Sixteenth Sunday after Trinity

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The Sixteenth Sunday after Trinity, celebrated on September 15th in A.D. 2024, marks the first reading from Ephesians during Trinitytide: the Teaching Season. The Collect for the day is another composition by Archbishop Thomas Cranmer made for the 1549 Book of C0mmon Prayer. It is another which was drawn from the “Gelasian” Sacramentary, named after the 5th C. pope although the volume was not published until circa 750. As you have undoubtedly noticed, the Gelasian liturgy, the second oldest in the Roman Catholic tradition, was highly-favored in the English Church both before and after the Church of England separated from the Church of Rome. The word “Church” was substituted for the original “congregation” in the 1662 Book of Common Prayer.

O LORD, we beseech thee, let thy continual pity cleanse and defend thy Church;
and, because it cannot continue in safety without thy succour,
preserve it evermore by thy help and goodness; through Jesus Christ our Lord. Amen.

The Epistle reading, Ephesians 3:13-21, as noted above, is the first in Trinitytide from St. Paul’s Epistle to the Ephesians, a congregation he established in Asia Minor on his Second Missionary journey. This selection includes St. Paul’s colorful and vivid language which later became popular parts of Christian prayer. These verses are the source of the Christian understanding of the Church as the earthly body of the faithful (as reflected in the previously mentioned insertion of “Church” in place of “congregation”) and the necessity of the Holy Spirit “in” the “inner man” and Christ “dwelling” in the heart (v. 16b-19a). He also uses another term which became part of Christian belief: fulness. I discuss the meaning of “heart” (used 826 times in the King James Version) in the AIC Bookstore Publication, Layman’s Lexicon: a Handbook of Scriptural, Liturgical & Theological Terms, available through my Amazon Author Central page.

The Gospel reading, Luke 7:11-17, the eleventh reading from Luke’s Gospel in Trinitytide: the Teaching Season, is Luke’s account of Jesus “raising” the son of the Widow of Nain, an event which took place around 28 A.D. in western Judea in the second year of Jesus’ public ministry. Fortunately for Christians, the event was featured often in illuminated Gospels, pericope books and other media. For this post I offer three examples from the AIC’s image archive. The first two, in the spiritual style, are Byzantine/Ottonian illuminations from the late 10th and early 11th C. and the third is an example in the historical style in the form of a last quarter 19th. C. watercolor. All three examples were used in one or more episodes Episode Twenty and Episode Twenty-five in the AIC Bible Study Video series, The New Testament, and in Episode Seven in our Christian Education Video series, Trinitytide: the Teaching Season. The spectacularly detailed image from the Gospels of Otto III was used as Illustration No. 56 in the AIC Bookstore Publication, The Gospel of Luke: Annotated & Illustrated, available through my Amazon Author Central page.

Raising the Son of the Widow of Nain, illumination in tempera and gold on parchment, Gospels of Otto III, circa 998 A.D., Clm 4453, Image 60, Bayerische Staatsbibliothek, Munich, Germany. CC by-NC-SA-4.0

This first example was produced at Reichenau Monastery, Lake Constance, Reichenau, Germany, for Holy Roman Emperor Otto III, whose mother was a Byzantine princess. Using that family connection, artists from Constantinople were brought to Reichenau to aid the already-experienced local artists in producing illustrated Bibles and other liturgical books in the Byzantine style of illumination. During the Ottonian era of Holy Roman Emperors, successors to Charlemagne, coronated at Rome, Christmas Day, 800 A.D., developed their own distinctive style, often labelled after the monk Liuthar, the chief of the artists who began in the Scriptorium at Reichenau around 1000 A.D. The art they produced there remains unequalled in the range of detail, including facial expressions, the use of gold as a background, elaborate foliage and flora patterns as borners (see the example above), and scenes often framed between classical architectural features, such as the columns shown above.

The second example is from the Hitda Codex, an illuminated liturgical book produced for Hitda, the Abbess of Meschede, Germany, circa 1020 A.D. The Codex is the only surviving example of Christian art produced at or near Cologne, the center of the empire created by Charlemagne, a Frankish monarch whose kingdom stretched from the southern half of presentday Denmark into most of Spain, a large part of northern Italy and eastward into the edge of the Balkans. Charlemagne was crowned Holy Roman Emperor at Rome on Christmas Day, 800 A.D., becoming the first Christian emperor in the West since the Vandals sacked Rome in 455 A.D. In earlier posts, I have explained the important part which Charlemagne and his spiritual advisor, the Blessed Alcuin of York, played in the spread of Christianity into western Europe.

Raising the Son of the Widow of Nain, illumination in colors and gold on parchment, Hitda Codex, produced for Hitda, Abbess of Meschede, Germany, circa 1020 A.D., Hs. 1640, Universitats- und Landesbibliothek Darmstadt, Darmstadt, Germany. CC0 license.

The third and final example is another watercolor created in the historical style by James Tissot, part of his Life of Christ series produced between 1886 and 1896 and now part of the collection of the Brooklyn Museum. In the watercolor, Tissot’s mastery of architectural detail, costume and a wide range of facial expressions is evident, as is his capture of the details of the central scene in St. Luke’s account.

