The Great “O” Antiphons for Advent – 2018 A.D. Edition

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Christ in Glory, blessing the Blessed Virgin (on next page), mid-14th C, Pacino de Buonaguida, MSS Royal 6 E IX, Folio 4,  British Library, London, England. 

I’ve been busy updating The Great “O” Antiphons programs which were last updated in 2015 A.D., just after my retirement from pulpit ministry.  Since then I’ve learned a few new tricks and acquired many more images from the archives of the Western and Eastern Church traditions.  As viewers will have noticed, the style of AIC presentations has evolved since the launching of The Anglican Internet Church on the Web.  So far in 2018 A.D. I have updated our videos for Epiphany. Gesima (Pre-Lent) and Lent; expanded available offerings for Good Friday; and launched new series for the Easter, Trinity and Advent seasons.   I’ve completed the slides and script for a new 2-episode Christmas series, which will be available in October; and I am revising The Twelve Days of Christmas series, also with new slides and a revised style, with the revised version to be released in early November.

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David on his harp, inside an illuminated capital letter, Psalter of Humphrey of Gloucester, London, 15th C., MSS Royal 2 B 1, Folio 8, British Library, London, England.

The Great “O” Antiphons program for the last seven days in Advent will remain a 7-episode series.  It will include new illustrations, including the 14th C. Christ image above and the David graphic at left.  I’ve made the style consistent with the format used for the new and revised programs mentioned above, which reflect capabilities of iMovie for the Mac (vs. the iPad version).

The 2018 A.D. edition will also include new Voice and Response contributions by the members of a local church.  These will be heard in the closing response to each of the seven Antiphons and in the closing Antiphons for Christmas Eve.

The introduction of all these remaining revised versions during the months of October and November will mark the completion of the AIC Seasonal Videos for each of the seasons on the Anglican Church Calendar.  There will now be teaching videos, written primarily for the Laity but also useful for Clergy, for every Sunday in the 1928 Book of Common Prayer.  I hope these will prove useful for understanding the meaning of, and appreciating the spiritual beauty of, traditional Anglican worship.

As always, thank you for your interest in and support for this Internet-based ministry.  May God bless you in all that you do in His Name.  Amen.  Glory be to God for all things! Amen!

 

Advent – Episode Two

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4th Quarter 12th C. frieze on parchment of Jesus meeting John the Baptist and a group of John’s followers.  Source: Additional MSS 42497, British Library, London, England.  

This week I got back in the swing of things.  First, I uploaded Episode Two in Advent: a Season of Penitence & Preparation.  Episode Two is the final episode in this Seasonal Video series and it brings me closer to achieving my post-retirement objective of a teaching video for every season on the Anglican Church Calendar.

Episode Two is focused on the Third Sunday in Advent, Fourth Sunday in Advent, and other traditions of Advent, including the Great “O” Antiphons for the final seven days in Advent and Lessons and Carols for Christmas Eve.  The illustration at left is one of nine scenes in the life of John the Baptist, five on the front side and four on the back.  Another scene from the same source included in Episode Two depicts St. John the Baptist baptizing a man in a wooden tub.

Watch the Video

Listen to the Podcast

The final missing piece in the AIC Seasonal Video series, Christmas: The Nativity of Our Lord, is also nearing completion.  The script and slides are complete, awaiting  its soundtrack and final video editing.  I hope to finish both episodes in September or early October.  The series will be available in two episodes, each with historic art, much of which viewers may not have seen before.  Episode One will cover the evolution of the Christmas tradition in the Western Church, Anglican traditions of Christmas, the two Collect, Epistle and Gospel readings for Christmas Day, plus the changes made for Morning and Evening Prayer and the Proper Preface for the Octave of Christmas.  Episode Two will cover the First Sunday after Christmas Day, Second Sunday after Christmas Day and include discussion of the Twelve Days of Christmas tradition and information on the fourteen hymns or carols of Christmas in the St. Chrysostom Hymnal that are either not found in the venerable 1940 Hymnal or are arranged to different tunes.  The Twelve Days of Christmas video series, with one episode for each day of the twelve days from Dec. 25th through Jan. 5th, will be reissued with new content and many new illustrations in December 2018 A.D.  The changes will make the Twelve Days program consistent with the style and content of all the other Seasonal Video series.  Episodes are, or will be, linked from the Digital Library page (with Podcasts linked from the Podcast Archive page).

