Quinquagesima Sunday & AIC Bookstore 15

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For Quinguagesima Sunday, Archbishop Cranmer created a new Collect based on 1 Corinthians 13:11, which is part of the Epistle reading for the day. He used the English understanding of the Greek agape as “Charity” rather than the modern understanding as “Love.” He closed with the admonition that those without these virtues will be “counted dead before thee.” The Epistle reading, 1 Corinthians 13:1-13, in the King James Version also translates agape as “charity.” The Gospel reading, Luke 18:31-43 is the evangelist’s account of Jesus healing the “Blind Man of Jericho.” In St. Mark’s account he is known as “Blind Bartimaeus” and is given a family history. My favorite depiction in Christian art, seen below, is from the 10th C. Ottonian era’s Gospels of Otto III. It is Illustration No. 53 in the AIC Bookstore Publication, The Gospel of Mark: Annotated & Illustrated, which was the subject of the Blog post for Sexagesima Sunday, linked from the Archive column at right. For unknown technical reasons the image would not upload for this Blog post.

Site visitors will find discussion and illustrations for Quinquagesima Sunday in Episode Two of the AIC video series, Gesima: the Sundays of Pre-Lent. The MP3 audio-only version is linked from the Podcast Homilies page. My Podcast Homily for Quinguagesima Sunday is linked from the Podcast Archive page. A related Podcast Homily based on the Psalm reading for Quiquagesima Sunday, Psalms 19 & 23, is linked from the Podcast Homilies-Morning Prayer page. The Gospel of Mark: Annotated & Illustrated and The Gospel of Luke: Annotated & Illustrated (see below for more information) are available through the AIC’s Virtual Bookstore, which is my Amazon Author Central page.

St. Luke Writing, illumination in tempera and gold on parchment, produced at Reichenau Monastery, Reichenau, Germany, circa 1007-1012, Pericope Book of Henry II, Ms. Clm. 4452, Folio 5v, Bayerische Staatsbibliothek, Munich, Germany. CC-by-SA 4.0. Perspective correction applied. Henry II was the last of the Ottonian successors to Holy Roman Emperor Charlemagne.

For this 15th posting of details of the 22 AIC Bookstore Publications, the focus on The Gospel of Luke: Annotated & Illustrated. The volume offers 21st C. readers views of 86 illustrations from the 5th to the 20th C., including mosaics, frescoes, paintings, watercolors, stained glass windows, and illuminations produced originally only for the use of kings, bishops and clergy. The entire text of the Gospel of Luke, using the New King James Version, is included with commentary. The volume includes fourteen special text boxes: The Art of Illumination of Scripture; A Guide to Reading the Gospel of Luke; Angels in the Gospel of Luke; The Temptations of Christ: Reality or Fiction?; The Holy Spirit in the Gospel of Luke; The Prayer Habits of Jesus Christ; “The Son of Man” in the Gospel of Luke; Discernment; Ambrose of Milan on the Raising of the Daughter of Jairus; Theophanies in Scripture; Isaiah on Lucifer/Satan; Samaria and Samaritans in the Gospel of Luke; Unique Parables in the Gospel of Luke; and The Gospel of Luke in the Anglican Worship Cycle. One hundred and eleven illustrations. 276 pages. 8.5″ x 8.5.” $65.00. Available only through our Virtual Bookstore, which is my Amazon Author Central page.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Sexagesima Sunday & AIC Bookstore 14

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The Collect, Epistle and Gospel readings for Sexagesima Sunday are discussed and illustrated in Episode Two in the AIC Seasonal Video series, Gesima: the Sundays of Pre-Lent. The audio-only version in MP3 format of Episode Two is linked from the Podcast Archive page. My Podcast Homily for Sexagesima Sunday is linked from the Podcast Homilies page. A separate homily for Sexagesima Sunday-Morning Prayer, based on Psalm 33, the appointed Psalm for Sexagesima Sunday, is linked from the Podcast Homilies-Morning Prayer page. Sexagesima Sunday is the second of three of the pre-Lenten period.

The Collect for the occasion is another original composition by Archbishop Cranmer for the 1549 B.C.P., based on the Gregorian Sacramentary (10th C.), honoring the 590-604 A.D. Roman Catholic Pope who introduced Ash Wednesday to the Christian calendar. The primary theme is God Almighty as the only true defender of the faithful. The Epistle reading, 2 Corinthians 11:19-31, is a variation on St. Paul’s theme of the importance of the Christian virtues, in this case “diligence.” St. Paul also relates a litany of the forms of persecution he suffered for his advocacy in the spread of the Gospels.