Raising the Son of the Widow of Nain, opaque watercolor over graphite on gray wove paper, James Tissot, 1886-1896, Brooklyn Museum, Brooklyn, NY.

As always, I thank you for your interest and support. Especial thanks is owed to those who have signed on as followers of this Blog. The AIC’s online presence is intended to make these and other amazing examples of Christian more widely available in a variety of media. Most of our material is available free of charge. Author royalties from all the AIC Bookstore Publications are donated to the AIC. I encourage readers/viewers to visit the host sites for all these images, where these and many more are available in the public domain. They are owed a great debt of gratitude for preserving, archiving and, especially, digitizing the original art and making it available for research and education.

Glory be to God for all things! Amen!

Tenth Sunday after Trinity, A.D. 2024

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This week’s Collect and the Epistle reading offer excellent opportunities for understanding doctrines of the Christian Faith. The Gospel reading provides opportunity for increasing onw’s knowledge of historical events described in the Gospel of Luke. I am going to depart somewhat from the usual format by offering interpretation of both the Collect and the Epistle by Anglican clergyman and scholar Massey Shepherd, from his Commentary on the 1928 Book of Common Prayer published in 1950.

The Collect was adapted by Archbishop Cranmer from the Gelasian Sacramentary:

Let thy merciful ears, O Lord, be open to the prayers of thy humble servants; and, that they may obtain their petitions, make them to ask such things as shall please thee; through Jesus Christ our Lord. Amen.

Shepherd offers the following helpful interpretation, in comparing it to another earlier Collect from the Leonine Sacramentary:

“It says in a somewhat different way [than the Leonine Collect], that God answers our prayers when we ask of Him according to His will. Put in other words, when our wills are conformed to His will, our prayers and petitions are acceptable to Him.”

The Epistle reading, 1st Corinthians 12:1-11, is St. Paul’s detailed lesson on the meaning of “spiritual gifts,” which he offered to help the formerly-pagan Corinthians understand the different between things which happen according to the true will of the Holy Spirit, one of the three divine persons of the Holy Trinity we celebrate during Trinitytide and the often impulsive and self-serving passions of the gods of the pagan era. Much of Paul’s correspondence with the congregation he founded at Corinth in similarly involved in corrections of incorrect pagan thinking and interpretation of events.

The Gospel reading, Luke 19:41-47a, as noted earlier the seventh reading during the period beginning on Whitsunday, includes two parts, The first is Jesus’ prophecy of the Destruction of Jerusalem, also commonly known as Jesus weeping over the fate of Jerusalem. It differs from the earlier reference in Luke 13:34, which describes events which had already happened. The second is part is Luke’s short account of Jesus driving out the money-changers from the Temple, including the famous line, “My house is the house of prayer; but ye have made it a den of thieves” (KJV text; see also Matthew 21:13; Mark 11:17). Jesus’ account accurately describes the method of the systematic destruction of Jerusalem and the Temple by the Romans in 70 A.D. The prophecy was vividly illustrated in the Gospels of Otto III, produced at Reichenau, Germany, around 998 A.D. The image was used as Illustration No. 93 in the AIC Bookstore Publication, The Gospel of Luke: Annotated & Illustrated. The book is available through my Amazon Author Central page, with more information on the AIC Bookstore page. The Gospels of Otto III also includes a image of the driving out of the money-changers. The Gospel reading was discussed in Episode Five in our Bible Study video series on the Gospel of Luke, linked from the Digital Library page. The homily for the occasion is linked from the Podcast Homilies page.

Christ Weeps Over Jerusalem, illumination in tempera and gold on parchment, produced at Reichenau Monastery, Reichenau, Germany, circa 998. Clm 4453, Image 80, Bayerische Staatsbibliothek, Munich, Germany. CC by NC-SA 4.0.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Seventh Sunday after Trinity

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Unlike the Epistle and Gospel reading for Sixth Sunday after Trinity, the Gospel reading for Seventh Sunday after Trinity (Mark 8:1-9) was a favorite subject for Christian artists, clergy, theologians and illustrators. The reading is Mark’s account of the second miraculous feeding of a multitude, commonly known as the Feeding of the 4,000. The location was somewhere along the eastern shore of the Sea of Galilee in the region of the Decapolis (Ten Cities in Greek) that is southeast of Bethsaida (near where the Jordan River flows into the Sea of Galilee) and north of the region of Gergasa (the setting of the encounter with the Gadarene Demonic which Mark described in Mark 5:1-20). In the verses just before this week’s reading, Mark records Jesus healing the deaf man with a speech impediment (Mark 7:31-37, the famous incident in which Jesus put his fingers in the man’s ears, spat and touched the man’s tongue) and, in the verses just afterward, he records an encounter with disbelieving Pharisees demanding a “sign from heaven.” In that account Jesus scolds the Pharisees for their obsession with signs and wonders and denial of His divine origin and identity.