Please consider “following” the blog by clicking the Follow Anglican Internet Church legend in the right column.  You’ll be asked to enter your email address to which our site host, WordPress.com, will send notice of each new posting.  We do not share email addresses with any other entity.

As always, thank you for your interest in and support for this Internet-based ministry this is consistent reaching traditional Christian in many parts of the world.  We are solely supported by contributions and by royalties from sales of AIC Bookstore Publications (see the Virtual Bookstore link at the bottom of the Home Page).

May God bless you in all that you do in His Name.  Amen.  Glory be to God of all things! Amen!

Advent – Episode One

Advent-2018-Mini-TitleThis morning I uploaded to our YouTube channel Episode One in a new AIC Seasonal Video series, Advent: A Season of Penitence & Preparation.  Episode One is focused on the history and purpose of Advent Season; Anglican traditions of Advent; the Collects, Epistles, Gospels, Canticles, and Opening Sentences for Advent in the 1928 Book of Common Prayer for First Sunday in Advent and Second Sunday in Advent; plus music for Advent Season in The St. Chrysostom Hymnal that is not found in the venerable 1940 Hymnal.

Episode Two (of two) in the series will cover the two remaining Sundays in Advent, plus my discussion of The Great “O” Antiphons, a 12th C. office created to celebrate the last seven days in Advent, and the AIC video series, Lessons and Carols for Christmas Eve, with music and contemplation in the English style made popular by Trinity College, Cambridge, to which I have added art work from historic archives.  Episode Two is currently in production, with completion anticipated in September.   I hope to produce new 2018 A.D editions, with new voice responses and some new or updated illustrations, for both these series in time for Advent and Christmas.

The Advent series bring me a step closer to completing my post-retirement objective of offering viewers teaching videos and other materials on all the seasons in the Anglican Church Calendar.  The final missing piece is an entirely new series, Christmas: The Nativity of Our Lord, also to be presented in two episodes.   These two new series will be added, placed in Anglican Calendar order, to the Digital Library and, for the podcast versions, the Podcast Archive pages on this site.

Watch the Video       Listen to the Podcast

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Cover, Codex Amiatinus, a Vulgate Bible made 700 A.D., Laurentian Library, Florence (since 1787 A.D.).  Public Domain.

Observant viewers will realize that this new series on Advent does not have the customary historical art.  That is because there is no single image that can effectively symbolize a season meant to prepare Christians for two different but related events:  the Incarnation celebrated on Christmas Day and His promised Second Coming in judgment.  I have reserved the Nativity scenes for the Christmas series.   That does not mean that the episode is without historical art from both the Western and Eastern Church traditions.  An example is the image at left, Christ in Majesty, a symbolic image of the Second Coming from the Codex Amiatinus, an early 8th C. edition of St. Jerome’s Vulgate Bible.  Made in northeast England around 700 A.D., when the area was still under threat from Viking invaders, it has been in the collection of the Laurentian Library, Florence, Italy, since 1786 A.D.  The style is Byzantine, in the spiritual-minded manner preferred everywhere before the Renaissance.  The images were hand painted on vellum in tempera and gilt.

As always, I thank viewers, readers and listeners for their interest in and support for this online ministry.   With your support the site, and its related bookstore, is reaching people all around the world.   Just as a reminder, all royalties from AIC Bookstore Publications are contributed monthly to the AIC.

August is a special month for me and for my family.  Corkie and I celebrated our 46th wedding anniversary early in the month with a trip to Southwest Virginia and the region from Roanoke to Charlottesville.  Tomorrow will be my 76th birthday and we plan to celebrate with dinner at my favorite Richmond restaurant, The Rappahannock.

May the Lord bless you in all that you do in His Name.  Glory be to God for all things!  Amen!

Trinitytide-2018-Episode Nine

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The Feeding of the 5,000 – a detail from a watercolor by James Tissot, painted between 1886 and 1894 A.D. as part of his Life of Christ series.  From the collection of the Brooklyn Museum.