The Sower, stained glass window, St. Mary Abbot’s Church, Kensington High St., London, England, probably 3rd Qtr., 19th C. © Jozef Sedmak|Dreamstime.com

The Gospel reading, Luke 8:4-15, the second from St. Luke’s Gospel so far in A.D. 2026, is the Parable of the Sower. Other versions on the same subject are found in Mark 4:1-9, 13-20 and Matthew 13:1-9; 18-23. In St. Luke’s version the Parable and its explanation are part of a single narrative. The reference in Luke 8:10 to seeing, hearing and understanding in both the Old and New Testament contexts is also addressed in the full-page special text box on Page 36 of the AIC Bookstore Publication: The Gospel of Mark: Annotated & Illustrated. See more below.

The cover illustration is a miniature illumination in egg tempera and gold on parchment, The Pericope Book of Henry II, produced at Reichenau Monastery, Reichenau, Germany, 1007-1012, under the supervision of the monk Liuthar. Ms. Clm 4452, Folio 4r, Bayerisches Staatsbibliothek, Munich, Germany. CC-by-SA 4.0. Perspective correction applied. Henry II was the last of the Ottonian successors to Holy Roman Emperor Charlemagne.

For this Sexagesima Sunday blog post, the focus among the 22 AIC Bookstore Publications is another in the New Testament: Gospels series, The Gospel of Mark: Annotated & Illustrated. The AIC edition of the Gospel of Mark includes an illumination of the reading for the upcoming Quinquagesima Sunday, St. Matthew’s account of the Healing of the Blind Man of Jericho (illus. # 53). The book includes 86 illustrations from the 6th to the 20th C., including a spectacular pair of illuminations of the Three Women at the Empty Tomb and The Angel at the Empty Tomb, placed on opposite pages as they were in the original book. There are ten special text boxes: The Art of Illumination of Scripture; Guide to Reading the Gospel of Mark; Angels in the Gospel of Mark; The Holy Spirit in the Gospel of Mark; “The Son of Man” in the Gospel of Mark; “Heart” & “Understanding” in Scripture; The Twelve: Disciples or Apostles?’ “Ears to Hear” in the Old and New Testaments; The Christian Virtues and Their Opposites; Concepts of Time in the Gospel of Mark. 190 pages. $49.00. The volume is available through our Virtual Bookstore (my Amazon Author Central page).

Later this week or early next week there will be special Blog post on another AIC Bookstore Publication: Easter: the Resurrection of Our Lord in Scripture, Art & Christian Tradition (discussed in my 11/22/2025 Blog post (linked from the Archive column at right). I hope to establish a promotion through the Blaze system used by our site host, WordPress.com.

As always, thank you for your interest and support.

Twentieth Sunday after Trinity

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For Twentieth Sunday after Trinity the Collect is another of Archbishop Cranmer’s adaptations from the Gelasian Sacramentary (Paris, c. 750 A.D.). In this case the original Cranmer collect has been modified twice, first for the 1662 Book of Common Prayer in which the Latin phrase “being propitiated” was replaced with “of thy bountiful goodness,” and, in 1789 A.D., in the first American Book of Common Prayer, the collect getting a new ending (“which thou commandest”). The word “cheerfully,” which replaced “with free hearts,” means willingly. For this change and more on the many changes made in the 1662 Book of Common Prayer, consult Massey Shepherd, Jr.’s landmark volume, The Oxford American Prayer Book Commentary, available online for download in pdf format. Shepherd comments upon the history and other details of each Collect, Epistle and Gospel reading.

O ALMIGHTY and most merciful God, of thy bountiful goodness keep us, we beseech thee,
from all things that may hurt us; that we, being ready both in body and soul,
may cheerfully accomplish those things which thou commandest; through Jesus Christ our Lord. Amen.