Mark’s account is the second and final reading from his Gospel during Trinitytide. The third and final example does not occur until the Twelfth Sunday after Trinity (Mark 7:31-37, mentioned above). Mark’s account gives readers no names of the Disciples he quotes in verses 4 and 5 and describes a compassionate Jesus concerned for the many who had been following him for three days and who had “nothing to eat.” (verse 2). The account includes three examples of Hebrew and early Christian numerology: 3 (# of days following Jesus in verse 2), 4 (# of men present in thousands in verse 9) and 7 (# of loaves of bread, # of large baskets holding the remaining bread in verses 6 & 8). The illustration is from the Codex Egberti, the first illustrated Gospel to contain scenes in the Life of Christ. Trier is located on the banks of the Moselle River in the Rhineland-Palatine state of Germany near its western border with the tiny state of Luxembourg. It is near the heart of the empire of Holy Roman Emperor Charlemagne, who was crowned at Rome on Christmas Day, 800 A.D. (more in the blog postings about Alcuin and Charlemagne, posted on March 16th, and Fourth Sunday after Trinity). The example is small because the AIC does not have it in high enough resolution for a full page view.

Feeding the Multitude, illumination in tempera and gold on parchment, Codex Egberti, circa 967-984, produced for Egbert, Archbishop of Trier, Trier, Germany. Codex 24, Wissenschaftliche Bibliothek der Stadt Trier, Trier, Germany. Public domain.

Early Christians, especially those in the Byzantine tradition, interpreted the disciples’ skeptical question in verse 4 (“How can one satisfy these people with bread here in the wilderness?”) as a reference to a messianic prophecy and its fulfillment in Psalm 78: 20b and 21b: “Shall God prepare a table in the wilderness?” and “can he give bread also? The answers were given in Psalm 79:24 and 25: “…he commanded the clouds above * and opened the doors of heaven. He rained down manna also upon them for to eat, * and gave them food from heaven.”

Last week I shared with you my personal favorite image of Paul. Since again this week, the Epistle reading is from the writings of Paul, I offer a different portrait of the “Apostle to the Gentiles,” In this oil on panel painted by a Dutch artist, we see an image of Paul that is softer, both in color and tone, and, perhaps, suggestive of a more thoughtful, contemplative Paul than last week’s rather fierce image by Bartholomeo Mantagna.

St. Paul, oil on panel, Lucas van Leyden, circa 1520, Yale University Gallery of Art, New Haven, CT. Public domain.

For more about St. Paul and St. Mark, watch the AIC Christian Education Video series, The Lives of the Saints, First Series, episodes 5 & 7 respectively. both linked from the Digital Library page. The readings are discussed in the Podcast Homily for Seventh Sunday after Trinity, linked from the Podcast Homilies page, and in Episode 4 in the video series Trinitytide: the Teaching Season, linked from the Digital Library page. You can find many more illustrations of St. Mark in our publication, The Gospel of Mark: In Scripture, Art & Christian Tradition, available through my Amazon Author Central page.

As always, thank you for your interest and support for this site, which has been bringing traditional interpretations and understandings to the web sincc our first live Internet broadcast of Sunday morning Holy Communion in the summer of A.D. 2010. We get offers from many vendors for a different format, but this current one, focused on our WATCH-LISTEN-READ formula still manages to find an audience.

Glory be to God for all things! Amen!


Trinity-the Anglican Church’s Teaching Season

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Sunday, May 26th, A.D. 2024, is Trinity Sunday, marking the start of the longest season on the Anglican Church Calendar. I explain how many or how few Sundays after Trinity there can be, dependent upon the date of Easter and the date of First Sunday in Advent, in Episode One of the AIC Christian Education Video Series, Trinitytide: The Teaching Season. In the series, I also discuss the Gospel and Epistle readings for all the Trinity Sundays. There is also an MP3 Podcast version for those who prefer to listen rather than watch. These are linked, respectively, from the Digital Library and Podcast Archive pages. For non-Anglicans Protestants, Whitsunday and Trinity season are combined into a single season based on the date of Pentecost. For example: First Sunday after Trinity is Second Second “in” or “after” Pentecost.

Obviously, the basis for these “Teachings” is found in the Gospels, the Epistles, the “For the Epistle” readings from the Old Testament, and the Church’s two Creeds, the Nicene and Apostles creeds. For Trinity Sunday I offer viewers two exceptional “illuminations.” The first is Christ in Majesty (or Maiestas Domini in Latin), from the Vivian Bible (also called the First Bible of Charles the Bald), produced by Haregarius of Tours (or Aregarius, depending upon language preferences). The name Vivian honors Vivian, the Lay Abbot of St. Martin of Tours, who commissioned the work in 845. It was prepared beginning in 845. The volume, a large book measuring 13.59″ x 19.49,” was presented to the 22-year old monarch, Charles the Bald, grandson of Holy Roman Emperor Charlemagne (Charles the Great). Other sources says 844-851, which seems more likely, given the complexity and detail of the images. The Scriptorium at St. Martin of Tours was previously under the supervision of the Blessed Alcuin of York, who created the Carolingian miniscule script used in the books produced at St. Martin of Tours. The original is at the Bibliotheque Nationale de France, Paris, France (BNF Ms. Lat.1, Folio 239v). This version is from the Yorck Project: 10,000 Masterworks (2002). In the Eastern Church tradition, the same image is commonly called Christ Pantokrator, The four evangelists are pictured, each holding a Gospel books, in the outside corners, with their traditional symbols placed inside the central diamond which surrounds the modified mandorla within which Christ is enthroned. I have found no definite explanation of the four Old Testament figures in the North, East, South and West circles. The figure at the south end is making the traditional sign of a blessing with his right hand.

