miracles – Anglican Internet Church

For Fourth Sunday after Trinity Archbishop Cranmer created a Collect which he derived from the Gregorian Sacrementory. The theme is again the need for mankind to recognize the all-knowing God as the only way to overcome man’s sinful nature and the threats of the secular world upon the Christian faithful. It is useful to remember that the Greek word Theos (Strong’s Greek word # 2316), from which the Western world derived the term theology, literally means “the one who sees.”

O GOD, who knowest us to be set in the midst of so many and great dangers,
that by reason of the frailty of our nature we cannot always stand upright;
Grant to us such strength and protection, as may support us in all dangers,
and carry us through all temptations; through Jesus Christ our Lord. Amen.

*The Apostle Paul*, oil on wood panel, *circa* 1520 A.D., attributed to Lucas van Leyden, Yale University Art Galley, New Haven, CT. Public domain.

The Epistle reading, Romans 13:1-7, is the last of four readings from Romans 12 and 13 in Epiphany season. St. Paul makes absolutely clear in the first verse that “there is no authority except from God.” In England in the early 18th C., the first verse in Basil Woodd’s hymn, Hail, Thou Source of Every Blessing [Hymn No. 49, St. Chrysostom Hymnal] the lyric declares: “Hail, Thou source of every blessing Sovereign Father of mankind; Gentiles now, Thy grave possessing, in Thy courts admission find. Grateful now we fall before Thee, in Thy Church obtain a place, Now by faith behold Thy glory, Praise Thy truth, adore Thy grace.” The St. Chrystom Hymnal is available through my Amazon Author Central page.

The Gospel reading, Matthew 8:1-13 is an account of two healings, the healing of the leper and of the Centurion’s servant. In the former case, the leper, an outcast under Jewish law, was healed immediately by Jesus’ touch. In the latter, the healing occurred some distance away and includes the phrase “wailing and gnashing of teeth.” The Collect, Epistle and Gospel reading are discussed an illustrated in Episode Three of the AIC video series, Epiphany: the Manifestation of Christ to the Gentiles. In the context of the healing the leper, an early 11th C. illumination in tempera and gold on parchment was used as Illustration # 52 and, in the context of the healing of the Centurion’s servant, as Illustration No. 53 in The Gospel of Matthew: Annotated & Illustrated, available through my Amazon Author Central page. My Podcast Homily for Fourth Sunday after Epiphany can be listened to or downloaded from the Podcast Homilies page.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Apologies to followers of this site for absence from Fr. Ron’s Blog last week. My wife and I were travelling to visit our son and his family, an 8+ hours trip down and 8+ more on the way back. Twenty-fourth Sunday after Trinity is the final Sunday with a unique appointed Collect, Epistle and Gospel reading. Since this year there are more than twenty-four Sundays after Trinity it is not the last set of readings. The 1928 B.C.P. has provisions for transferring readings from the final Sundays after Epiphany in years when the calendar has fewer Sundays leading up to Easter. I discuss the complicated rules in Episode Nine in the AIC video series, Trinitytide: The Teaching Season. These will be discussed next week.

The Collect for Twenty-fourth Sunday after Trinity was adapted Archbishop Thomas Cranmer for the first Anglican Book of Common Prayer, published in 1549 A.D. in time for Whitsunday and Trinitytide. The collect was assembled from the collection of prayers for Morning and Evening prayers in the Leonine and Gregorian Sacramentaries, two of the three primary Sacramentaries of the Roman Catholic Church. The common theme continues to be the merciful nature of God the Father and the need for his continual presence in the lives of sinful mankind. A similar prayer was used as the Sixth Prayer in the office of Sixth Hour in our publication. Hear Us, O Lord: Daily Prayers for the Laity, available through my Amazon Author Central page.

LORD, we beseech thee, absolve thy people from their offences;
that through thy bountiful goodness we may all be delivered from the bands of those sins,
which by our frailty we have committed. Grant this O heavenly Father,
for the sake of Jesus Christ, our blessed Lord and Saviour. Amen.

The Epistle reading, Colossians 1:3-12, an advance to the next in the canonical epistles of St. Paul, is a letter to the congregation at Colossae in Asia Minor. The church at Colossae was founded not by St. Paul himself but by his associate, Epaphras. There is no record of St. Paul having visited Colossae. The Apostle to the Gentiles uses spiritual-minded language to both congratulate the Christians at Colossae for their confession of faith and reminds them always of “giving thanks to the Father who has qualifed us to be partakers of the inheritance of the saints in the light.”

***Raising the Daughter of Jairus***, opaque watercolor over graphite on gray wove paper, part of a series of Scenes in the Life of Christ, James Tissot, 1886-1894, Brooklyn Museum, Brooklyn, NY. Tissot’s historical-style visualizations of Scriptural scenes followed several years of research into clothing styles of the 1st C. and his many visits to the Holy Land.

The Gospel reading, Matthew 9:18-26, the final reading from the Gospel of Matthew, is a record of the Raising of the Daughter of Jairus and the healing of a woman with a blood disorder, also recounted, with different detail, in Mark 5:21-43 and Luke 8:40-50. The scene was one of the favorite Gospel accounts for use in illuminated Gospels and pericope books (which contain only verses used in a liturgy) in the 8th to 12th C. and later in stained glass windows and, even later, in a famous late 19th C. watercolor by James Tissot. The Tissot watercolor was used as Illustration No. 60 in our publication, The Gospel of Matthew: Annotated & Illustrated. A 12th C. illumination and a 20th C. stained glass window by Franz Mayer of Munich, both based on St. Luke’s account are, respestively, Illustration N0. 33 and Illustration No. 34 in The Gospel of Luke: Annotated & Illustrated. The stained glass window is also used in Paintings on Light: the Stained Glass Windows of St. Joseph’s Villa Chapel. As noted above, all AIC Bookstore Publications are available through my Amazon Author Central page.

As always, thanks you for your interest and support. Glory be to God for all things! Amen!