light (1630), the latter an inspiring interpretation of the literal meaning of the Greek word from which we get Epiphany: to shine forth.  [F.Y.I: I use a modern, Celtic-inspired string arrangement of Hail, Thou Source of Every Blessing as the introductory music in several of our video series and podcasts.]

For Lent the hymnal offers a new tune for St. Gregory the Great’s Kind Maker of the World (6th-7th C.) and several new songs, including Robert Grant’s Savior, When In Dust to Thee (1815) (revived from the 1933 Episcopal Hymnal and set to the lyrical Welsh tune, Aberystwyth) and the German hymn, O Faithful God, Thanks Be to Thee (1572), set to the familiar tune Old Hundredth (using a Lutheran arrangement which varies slightly from the more familiar version).

Many of the hymns for the Hours offices in the 1940 Hymnal are reset to more easily sung tunes, avoiding the more difficult plainsong arrangements.  There are entire sections of music directed separately to God the Father, God the Son, God the Holy Spirit, and to the Holy Trinity, including a personal favorite of mine, Bernard of Clairveaux’s stirring and worshipful 12th C. hymn, O Jesus, King Most Wonderful, inspired by the book which started a trend in the Church of England’s worship practices, Hymns Ancient and Modern (1861) and set to Winchester Old.  There is also a selection of suitable Opening (Processional) and Closing (Recessional) hymns; hymns of praise, including Henry Baker’s hymn, Praise, O Praise, Our God and King (circa 1870), a paraphrase of Psalm 136 which also inspired John Milton’s Let Us With a Gladsome Mind, arranged to the simple tune Monkton; and a collection of hymns to the Church Universal.  Also included is Horatio Nelson’s For All the Saints in Warfare (1864) from the 1892 Episopal Hymnal, which includes a special 2nd verse for each of the eighteen saints with feast days in the Book of Common Prayer.  I use that song as the theme music to open and close episodes in the AIC Christian Education video series, The Lives of the Saints.

Sources of the music, which range from the 3rd through the 20th C., include the hymnals of many denominations, including the Church of England and older Episcopal Church hymnals going as far back as the late 18th C. as well as Lutheran, Methodist, Baptist, Presbyterian, Moravian Brethren, Roman Catholic, Byzantine and other traditions.

The 494 traditional hymns, carols and canticles are set to tunes and arrangements intended to encourage full participation in congregational singing.  The cover includes a revealing quotation from St. Athanasius: “the act of singing affects harmony in the soul.”

Hymns and carols were selected for their use of traditional words, faithfulness to Scripture, and ease of singing by the average member of any congregation rather than for professional choral singing.  The selection of tunes was a compromise: retaining time-tested traditional music; encouraging greater participation by members of a congregation; and also avoiding any which might immediately bring to mind a commercial for a famous brand of hot dog or the opening theme of a television series.  All the tunes and songs were tested by the members of my former parish for ease of singing and for general appeal to a broad cross-section of people with backgrounds in several denominations other than Anglican/Episcopal.

An additional bonus is the wide selection of doxologies, which are set to six traditional and familiar tunes.  Indexes are include a combined Author-Composer-Translator-Arranger-Sources list, plus indexes by Tune, Metric, Church Season, Liturgical Purpose, First Line or Common Title, and, if known, Scriptural Source.

Readers can use the Virtual Bookstore links on the Home page to access additional information, pricing and ordering your own copies.  100% of all book royalties are contributed to the AIC and help us offset the cost of the royalty-free art which is used in all our video series and for the royalty-free music used for both the videos and podcasts.

Thank you for your interest in and support for The Anglican Internet Church.  May God bless you in all that you do in His Name.

Glory be to God for all things! Amen!