Christ in Majesty, surrounded by the four Evangelists, Vivian Bible (or First Bible of Charles the Bald), 2nd Qtr., 9th C., Abbey of St. Martin of Tours, Ms. Lat.1, f. 239v, Bibliotheque National de France, Paris, France. Public Domain.
The Four Evangelists, Aachen Gospels or Vienna Coronation Gospels, circa 820, Aachen Cathedral Treasury, Aachen Cathedral, Aachen, Germany. Image: Yorck Project: 10,000 Masterworks (2002). Public Domain.

The second image was also produced during the Carolingian period, around 820 A.D. Here the focus is on the four evangelists and the message they delivered in their respective Gospels. The image is ususual in that the four men are depicted in an outdoor setting with a skyline at the top. Wearing saintly white robes and white halos (versus the golden halo typically used in images of Jesus Christ), they are facing away from each other, with each in a separate section, suggesting different rooms in a house or perhaps different locations altogether. Each is engaged in a different act. At upper left, is Matthew, whose symbol, a Man or Angel, is above him, as he writes. At upper right, Mark, and his symbol, a Lion, is putting the nib of his pen into an inkwell, as if preparing to put his thoughts on paper. At lower right, Luke, whose symbol is a Ox and whose work is based on several years of research among those who could offer firsthand evidence, likely including the Blessed Virgin Many, is reading a document or manuscript. Finally, at lower left, John, with the symbol, an Eagle, is said to be meditating on the words he has already put on paper.

The cover of the Aachen Gospels is thought to have been made by goldsmiths at Fulda, Germany, another major site for the production of illuminated works, both during the lifetime of Charlemagne and his later successors, the Ottonians. The finished book, with 280 parchment pages (or leaves), measures only 9.5″ x 11.9.”

This full page image of the Four Evangelists is placed immediately after 12 pages of canon tables (folios 8v to 14r),which follow a prelude by Jerome and other material.

In coming weeks, I will post material related to individual readings for the Sundays after Trinity.

Thank your for your interest and support. Glory be to God for all things! Amen!

Whitsunday/Pentecost and Ambrose of Milan

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The Descent of the Spirit, egg tempera on panel icon, attributed to Theophan the Cretan, Stavronikita Monastery, Mt. Athos, Greece, 1546. The Apostles are shown in a horseshoe pattern, six on the left and six on the right. The empty space at the top of the horsehoe represents the position which usually occupied by Christ. In some traditions, the Blessed Virgin Mary occupies the space. The crowned figure at bottom center is known as Cosmos, who represents all the world. He is shown with a dark background, which symbolizes the darkness of the secular world which rejected Christ. The use of the Cosmos figure faded away in the next two centuries after this image was painted. It was never used in Western Church art.

As the Church celebrates the Descent of the Holy Spirit at Pentecost (Whitsunday in the English tradition), it is appropriate to remember one of the greatest of the saints of the early Church, St. Ambrose of Milan (celebrated on the Anglican Church calendar on Dec. 7th). Sadly, except among scholars and clergy, St. Ambrose is little known today. He served, reluctantly at first, as Bishop of Milan from 374 to 397 A.D. He is one of Doctors of the Church in the Western Church tradition. It could be said that he was the last of the great leaders of the Western Church whose theology was virtually identical to that of the Eastern Church. He is primarily remembered for his conversion of his most famous pupil, St. Augustine of Hippo (celebrated on the Anglican Church calendar on August 28th) and several of his hymns, many of which are still used in the Western Church in the 21st C. St. Ambrose was a strong supporter of the doctrines of the Nicene Creed, including the modifications made the Council of Constantinople in 381 A.D. Especially important for St. Ambrose was the virginity of the Blessed Virgin Mary and her status as the Mother of God (or Theotokos in Greek, literally meaning God-bearer). The award of the title of Theotokos to the Blessed Virgin was not made into official Church belief until the Council of Ephesus in 431 A.D.

One the traditions observed in both the Western and Eastern Churches during St. Ambrose’s lifetime was the observation of the Sacrament of Baptism in association with the final days of Lent and the Feast of Easter. One of his most enlightening writings is On the Mysteries (or De Mysteriis. in Latin), a collection of his sermons to the newly baptized focused on the Sacraments of Baptism, Confirmation and the Holy Eucharist. St. Ambrose refers to the Dove which descended upon Christ as His Baptism in Chapter III. The dove is the traditional symbol of the presence of the Holy Spirit in Christian art. For the full text of On the Mysteries, see The Nicene and Post-Nicene Fathers, Second Series, Volume 10 (Hendrickson Publishers, Inc., 1994 Edition).