The final episode in our Seasonal Video series, Trinitytide: The Teaching Season, is now available in video and podcast versions.  Episode Nine is focused on the Collect, Epistle and Gospel readings for Twenty-fourth Sunday after Trinity and Sunday Next before Advent, plus discussion of the 1928 Book of Common Prayer‘s complex rules for transferring surplus Sundays from Epiphany Season for years with 26 or 27 Sundays after Trinity.   I hope I have succeeded in explaining in layman’s terms the system which insures that Sunday Next before Advent, called Twenty-fifth Sunday after Trinity until the 1892 Book of Common Prayer, will always end up as the final Sunday in Trinity season, no matter how many or how few Sundays there are “After Trinity.”

Watch the Video of Episode Nine       Listen to the Podcast of Episode Nine

Many changes have been made in the details of the format of the Seasonal Video series since I started them in 2011 A.D.  I’ve incorporated more historic art – our archive now includes about 800 images – and also added slides which explain “Other AIC Resources” containing information on the same topics and readings within a given episode.  I am pleased to let you know that the change has resulted in greater sales of AIC Bookstore Publications, including both paperback and Kindle editions.   100% of all book royalties are contributed to the AIC ministry on a monthly basis as they are received.   This income helps offset the cost of annual fees for our various web presences, including WordPress, where this Blog is hosted and which expects to be paid the next 12-month fee in August.

When I started doing the Seasonal Videos after my retirement from pulpit ministry, my intention was to offer programs on all the seasons in the Church Year.  The first series, focused on Epiphany, was incomplete.   It was edited and re-released in a full length version in time for Epiphany Season earlier in 2018 A.D.  I chose to focus on getting the AIC Bookstore Publications edited and ready for uploading instead of launching new programs.

Earlier in 2018 A.D. I produced series for the Gesima Sundays (pre-Lent) and the seasons of Lent and Easter and an updated version of In the Cross of Christ I Glory for Good Friday.  With the completion of the Trinitytide series, only Advent and Christmas remain without a teaching video/podcast series.    These last two series (Advent in two episodes; Christmas in one episode) are on schedule for release later in the year.  I anticipate releasing Advent: A Season of Penitence and Preparation in mid-September and early October.   I also plan to produce updated versions of the Great “O” Antiphons and The Twelve Days of Christmas series, with updated graphics.  Changes to the Great “O” Antiphons depend upon finding enough volunteers to speak the Voice and Response lines.

As always, I thank you for your interest in and support for this Internet-based ministry that is reaching people around the world daily.  Please consider becoming a follower by clicking the Follow Anglican Internet Church legend in the righthand column.  You’ll receive a request for your email address so that our site host (WordPress.com) can notify you of all new postings.  We do not share such information with any other organization.

May God bless you in all that you do in His Name.  Amen.

Glory be to God for all things!  Amen!

 

Trinitytide: The Teaching Season – Episode Eight

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A Byzantine-style illumination in colored inks and gilt on parchment, The Siegburg Lectionary, made at the Benedictine Abbey of St. Michael, Siegberg, Germany, 2nd Quarter, 12th C.  Mss Harley 2889, Folio 1v, The British Library, London, England.

Yesterday morning I uploaded Episode Eight in our Trinitytide Seasonal Video series.  The episode is focused on the Collect, Epistle and Gospel readings for the Twentieth through Twenty-third Sundays after Trinity, including St. Matthew’s account of the forgiveness dialogue between Jesus and St. Peter in Matthew 18:21-37, read on the Twenty-second Sunday after Trinity.   The episode includes 12 illustrations from the 9th through the late 19th C., including the colorful illumination of St. Peter holding a scroll from a German private devotional lectionary shown nearby.

Watch the video of Episode Eight.    Listen to the Podcast of Episode Eight.

In the final episode, Episode Nine, the focus is on the Twenty-fourth Sunday after Trinity, the Sunday next before Advent and the prayer book’s provisions for transfer of surplus readings from Epiphany Season to Trinity Season in years with 26 or 27 Sundays after Trinity.  Barring any technical glitches, Episode Nine should be available late in the week of July 23rd.

Thanks for your interest and support for this Internet-based ministry that is reaching people anywhere there is access to the web.  Please consider becoming a follower of this blog by clicking the “Follow Anglican Internet Church” tab in the page’s far right-hand column on laptop versions.  It might be at the bottom on smart phone or other small screen devices.

May God bless you in all that you do in His Name!  Amen.  Glory be to God for all things! Amen!

Trinitytide: The Teaching Season – Episode Seven

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St. Matthew Writing His Gospel.  Colored ink and gilt on parchment illumination by Master Michael Medovartsev, Russia, last quarter, 15th C.; MSS Egerton 3045, Folio 10v, Byzantine Illuminations, British Library, London, England.  Perspective correction applied.

