Sexagesima Sunday

Sexagesima Sunday is the second of three pre-Lent Sundays, which are now unique to the Anglican worship tradition. For more historical and other detail on the season watch Episode One in our video series. Gesima: the Pre-Lenten Season or listen to the audio Podcast version, which its linked from the Podcast Archive page. This week I offer site visitors two remarkable examples from our nearly 3000-item library of historic art.

The Collect for Sexagesima Sunday was adapted by Archbishop Cranmer from the Gregorian Sacramentary, which was also the source for the Collect for Septuagesima Sunday. It was used for the first time in the 1549 Book of Common Prayer and was read by Archbishop Cranmer himself on Whitsunday/Pentecost, June 9, A.D. 1549. The prayer book also may have been used earlier in the same year at St. Paul’s Cathedral, London. Like the Epistle and Gospel reading for the day, the themes are the “mercies” of God and the Christian virtues. Sexagesima Sunday is actually 57 days before Easter and not the sixty which its name suggests. Readers should remember that the Greek word for God, Theos, (Strong’s Greek Word #2316) is often translated as The One Who Sees.

O LORD God, who sees that we put not our trust in any thing that we do;
Mercifully grant that by thy power we may be defended against all adversity;
through Jesus Christ our Lord. Amen.

St. Paul, unfinished icon in tempera and gold on wood panel, Andre Rublev, circa 1410-1420, made for the Deesis tier in a Russian church at Zvenigorod, 33 miles west of Moscow, Tretyakov Gallery, Moscow, Russia. Wikipedia Commons/Public Domain.

The Epistle reading, 2nd Corinthians 11:13-21, St. Paul’s letter to the formerly pagan congregation he established at Corinth on his Second Missionary Journey accompanied by Silas. The verses are discussed and illustrated in Episode Two of our video series, Gesima: the Pre-Lenten Season, linked from the Digital Library page and in audio form from the Podcast Homilies page. In this epistle to congregation most resistant to his teachings, he mentions the Christian virtue of diligence and names forms of suffering he endured on his journey, including stoning, beatings, shipwreck, followed by a list of more general adversities, including hunger, thirst and robbery. The image of St. Paul was painted by one of the world’s most gifted icon painters. As the credit line suggests, the image is no longer mounted in the church for which it was being made, having become an “historic” object rather than a religious one. Even in its unfinished form it is an exceptional example of art put to use for Christian purposes. Frequent visitors to this site may have noticed that another image of this icon has a blue background, which was the result of studio lighting. This one is the real thing and will be used in all future AIC Publications and updates to existing books and videos.

The Sower, opaque watercolor over graphite on gray wove paper, James Tissot, 1886-1894, Brooklyn Museum, Brooklyn, NY. Public Domain.

The Gospel reading, Luke 8:4-15, is the evangelist’s account of the Parable of the Sower. The watercolor above appears as Illustration No. 71 in our publication, The Gospel of Matthew: Annotated and Illustrated and Illustration 71 in The Gospel of Mark: Annotated and Illustrated. In the comparable volume on the Gospel of Luke I used an oil on canvas by Vincent Van Gogh. These books are available through my Amazon Author Central page. A summary of the book, including price and pagination, is found on the AIC Bookstore page. The image is from a collection of around 300 images in James Tissot’s Life of Christ series, the largest collection of which is now held at the Brooklyn Museum.

As noted in previous posts late last year, I am working on Episode Six and Episode Seven in our video series, The War on Christianity. I expect to finish the text and slides before the end of this weekend. Each of the 24 slides in Episode Six and 33 in Episode Seven is produced by clipping from a sheet with six slides each and some single image pages in Adobe Photoshop. Afterward, each slide must be inset into a video and the sound track recorded using Apple’s iMovie software. The completed episodes probably will not be ready for publication before the middle to the end of March. It will be linked from the Digital Library page and the voice track, converted into an MP3 file, linked from the Podcast Archive page. In other news, I’ve had.a request from an Anglican clergyman in northern Italy to use some material from this site. I have given permission with the condition that the material contains a link to this site.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Septuagesima Sunday