St. Ambrose of Milan, holding a Bishop’s crozier in his right hand and a book in his left, illuminated capital letter D in colors on parchment, with penwork decoration, On the Mysteries (De Mysteriis in Latin), circa 1114-1122, southeast England, probably Rochester, Ms. Royal 2 B VI, f. 2, British Library, London, England. It may have been prepared for use at the Cathedral Priory of St. Andrew, Rochester, where is is among the list of books in the library there in the 12th C.

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Ambrose of Milan rcceiving wisdom from God, represented by the hand from heaven at upper right. Menologion of Basil II, late 10th-early 11th C. Publiv Domain.

The final image this week is an illumination in egg tempera and gold on parchment from The Menologion of Basil II, an Eastern Church style book of hours honoring the saints of the Church Universal. In the case of martyrs, the manner of their death is vividly depicted. It was prepared between 976 and 1025 at Constantinople. The original is at the Vatican Library, Rome, Italy. It was among the manuscripts taken from Constantinople in the 12th C. during the Crusades. The Vatican published a volume with all the images in the early 20th C. and which was later released into the public domain, even though some images still carrying a Vatican copyright notice.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Fourth Sunday after Easter & the Palatine Chapel at Aachen

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This week’s focus shifts from Byzantine mosaics to the Palatine Chapel at Aachen, Germany, built in the late 700s and early 800s by the Holy Roman Emperor Charlemagne (Carolus Magnus, or Charles the Great). The first Holy Roman Emperor since sack of Rome in 455 A.D., Charlemagne sought to extend the reach of Christianity into the lands which formerly lived in fear of attacks by Vikings. By the end of his reign at his death in 814 A.D., his empire extended from the English Channel, the North Sea, nearly all of Spain, more than half of Italy, and southeast into what is now Austria and beyond.

The Palace was designed by Odo of Metz, the same Armenian designer whose work in France was illustrated earlier in this series. The Palace was consecrated by Pope Leo III in 805 A.D. The mosaic is Illustration No. 36 in our publication, Angels: In Scripture, Art & Christian Tradition. The influence of Byzantine styles from the age of Constantine and Justinian is clear. Damage to the structure during bombing in World War II was repaired between 1986 and 2011. The building was used for coronations for several centuries after the death of Charlemagne.

The Four Angels, the Holy Spirit and the Throne of God. Photo by Horst J. Meutler, Wikipedia Commons.

In this crazy time in the decline of Western Civilization and attacks upon Christianity around the world, it seems appropriate to close with these words from the Te Deum Laudamus canticle, presented in verse-and-response format as used in First Hour in our publication, Hear Us, O Lord: Daily Prayers for the Laity:

O Lord, save thy people, and bless thine heritage
Govern them and lift them up forever
Day by day we magnify thee
And we worship thy Name ever, world without end.
Vouchsafe, O Lord, to keep us this day without sin.
O Lord, have mercy upon us, have mercy upon us.
O Lord, let thy mercy be upon us, as our trust is in thee.
O Lord, in thee have I trusted; let me never be confounded.

Thank you for your interest in these splendid examples of Christian art across the centures.

Glory be to God for all things! Amen!

New Resources for These Troubled Times

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Some good news to report this week.  The final version of The Gospel of John: Annotated & Illustrated has been sent to our publisher.  I am awaiting receipt of a final proof copy.  If there are not further delays, the book should be available later in August A.D. 2020.   My proof-reader is working on reviewing the next book in the series, The Gospel of Luke: Annotated & Illustrated.   She has completed the text and illustrations for the first third of the book.  She is currently working on Chapters 7 through 14. As you can imagine, this step is very time-consuming.   The final version will be a much larger book than the volume focused on John.  My goal is to get the Luke volume in print in time for Advent season.

Meanwhile, a new AIC resource I am making available today is this Blog version of the first of the six “offices” in Hear Us, O Lord: Daily Prayers for the Laity.   I had hoped to revive the podcast version which was recorded more than 10 years ago by members of my former parish.  These old files are currently unavailable owing to my switch from Windows to the Mac.  I will keep working to retrieve them from the archives.   Meanwhile, here is the text for First Hour, traditionally read at 6 A.M. or local sunrise..  Included in this text is the source of each part of the office.  If you want to use this office at home with family or friends, I have set the words which should be spoken by all and the response lines for the verse and responses in bold italic.  Each office requires about 15 minutes to complete.

First Hour 

The Invocation

In the name of the Father, and of the Son, and of the Holy Spirit, one true God, to whom be glory and upon us mercy and compassion for ever and ever.  Amen.