Episode Seven in the AIC’s newest Seasonal Video series is now available in both video and podcast versions.  The subjects are the Collect, Epistle and Gospel readings for Sixthteenth through Nineteenth Sundays after Trinity, which includes four more writings from the Pauline Epistles and two pericopes each from the Gospels of St. Luke (Raising of the Son of the Widow of Nain; Healing of the Blind Man with dropsy; and the Parable of the Chief Seats) and St. Matthew (The Greatest Commandment question and the Healing of Palsied Man).

Watch the Video of Episode 7.    Listen to the Podcast version of Episode 7

The episode includes 13 illustrations (not counting repeat uses) from the 6th C. through the early 20th C.  I’ve added more images to our archive of St. Paul but also found another image of St. Matthew, whose images are quite hard to find.  This one is from a Russian Gospel book produced in the last quarter of the 15th C., showing St. Matthew composing his Gospel.  The colors, textures and tones are exceptional. The work is credited to a monk, Michael Medovartsev.  It comes from the Egerton MSS 3045, Folio 10v from the Byzantine illuminated manuscripts collection at the British Library, London, England.

One of the changes made during this series is better correction of what is said and presented in each episode with similar work in the AIC archive of videos, podcast and publications.   Each episode closes with a short review of source, date, episode or page number of our Bookstore publications, Seasonal and Christian Education video, and Bible Study videos.  I hope viewers find the information useful.

The script, slides and sound for Episode Eight and Episode Nine, the final episode, are complete.  The work that remains is coordination of the sound to the pictures.  I hope to complete that work during the next two weeks.

The next work in the series is Advent: A Season of Penitence and Preparation, which will premier in late September or early October.  The format will be the same as the other Seasonal Videos based on the seasons in the Church Year.  Content will incorporate some material available in existing AIC videos and books.

As always, thank you for your interest and support.  Please consider sharing this site with others or following the blog by clicking the Follow Anglican Internet Church tab in the far right column on the web site below my picture.  Your help increases the chances of greater public knowledge of these resources.

May the Lord bless you in all that you do in His Name.  Glory be to God for all things!  Amen.

Trinitytide: The Teaching Season – Episode Six

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Detail, the Parable of the Good Samaritan, an illumination in colored inks and gilt on parchment,the Rossano Gospels, Cathedral of Rossano, Rossano, Italy, 6th C.  Public Domain.

I just finished uploading Episode Six in our Seasonal Video series Trinitytide: The Teaching Season.  The focus this time is on the Collect, Epistle and Gospel readings for Twelfth, Thirteenth, Fourteenth and Fifteenth Sundays after Trinity.  There are sixteen illustrations, ranging from a 6th C. illumination from Byzantine-controlled Italy to an early 20th C. oil on canvas of Mammon depicted as a sitting deity.   The four Gospel pericopes include the Healing of the Deaf Man, the Parable of the Good Samaritan, the Healing of the Ten Lepers, and God vs. Mammon (or Two Masters).  Of course, there are four new readings from the pen of St. Paul, of whom I have included four images which I have not used previously: two 19th C. stained glass windows in England (one in East Anglia, the other in Kensington/London); and two oil on canvas works in the European tradition.

Watch the video.               Listen to the Podcast.

My favorite this week, shown above left, is a detail of the Parable of the Good Samaritan which I extracted from the Rossano Gospels,  a colored ink and gilt illumination on purple-dyed parchment, one of oldest to survive to the present day.  It was made in Italy in the 6th C., after the army of the Byzantine Empire at Constantinople conquered much of Italy.  Of course, its style is clearly Byzantine.  The Byzantine artist inserted an angel as a suggestion of the presence of Christ in the heart of the Good Samaritan.  The dying of parchment in purple was a very popular thing in the first Millennium and into the early part of the second.

In my research for these episodes I’ve discovered some new archives I had not known about and who resources I will be mining in future months, especially for images of St. Paul and the four Gospel authors, plus individual page illuminations from Gospels, Lectionaries and other works intended for personal devotions.  I think the lives of Christians would be immensely enriched if these were currently available for home devotions.  Perhaps the AIC will produce one in 2019 A.D.  I was thinking along the lines of introducing color introductions into Hear Us, O Lord: Daily Prayers for the Laity.  Unfortunately, the price would have to double if not triple (more color, more pages equals higher printing costs).