The Epistle reading, Ephesians 5:15-21, is from the next chapter in the canonical order of the Pauline epistles, once again to the congregation at Ephesus which the “Apostle to the Gentiles” established on his Second Missionary Journey. These seven verses offer St. Paul’s advice to Christians to let themselves be “filled with the Holy Spirit,” rather than being “drunk with wine” and include one his most memorable phrases describing the joy of the Christian faith: “speaking to yourselves in psalms and hymns and spiritual songs.” In the same vein, one of the greatest saints of the early Church, Athanasius of Alexandria, wrote in the 4th C. that “the art of singing effects harmony in the soul.” Many Anglican organizations include an appointed Psalm reading and Old Testament lesson placed just before the Epistle reading in Holy Communion. The participatory, that is, verse and response, reading of the Psalm should be part of every Anglican service and not just the Morning and Evening Prayer services.

St. Matthew, illumination in colors and gold on parchment, produced in Ireland or England, circa 800 A.D., The Book of Kells, Trinity College, Dublin, Ireland. The image reflects the traditional interpretation of the vision in Ezekiel 1:4-12, with Matthew shown as Man/Angel. The volume is one of the finest examples of Christian art in the Western Church tradition.
Parable of the Great Supper, etching/engraving, Jan Luyken, Bowyer Bible, published 1840, Bolton Library, Bolton, England. This image depicting verses 11-13, with image by Phillip Medhurst and text by Harry Kossuth, is from a 2018 digital edition of their Early Scenes in the Life of Christ.

The Gospel reading, Matthew 22:1-14, records another event in the week before the arrest, trial and crucifixion of Christ, being St. Matthew’s record of the Parable of the Wedding Feast, also known as the Parable of the Great Supper. The event, also recorded in Luke 14:15-24 took place just two days before Maundy Thursday. This is the sixth of eight readings from St. Matthew’s Gospel in the Whitsunday/Trinitytide cycle. There have been many explanations of the meaning of the phrases “highways,” which are searched for those who are worthy. Jesus provided an explanation in the final verse. Perhaps lost in the modern world is the tradition that the host provided the Wedding Garment which the guest in question was not wearing. The guest was confronted by the “king,” who pronounced “Bind him hand and foot, and take him away, and cast him into outer darkness; there shall be weeping, and gnashing of teeth.” Jesus closed the address with a warning, putting these words into the mouth of the offended king: “For many are called, but few are chosen.” (verse 14). The image of St. Matthew from the Book of Kells was used in Episode Eight in the AIC Christian Education Video series, Trinitytide: the Teaching Season. Another image by Jan Luyken from the Bowyer Bible, illustrating the opening verses in the Gospel reading, appeared as Illustration No. 80 in the AIC Bookstore Publication, The Gospel of Luke: Annotated & Illustrated. The book is available in paperback at my Amazon Author Central page.

As noted many times in earlier posts, the AIC web site offers teaching materials in all three categories as part of our WATCH | LISTEN | READ initiative. Curiously, the subject of individual learning preferences, that is, whether one prefers the written or spoken word or a visual version came up during a conversation with a nurse during my doctor’s visit this month. The offering of all three media is made possible by donations and by the book royalties for AIC Bookstore Publications which are contributed to the AIC. To enhance ease of use, all three media are linked from tabs at the top and bottom of all pages on this site. Please note that, depending upon the subject matter, videos are linked from either the Digital Library page (for the seasonal and topical videos) and the Bible Study/New Testament pages (for the Gospel and Revelation series).

One final note. Be of good cheer and do not let the bias of the corporate world and the media affect your confidence in, and reliance upon, traditional Church teachings. Your best defense against their c0mbined assault on Christianity — remembering that the Church has been under attack since the 1st C.– is to attend a local church where you can, receive Holy Communion regularly, and, when neither is possible, read Morning Prayer and Evening Prayer in the 1928 Book of Common Prayer or the daily “Hours” offices (First, Third, Sixth, Ninth hours plus Vespers and Compline), available in our publication, Hear Us, O Lord: Daily Prayers for the Laity.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Seventeenth Sunday after Trinity A.D. 2024

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For the Seventeenth Sunday after Trinity the Collect is a composition by Archbishop Thomas Cranmer based upon the Gregorian Sacramentary, named in honor of Pope Gregory the Great, who led the Roman Catholic Church from 590 A.D. until his death in 604 A.D. Illuminations depicting Gregory, acknowledging his profound influence on the liturgy of the Church, often show him with the Holy Spirit whispering into his ear. Note that the word “prevent” has a different meaning than the modern usage. In the 16th-17th C it meant “stand before.”