The First Prayer

O LORD, our heavenly Father, Almighty and Everlasting God, who hast safely brought us to the beginning of this day; Defend us in the same with thy mighty power; and grant that this day we fall into no sin, neither run into any kind of danger; but that all our doings, being ordered by thy governance, may be righteous in thy sight; through Jesus Christ Ξ our Lord. Amen.  [Morning Prayer Collect for Grace, 1928 BCP]

A General Confession

I CONFESS to God the Father Almighty, to His only-begotten Son Jesus Christ our Lord, and to God the Holy Ghost, and before the whole company of heaven, that I have sinned exceedingly, in thought, word, and deed, through my fault, through my own fault, through my own most grievous fault. Wherefore I beseech God the Father Almighty, His only-begotten Son Jesus Christ our Lord, and God the Holy Ghost, to pity me, and to have mercy upon me. The Almighty and merciful God grant to us pardon, absolution, and remission of all our sins. Amen. [Adapted from an English form of Compline]

The Lord’s Prayer [Luke 11:2-4]

OUR Father, who art in heaven, Hallowed be thy Name. Thy kingdom come. Thy will be done, On earth as it is in heaven.  Give us this day our daily bread. And forgive us our trespasses, As we forgive those who trespass against us. And lead us not into temptation, But deliver us from evil.  Amen.

The First Chapter [1 John 1:7]

IF we walk in the light, as He is in the light, we have fellowship one with another, and the blood of Jesus Christ His Son.

The First Antiphon

O Lord, save thy people, and bless thine heritage.

Govern them and lift them up for ever.

Day by day we magnify thee;

And we worship thy Name ever, world without end.

Vouchsafe, O Lord, to keep us this day without sin.

O Lord, have mercy upon us, have mercy upon us.

O Lord, let thy mercy be upon us, as our trust is in thee.

O Lord, in thee have I trusted; let me never be confounded.

[Te Deum laudamus, part 3, 1928 BCP]

The Second Prayer

I THANK thee, O Holy Trinity for this new day. Enlighten the eyes of my understanding, open my ears to receive thy words and teach me thy commandments.  Help me to do thy will, to confess thee from my heart, to extol thine all-holy Name, of the Father, and of the Son and of the Holy Spirit, now and for ever, and unto ages of ages. Amen. [Adapted from an Eastern Orthodox Prayer of St. Basil the Great, 5th or 6th Century]

The Second Antiphon

Thee, God the Father, unbegotten

Thee, the only-begotten Son;

Thee, the Holy Ghost, the Comforter;

One and Holy and Undivided Trinity;

With our whole heart and with our mouth

We confess and praise thee.  To thee be glory for ever.  Amen.

[Sarum Antiphons, 13th to 14th Century England]

The Third Prayer

O MOST holy Trinity, Almighty God, who gives life and vigor to every creature, who sheds light eternal where there is darkness; We offer Thee our hearts, our souls, and our whole being that we may offer perfect praise and love to Thy glorious Name. Amen.[Roman Catholic Holy Trinity Prayer. Date unknown]

The Second Chapter [Zechariah 8:19]

Love the truth and peace, thus saith the Lord of Hosts.

The Third Antiphon  [Psalm 119:175, 176]

O, let my soul live, and it shall praise thee

And thy judgments shall help me.

I have gone astray like a sheep that was lost;

O seek thy servant, for I do not forget thy commandments.

The Fourth Prayer

O LORD, grant me to greet the rest of the coming day in peace. Help me in all things to rely upon thy holy will. In every hour of this day reveal thy will to me. Bless my dealings with all who surround me. Teach me to treat all that comes to me with peace of soul, and with firm conviction that thy will governs all. In all my deeds and words guide my thoughts and feelings. In unforeseen events let me not forget that all are sent by thee. Teach me to act firmly and wisely, without embittering and embarrassing others. Send down thy Holy Spirit to direct my will and to lead me in my prayer life this day; through Jesus Christ, thy Son, our Lord. Amen. [Adapted from a Russian Orthodox Morning Prayer, Metropolitan Philaret of Moscow, 19th Century]

The Psalm [Psalm 90]

LORD, thou hast been our refuge, * from one generation to another.

2. Before the mountains were brought forth, or ever the earth and the world were made, * thou art God from everlasting, and world without end.

3. Thou turnest man to destruction; * again thou sayest, Come again, ye children of men.

4. For a thousand years in thy sight are but as yesterday when it is past, * and as a watch in the night.

5. As soon as thou scatterest them they are even as a sleep; * and fade away suddenly like the grass.

6. In the morning it is green, and groweth up; * but in the evening it is cut down, dried up, and withered.

7. For we consume away in thy displeasure, * and are afraid of thy wrathful indignation.

8. Thou hast set our misdeeds before thee; * and our secret sins in the sight of thy countenance.

9. For when thou art angry all our days are gone: * we bring our years to an end, as it were a tale that is told.

10. The days of our age are threescore years and ten; and though men be so strong that they come to fourscore years, * yet is their strength then but labour and sorrow; so soon passeth it away, and we are gone.