The slides and script for Episode Seven, covering the Sixteenth through Nineteenth Sundays after Trinity, are nearly complete.  I hope viewers will be as amazed as I am at the illustrations for Episode Seven and pleased with the longer treatment of several of the Gospel lessons.  The episode probably will not be finished until the following week owing to some personal obligations next week and the 4th of July holiday.

As always, thank you for your interest and support.  Adding yourself to the list of followers either on the AIC web site, especially the Fr. Ron’s blog page; our Podbean channel and our YouTube channel, is very helpful in assisting me in reaching more people with the traditional Christian message and interpretation.

May God bless you in all that you do in His Name!  Amen!  Glory be to God for all things! Amen!

Trinitytide: the Teaching Season – Episode Five

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The Vision of the Destruction of Jerusalem, Gospels of Otto III. 11th C., Bavarian State Library, Munich, Germany. Public Domain.

Episode Five in our Trinitytide series was uploaded to our YouTube and Podbean channels earlier this morning.  The focus of Episode Five is the Collects, Epistle and Gospel readings for Ninth, Tenth and Eleventh Sunday after Trinity.  There are three more readings from the epistles of St. Paul and the final two of the eleven traditional hymns to the Holy Trinity in The St. Chrysostom Hymnal and not in the venerable 1940 Hymnal.  There are three more accounts from the Gospel of St. Luke.  I’ve included 12 examples of historic art, 1 from the 11th C.; 1 from the 14th C.; 2 from the 15th C.; 1 from the 17th C.; 2 from the 18th C., and, four from the 19th C.  The art comes from both the Western Church and the Eastern Church traditions, including icons, statuary, watercolors, oils on canvas (a Western Church innovation), illuminations on Scripture, and one fresco (by Giotto).

Watch the video.       Listen to the Podcast

The oldest illustration, shown nearby, is an illumination in tempera and gilt on parchment of Jesus’ vision of the destruction of Jerusalem from the Gospels of Otto III, with art in the Byzantine-style produced at the Benedictine Monastery on Reichenau island in Lake Constance in southern Germany.  The account is unique to the Gospel of St. Luke.  Holy Roman Emperor Otto III, an Ottoman inheritor of the mantle of the Holy Roman Empire following from the revival of it in Western Europe by Charlesmagne, was also responsible for commissioning the Bamberg Apocalypse, from which I used 51 illuminations through the cooperation of the Bamberg State Library, Bamberg, Germany.  Otto’s mother was a princess of the Byzantine Empire.  He brought artists from Constantinople to Germany to teach Eastern Church techniques to the local artistic community in the Scriptorium at the monastery on Lake Constance.  These are among the many Byzantine-style works of Church art from before the catastrophic rift between Rome and Constantinople, most of them before the emergence of uniquely Western art during the Renaissance and later.

I’ve been trying out some changes to the model for these Seasonal Videos.  Since the intent of these videos and related podcast is to help Christians understand and better appreciate the historic traditions of Christianity, I’ve put more focus on explaining the evolution of the Prayer Book Collects and the Scripture readings derived from them.  These modification are not isolated to just the Collects but also extend to the commentaries on the Epistle and Gospel readings.  The breadth of the artistic content has also been improved, with a broader selection of Church art, many of which, except for scholars both of the Church and of the art world, are not commonly seen in Western Church teaching.  These are included not just for the sake of breadth but also as teaching tools.  The art works are chosen not just for availability (some public domain and some purchased from several vendors), but also for the subject matter and, whenever relevant, how the artist conveyed the theological meaning of the events displayed.

The script and slides for Episode Six, focused on the next four Sundays after Trinity (12th through 15th) is complete and ready for recording of the soundtrack and putting together the video sequences, coordinating the sound with the pictures.  Barring technical and other glitches, I expect to have it ready by next Friday. There will be a total of nine episodes in the series, with the final episode covering the extra Sundays needed when Trinity season goes beyond the Twenty-fourth Sunday after Trinity and also the Sunday Next before Advent, which finishes the season.  I will also discuss the several alternative readings, most of which are no longer used.

As always, I thank you for your interest and support of this Internet ministry.   I hope you will considering becoming a follower of this site by clicking the Follow Anglican Internet Church tab found below my picture in the right column and also following both our YouTube and Podbean channels.