Gregory the Great, illumination in colors and gold on parchment, placed between Book 3 and Book 4, Dialogues, Gregory the Great, Germany, 1st Qtr., 12th C. Ms. Harley 3011, f. 69v, British Library, London, England. Copyright British Library Board.

LORD, we pray thee that thy grace may always prevent and follow us,
and make us continually to be given to all good works; through Jesus Christ our Lord. Amen.

In the Epistle reading, Ephesians 4:1-6, St. Paul also emphases the presence of the Holy Spirit in the faithful in his message concerning the unity of the faith. The reading includes two ic0nic phrases important to St. Paul’s theology: “one faith, one baptism, one God and Father of all” and “the unity of the Spirit in the bond of peace.” The recipient of the letter, the church at Ephesus, was another congregation visited by St. Paul on his second missionary journey (described in Acts 18). According to tradition, St. John served for a time as the functional equivalent of a bishop at Ephesus, where he had taken the Blessed Virgin after the Crucixion. The House of Mary at Ephesus, traditionally said to be the house St. John built for Mary, remains a popular tourist site and is a designated holy place for Roman Catholics. It was visited by three Popes: Paul VI (1967), John Paul II (1979) and Benedict XVI (Nov 2006 during his historic visit to Istanbul (formerly Constantinople) which included celebration of Holy Communion with the Eastern Orthodox Ecumenical Patriarch, Bartholomew II.

The Gospel reading, Luke 14:1-11, is the twelfth and last reading from St. Luke during Trinitytide: the Teaching Season (in which calculation I include the Sunday next before Advent). All the remaining Gospel readings are from the Gospel of Matthew and the Gospel of John. The reading includes two separate but related scenes. The first scene simply sets the stage for the second and illustrates the strained relationship between Jesus and the Pharisees. Both scenes, the Healing of the Man with Dropsy and the Parable of the Chief Seats, are unique to the Gospel of Luke. Dropsy, technically known as edema, is a disease which results in extreme fluid retention, usually in the legs and feet. In the mosaic below, the swelling is shown in young man’s lower torso. The mosaic is in the upper walls of the Apse, Monreale Cathedral (Cattedrale di Santa Maria Nuovo de Monreale in Italian). The cathedral was dedicated to the Nativity of the Blessed Virgin Mary in 1182 A.D., eight years after the structure was begun in the reign of the Norman King of Sicily, William II. The full legend above the image is in Latin (only the final three words are visible in the image): “Jesus in domo cujusdam principis fariseorum sanat hydropicum die sabbati” (literally: “Jesus heals the man with dropsy in the house of the leader of the Pharisees on the Sabbath day”). The mosiac, presented in red, white, silver, blue is set into a gold background, with Jesus’ followers at left with two Pharisees and members of the household at right. Look closely at the fine detail in the background buildings and, especially, at the suggestion of flow of the robes of the figures in the foreground. The silver-haired figure, whose face is only partially visible at the left of the image, is consistent with traditional imagery of St. Peter. The halo around Jesus’ head includes the traditional Eastern Church symbology of Christ, always shown with two vertical and two horizontal lines. The “X” above Jesus’ head is a traditional symbol identifying Christ. Every part of the mosaic is made from varying sizes of glass tile. For more details about this ancient method, typical of Byzantine Christian art, see the Fr. Ron’s Blog post, Deesis Mosaic-Hagia Sophia & Other Images, dated April 6, A.D. 2024 (linked from the Archive column at right). In that post I include enlarged sections which reveal more about the “how” of creating mosaics. My Podcast Homily for Seventeenth Sunday after Trinity is linked from the Podcast Homilies page. The readings are discussed in the AIC Christian Education Video series, Trinitytide: the Teaching Season in Episode Seven.

Christ Healing a Man with Dropsy, Byzantine-style mosaic, north wall, apse, Monreale Cathedral, Palermo, Sicily, late 12th-early 13th C. Photo, June 2010, by Sibeaster. Public Domain.

Finally, I offer you one piece of advice for survival in our anti-Christian world of the 21st C. Instead of allowing such thoughts to negatively influence your daily life follow this mantra “Turn it off and tune it out.” The mantra is easy to apply not only to media but also to enterprises which, directly or indirectly, are hostile to the Christian faith. To fill the void, use web resources to create your own list of trusted resources in video, print and electronic and bookmark them for ease of daily use.

As always, thank you for your interest and support. Glory be to God for all things! Amen.