11. But who regardeth the power of thy wrath? * or feareth aright thy indignation?

12. So teach us to number our days, * that we may apply our hearts unto wisdom.

13. Turn thee again, O Lord, at the last, * and be gracious unto thy servants.

14. O satisfy us with thy mercy, and that soon: * so shall we rejoice and be glad all the days of our life.

15. Comfort us again now after the time that thou last plagued us; * and for the years wherein we have suffered adversity.

16. Show thy servants thy work, * and their children thy glory.

17. And the glorious majesty of the Lord our God be upon us: * O prosper thou the work of our hands upon us; O prosper thou our handy-work.

The Third Chapter [1 Timothy 1:17]

Unto the King eternal, immortal, invisible, the only wise God, be honour and glory for ever and ever.  Amen.

The Fourth Antiphon [Psalm 119:1-2, 12-16]

Blessed are those that are undefiled in the way,

And walk in the way of the Lord.

Blessed are they that keep his testimonies,

And seek him with their whole heart

Blessed art thou,  O Lord;

O teach me thy statutes.

With my lips have I been telling,

Of all the judgments of thy mouth.

I have had as great delight in the way of thy testimonies,

As in all manner of riches.

I will talk of thy commandments,

And have respect unto thy ways.

My delight shall be in thy statutes,

And I will not forget thy word.

The Fifth Prayer

WE give thee thanks, O Lord our God, the Father of our Lord Jesus Christ, for all thy goodness at all times and in all places, because thou hast shielded, rescued, and guided us all the days of our lives and brought us to this morning hour, permitting us again to stand before thee and implore forgiveness for our sins.  We pray and beseech thee, merciful God, to grant in thy goodness that we may spend this day and all the time of our lives without sin, in fulness of joy, health, safety, holiness and reverence of thee; Drive away from us all envy, fear, temptation, the influence of Satan, and the snares of wicked men.  Amen. [Adapted from the Liturgy of St. Mark the Apostle, 1st Century]

The Fifth Antiphon [Psalm 51:9-12]

Turn thy face from my sins, 

And put out all my misdeeds.

Make me a clean heart, O God, 

And renew a right spirit within me.

Cast me not away from thy presence, 

And take not thy holy Spirit from me.

O give me the comfort of thy help again, 

And stablish me with thy free Spirit.

The Sixth Prayer

O GOD, the King eternal, who dividest the day from the darkness, and turnest the shadow of death into the morning; Drive far off from us all wrong desires, incline our hearts to keep thy law, and guide our feet into the way of peace; that having done thy will with cheerfulness while it was day, we may, when the night cometh, rejoice to give thee thanks.  Amen. [Family Prayer, 1928 BCP]

The Grace [2 Corinthians 13:14]

THE grace of our Lord Jesus Christ, and the love of God, and the fellowship of the Holy Ghost, be with us all evermore. Amen.

 

The full text of all the offices is available in Hear Us, O Lord: Daily Prayers for the Laity, available using the Virtual Bookstore link on each page.

 

New Testament: Gospels – Episodes 26 & 27

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NT-Gospels-Title1-revEpisode Twenty-six and Episode Twenty-seven, the first of twenty focused on the Gospel of St. John in the AIC Bible Study Video series, New Testament: Gospels, were uploaded this week.  In Episode Twenty-six I explore the history, authorship & themes and offer some suggestions on how to read the Gospel of St. John, plus a reading of the first five verses of John 1,the opening words in St. John’s ground-breaking Prelude.  In Episode Twenty-seven I read and discuss the whole Prelude:  John 1:1-18.     Among the many examples of historic art depictions of St. John is a remarkable and colorful example from the Carolingian era of the revived Holy Roman Empire in western Europe.  The manuscript, The Benedictional of Aethelwold, a service book for the Mass by the Bishop of Winchester, based on the Gallican and Gregorian Sacramentaries, was protected by various noble families after the English Reformation.  It was acquired from the Duke of Devonshire, Chatsworth, Devonshire, by the British Library in 1958 A.D.  Below is the only illumination of a Gospel author that has survived, St. John with the traditional Eagle symbol.

John-Writing-Aethelwold Bened-Addl 49598_f019v-v2
St. John Writing His Gospel.  Illumination in colored inks and gold on parchment, The Benedictional of Aethelwold, made at Winchester, England, for the use of Aethelwold, Bishop of Winchester, 963-984 A.D.   Ms. Additional 49598, Folio 19v, British Library, London, England.  Perspective correction applied.

Watch the Video of Episode Twenty-six.          Listen to the Podcast (Episode 26)

Watch the Video of Episode Twenty-seven.       Listen to the Podcast (Episode 27)

The text and audio of the next two episodes (28, 29) will be released during the week of Oct. 27th, with two more episodes each week until the entire revised series is complete later this year.

As always, thank you for your interest and support.  May God bless you in all that you do in His Name! Amen!   Glory be to God for all things! Amen!