As I pointed out in my Blog posting for Septuagesima Sunday in A.D. 2024, posted on Jan. 24th, Septuagesima Sunday is now largely unique to the Anglican worship traditions. It is the first of three Sundays the names of which end in “gesima.” “Gesima” is derived from a Latin word meaning “days,” which itself is derived from Quadragesima, which means Forty Days, specifically, the Forty Days before Easter. In some Anglican usage the three days are called “Pre-Lent.” In the first millennium of Christianity in the Western Church, these forty days were known as Septuagesima Season. In all AIC Publications I call them the “Gesima” season, pronouncing it the American way (Jes-i-mah) rather than the English manner (Guess-eh-muh). The Roman Catholic Church, in a move followed by many Protestant liturgical denominations, did away with the season in the reforms begun in the late 1960s. The Church of England now calls the three Sundays the Third-, Second- and Sunday next- before Lent. In the Eastern Church tradition there is no comparable season except that the Sunday before the First Sunday in Lent is celebrated as Forgiveness Sunday. The Easter Church service includes a unique chant based on Psalm 69:18 and 19: “Turn not away thy face from thy child, for I am afflicted. Hear me speedily: Draw near unto my soul and deliver me.” (1928 B.C.P. text, based on the Septuagint translation prepared by the Blessed Alcuin of York during the reign of the Holy Roman Emperor Charlemagne. For more on the relationship between Alcuin and Charlemagne, see my Blog posting for March 16, A.D. 2024). For a longer, more detailed and documented discussion of “Gesima” season, including its liturgical colors and the tradition of suspending singing the Gloria, watch Episode One in Gesima: the Pre-Lenten Season. Another resource is my Podcast homily for Septuagesima Sunday, which is also linked from the Podcast Homilies page.

The Collect for Septuagesima Sunday is an adaptation by Archbishop Cranmer from the Gregorian Sacramentary (10th C. based on collects attributed to, or which express doctrine interpreted by, Pope Gregory the Great (A.D. 590-604), especially the doctrines of the Holy Trinity and of Christ as our Saviour.

O LORD, we beseech thee favorably to hear the prayers of thy people;
that we, who are justly punished for our offenses, may be mercifully delivered by thy goodness,
for the glory of thy Name, through Jesus Christ our Saviour, who liveth
and reigneth, with thee and the Holy Ghost ever, one God, world without end. Amen.

The Epistle reading, 1 Corinthians 9:24-27, continues the teachings of St. Paul which were read in Epiphany season concerning the Christian virtues, here including diligence and temperance. As with the other Pauline epistles, the reading provided the Scriptural foundations which were later consolidated into Western Church doctrine during the 6th, 7th and 8th C. The Christian Virtues were also propounded by many theologians and writers in the Eastern Church. In the reading, St. Paul refers to the greater wisdom of the pursuit of heavenly (“imperishable”) values instead of earthly (perishable) values. The “imperishable” crown in verse 25 refers to salvation in the heavenly kingdom. Many of these ideas later formed the basis for the study discipline known as Christian Spirituality. The concept is discussed and illustrated in Christian Spirituality: An Anglican Perspective, available through my Amazon Author Central page. Full information about the volume is found on the AIC Bookstore page.

Parable of the Workers in the Vineyard, center panel of three, from an illumination in tempera and gold on parchment, Codex Aureus of Echternach, produced at Echternach, then Germany, now Luxembourg, circa 1030-1050, Hs. 156142, folio 76r, Germanische Nationmuseum, Nuremberg, Germany. This image is from the version reproduced in the York Project’s DVD, 10,000 Masterworks, Public Domain.