May the Lord bless you in all that you do in His Name.  Glory be to God for all things! Amen.

Trinitytide: The Teaching Season – Episode Four

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The Apostle Paul by Lucas van Leyden, circa 1520 A.D., Yale University Art Gallery,  Public Domain.

As promised last week, Episode Four in the Trinitytide series is now available in both video and podcast versions.   I’ve used several of the images of St, Paul which have been added to our library either from the public domain or from various picture vendors.   The most unusual one is today’s featured image, an oil on panel by Dutch painter and sculptor Lucas van Leyden, painted circa 1520 A.D. and now in the collection at Yale University Gallery of Art, New Haven, CT.   It is distinctly Western and presents St. Paul as if he were one of van Leyden’s clients sitting in his studio for a portrait, as opposed to the more fierce facial expression and bodily pose favored in Eastern Church art.  As is customary in Western Church art, St. Paul holds a book and a sword, the latter a symbol of the manner of his death.  Traditional accounts say that St. Paul was beheaded outside Rome around 68 A.D. during the reign of Emperor Nero.  Many claims have been made about the whereabouts of his remains, but not, as far as I am aware, are widely accepted.

Episode Four provides the full texts and origin of the Collects for Sixth, Seventh and Eighth Sundays after Trinity.  Commentary, summaries and key quotations are provided for the Epistle and Gospel readings.   I’ve also mentioned the next three of the eleven hymns to the Holy Trinity from The St. Chrysostom Hymnal.  The final two hymns will be mentioned in Episode Five, which is focused on the Ninth, Tenth and Eleventh Sundays after Trinity.

Watch the Video.              Listen to the Podcast

This coming week I will be acquiring three more impressions of St. Paul, all three in stained glass from the 19th C, including his Conversion, the warning of Agabus concerning his arrest, and a full size, frontal view of St. Paul with book and sword.

As always, I thank viewers for their interest and support.  May God bless you in all that you do in His Name.  Amen!  Glory be to God for all things! Amen!

Images of St. Paul

In working on Trinitytide: The Teaching Season I realized that readings from St. Paul’s work occupy 80+% of all the Epistle/For the Epistle readings for Trinity Season.  My inventory of historical images had only 4 or 5 representations of St. Paul and I had often fallen back to Andrei Rublev’s tempera and silver on panel unfinished icon, which dates to the 1st decade of the 15th C.   The search for more images took me through a lot of terrible art but, in the end, I found about 15 additional images of the prolific Evangelist to the Gentiles and who is often substituted for Matthias in imagery of the Twelve. especially in the Eastern Church tradition.

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St.Paul, 11th C. mosaic at Chora Church (Church of the Holy Savior), Istanbul, Turkey, now a museum.  Image copyright Andrey Andronov|Dreamstime.com).  Perspective correction applied.

Not wanting to give away too much, I have included here only one of the new impressions.  As Trinity season progresses, and I release more episodes in the Trinitytide series, all 15 of the new images will appear in slides.

In the example at left the 11th C. artist captured three historical understandings about images of St. Paul:  receding hair line, full bear, intense facial expression.   He hold a book, representing either the Gospels or, more likely, the Pauline Epistles.  Since this is a Byzantine image and not one from the Western Church tradition, he does not hold an object which symbolizes the manner of his martyrdom.  In nearly all Western Church icon, painting, mosaic or statue  St. Paul holds a sword or a broken sword.  I applied perspective correction to the original image to make it more closely resemble the frontal view of the same mosaic by another photographer.  Apologies to the Dreamstime photographer.  As always, I am impressed by the way the Byzantine mosaic-maker managed to give the sense of flowing robes with lapis blue and the suggestion of indirect light.  Based on the colors and the pose, I wonder whether this mosaic was the inspiration for Rublev’s unfinished work.  Perhaps, but perhaps not, since other sources date the mosaic to a later century, before the Moslem conquest of Constantinople.

Next week I will upload Episode Four in the series, which covers the Seventh, Eighth and Ninth Sundays after Trinity, plus three more of the eleven Trinitarian hymns in the AIC Bookstore publication, The St. Chrysostom Hymnal.  To learn more about the Hymnal, visit my Amazon Author Central page.

As always, thank you for your interest and support.

May the Lord bless you in all that you do in His Name!  Amen!  Glory be to God for all things!  Amen!