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New Testament: Gospels – Episodes 24 and 25

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Luke-Writing His Gospel-Byzantine-Ms Additional 28815-f76v-BritLibr-PCA
St. Luke Writing His Gospel  Byzantine illumination in tempera and gold on parchment, 10th C. A.D., Constantinople.  From the Yorck Project (10000 Masterworks of Painting).  Original image is Ms. Additional 28815, Folio 76v, British Library, London, England.

Once again this week I have “doubled up” and uploaded two new episodes in the revised and extended version of our Bible Study Video series, New Testament: Gospels.  In Episode Twenty-four and Episode Twenty-five I complete my discussion of the Gospel of St. Luke.  Both episodes are focused on Unique Content in the Gospel of St. Luke.  Episode Twenty-four is focused on the Kingdom Lectures and the Restoration of Zaccheus.  Episode Twenty-five is focused on three topics, Jesus Before Herod, the Prayer Habits of Jesus, and the important roles for women in St. Luke’s Gospel.   The featured image is a 10th C. A.D. Byzantine illumination in tempera and gold on parchment made at Constantinople, showing St. Luke seated in an upholstered chair with a platform for his feet and in front of a large desk writing his Gospel.  The desk is filled with quills and what looks like a paper knife.  There are scrolls and a inkpot at his feet.  This version does not include the traditional image of an ox, the symbol of Luke.  The original is from Ms. Additional 28815, Folio 76v, British Library, London, England.  The British Library has not yet digitized much of the Additional Ms collection, including No. 28815.  This version is sourced from the Yorck Project, a DVD published in 2002 A.D. as 10,000 Masterworks of Painting.  The entire set of more than 10,000 images can be viewed on line.

Watch the Video of Episode 24.        Listen to the Podcast of Episode 24.

Watch the Video of Episode 25.        Listen to the Podcast of Episode 25.

I have recorded the first two of twenty revised and extended versions focused on the Gospel of St. John, these being episodes twenty-six to forty-five.  Episode Twenty-six and Episode Twenty-seven will be released during the week of October 20th. Episode Twenty-five is focused on a general introduction to the Gospel of St. John and a reading of St. John’s unique Prelude in verses 1-5.  Episode Twenty-seven begins with a discussion of John 1:1-5 and moves on to reading and discussion of John 1:5-18.  Later today I will record the next two episodes which will be released during the week of October 27th.   The slides and script for all remaining episodes have been completed but lack sound tracks and picture-to-sound correlation in iMovie.  The final slide in the series, in Episode Forty-five, will be No. 1560 (vs. No. 885 in the original series).  It has been a great and enjoyable adventure finding and editing the great Christian tradition of spiritually-minded images (vs. the modern representational forms in which the meaning often gets lost in the details and backgrounds).  I hope and pray that viewers find them spiritually enriching and helpful in understanding Scripture.

I have started work on a new series of Podcast Homilies based upon the appointed readings from Psalms and Lessons for Morning Prayer in the 1928 Book of Common Prayer, using the alternative which includes a Gospel reading for the Second Lesson.  These will be linked from the Podcast Homilies page and posted in the order of the Church Calendar beginning with First Sunday in Advent.  I hope to have the four Advent podcasts complete before the start of the new Church Year 2019-2020 on December 1st.

As always, thank you for your interest and support.  May God continue to bless you in all that you do in His Name! Amen!  Glory be to God for all things! Amen!

New Testament: Gospels – Episodes 22 & 23

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Episode Twenty-two and Episode Twenty-three in the revised and expanded version of the AIC Bible Study Video series, New Testament: Gospels, were uploaded to the AIC’s YouTube channel and Podbean channel this morning.

Thomas-Incredulity_XIV_C_Russian
The Incredulity of Thomas.   Icon in tempera and gilt on panel, 14th C. A.D., Monastery of the Metamorphosis, Meteora, Greece.  The icon was lost for centuries and was rediscovered in the early 1960s A.D.  There are several versions of the same scene currently available but with disputes over dates and location.  Some sources claim this version is a later Russian Orthodox copy.    Public Domain.

In order to finish the revisions in the series before year end, I decided to “double up” and complete two each week.  Both of this week’s premiers are about Unique Content in the Gospel of St. Luke, with Episode Twenty-two on Jesus’ discourses on Spiritual Light and the Hypocrisy of the Pharisees and Episode Twenty-three on His moral discourses.  The featured illustration is from the latter episode (in the context of “O You of little faith” Luke 12:28b).

Watch Episode Twenty-two.      Listen to Podcast of Episode Twenty-two

Watch Episode Twenty-three.    Listen to Podcast of Episode Twenty-three

The two remaining episodes on the Gospel of St. Luke will be completed and uploaded during the week of October 14th.

The first two episodes on the Gospel of St. John (Episodes Twenty-six and Twenty-seven) are nearly complete and, barring any technical glitches, should be available for upload during the week of October 21st.  I have completed the revisions of all the remaining slides and scripts in the series and hope to release two episodes per week with a goal of getting the whole series uploaded before Christmas.

As always, thank you for your interest and support.  May God bless you in all that you do in His Name!  Amen.  Glory be to God for all things! Amen!