The Gospel reading, Matthew 20:1-16, is St. Matthew’s unique account of the Parable of the Laborers in the Vineyard, also known as the Parable of the First and the Last. Each of the men in the story agreed upon a fixed payment, a denarius, a Greek coin which is the equivalent of about $50 today. The same payment was promised by the vineyard owners no matter what time of day the person started, whether at Third Hour (or 9 A.M. in verse 3), or Sixth Hour and Ninth Hour (Noon and 3 P.M., respectively, in verse 5) or Eleventh Hour (5 P.M. in verse 6). At the end of the day, certain of those who were hired first raised the objection that those who worked only an hour got the same pay as those who started at daybreak. In verse 13, Jesus silenced the most vocal critics: “Friend, I am doing you no wrong. Did you not agree with them [the landowners] for a denarius?” (NKJV text). In the final verse is the most important lesson is taught: “the last will be first and the first last. For many are called but few chosen.” This has been interpreted as a caution against self-righteousness. In practical terms, it teaches us that we should regard those who come late to the Church as just a valuable as lifelong members. The image above appears as Illustration No. 92 in our Bookstore Publication, The Gospel of Matthew: Annotated & Illustrated, available through my Amazon Author Central page. Details of the book are available on the AIC Bookstore page. My Podcast Homily for Septuagesima Sunday is linked from the Podcast Homilies page.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Fifth Sunday after Epiphany

For the Fifth Sunday after Epiphany, Archbishop Thomas Cranmer adapted a Collect from the Gregorian Sacramentary. The Gregorian Sacramentary dates from about the 10th C. and is named in honor of Pope Gregory the Great (590-604 A.D.), one of the most influential Popes of the early Church in the Roman Catholic tradition. It is also known as the Sacramentary of Adrian I. To the many earlier petitions in the Collects for Epiphany season, Archbishop Cranmer’s Collect adds the Church Universal to the list of those for whom prayers are sought (which is the meaning of “beseech” in the opening line). The Collect also refers to certain divine attributes of God the Father incorporated into Christian doctrine, including “grace” and “power” (in other places called “might”).

O LORD, we beseech thee to keep thy Church and household continually in thy true religion;
that they who do lean only upon the hope of thy heavenly grace may evermore be defended by thy mighty power;
through Jesus Christ our Lord. Amen.

The Epistle reading, Colossians 3:12-17, is another from the epistles of St. Paul in which the Christian virtues are listed, in this reading adding compassion, kindness, humility, “long suffering,” forebearance, forgiveness and love (charity in the KJV text) and thankfulness for the Lord’s blessings upon mankind. In this reading, St. Paul uniquely refers to the spiritual and other benefits of “psalms and hymns and spiritual songs.” Another prominent leader in the early Church, Athanasius of Alexandria, echoed the sentiment slightly differently in the 4th C.: “The act of singing affects harmony in the soul.” The Christian virtues, which were summarized in more or less final form by the 7th and 8th C. in both the Eastern and Western Church traditions, are discussed in the “Virtue(s)” entry in our Bookstore publication, Layman’s Lexicon: a Handbook of Scriptural, Theological and Liturgical Terms, available through my Amazon Author Central Page.

Parable of the Evil Enemy, oil on spruce panel altarpiece, Mompelgarder Altar, circa 1540, made for a Lutheran church in Mombeliard, France by Heinrich Fullmauer, based on Luther’s translation into German of the New Testament. Gemaldagalerie 870, Kunsthistorisches Museum, Vienna, Austria. Public Domain.

The Gospel reading, Matthew 13:24-30, includes the Parable of the Wheat and the Tares, which is also known as the Parable of the Evil Enemy in the German/Lutheran tradition. The illustration was used as Illustrati0n No. 72 in our Bookstore Publication, The Gospel of Matthew: Annotated & Illustrated, also available through my Amazon Author Central page. For full information about this volume and previously mentioned Bookstore Publications, visit the AIC Bookstore page. For more on Fifth Sunday after Epiphany, watch Episode Three in our video series, Epiphany: the Manifestation of Christ to the Gentiles. The Podcast Homily for Fifth Sunday after Epiphany is linked from the Podcast Archive page. My Podcast Homily based on the Psalm reading for Fifth Sunday after Epiphany, Psalms 112 and 113 is linked from the Podcast Homilies-Morning Prayer page.

Since Fifth Sunday after Epiphany is the final Sunday in the season in 2025 A.D., there will be no post for the Sixth Sunday after Epiphany. The next Blog post will be focused on Septuagesima Sunday, the first of the three “Gesima” Sundays.

As always, thank you for your interest and support. Glory be to God for all things! Amen!