First Sunday in Lent

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This week marks the start of the season of Lent, the penitential season leading up to Easter. The Collect, Epistle & Gospel readings for Ash Wednesday and First Sunday in Lent, respectively, are discussed and illustrated in Episode One and Episode Two of the AIC Seasonal Video Series, Lent: The Season of Penitence. The audio-only versions of Episode One and Episode Two are linked from the Podcast Archive page. The Podcast Homily for Ash Wednesday and the Podcast Homily for First Sunday in Lent are linked from the Podcast Homilies page. A separate Podcast Homily, based upon the Psalm reading for Morning Prayer on First Sunday in Lent, Psalm 3 and Psalm 62, is linked from the Podcast Homilies-Morning Prayer page. Ash Wednesday, the day for the Imposition of Ashes, has marked the start of Lent in the Western Church since the end of the 6th/start of 7th C. Pope Gregory the Great created Ash Wednesday as his answer to the strong Eastern Christian criticism from the Byzantine Patriarch and others that Lent did not actually last forty days in Western Church worship.

The Collect for First Sunday in Lent is an original composition by Archbishop Thomas Cranmer for the 1549 Book of Common Prayer, based upon Ephesians 4:22-24, focused on three topics: fasting, righteousness & holiness. These adaptations of the writings of St. Paul reflect the strong influence of the Pauline canon upon the worship, study and prayer practices of the Anglican Church. The choice of 2 Corinthians 6 as the Epistle reading also reflects Archbishop Cranmer’s emphasis on the Christian virtues as understood and aggressively taught by St. Paul. The Gospel reading for First Sunday in Lent, Matthew 4:1-11, is the first of four readings from the Gospel of Matthew in Lent, being an account of the Temptations of Christ. The image I have chosen is a mosaic from the ceiling in the north end of the Outer Narthex (or Exonarthex) at Chora Church, formerly Constantinople, now Istanbul, Turkey, depicting John the Baptist as witness to the Temptations. The partially-viewed segment at left is the supper edge of the mosaic of the Nativity of Christ on the east wall of the Exonarthex. The partial image at upper right depicts the Dream of Joseph and the Return of the Holy Family. The mosaics were created between 1315 and 1321 during the reign of Byzantine Emperor Isaac Comnenus using funds contributed by Theodore Metocrites, who is depicted adjacent to a Christ Pantokrator image near the door into the Inner Narthex (or Esonarthex). The image is one of about four dozen images from Chora Church downloaded earlier this year, bringing our archive of images to almost 3,000. The Church is located on the European side of the Straits of the Bosporus. It is now a museum/mosaic in which Christian worship is no longer conducted.

The Temptations of Christ, 1st Qtr., 14th C., Chora Church. © Serban Enache|Dreamstime.com.

Next week I will pick up with another Bookstore Preview, in this case featuring The Gospel of John: Annotated & Illustrated. As always, thank you for your interest and support. Glory be to God for all things! Amen!

Quinquagesima Sunday & AIC Bookstore 15

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For Quinguagesima Sunday, Archbishop Cranmer created a new Collect based on 1 Corinthians 13:11, which is part of the Epistle reading for the day. He used the English understanding of the Greek agape as “Charity” rather than the modern understanding as “Love.” He closed with the admonition that those without these virtues will be “counted dead before thee.” The Epistle reading, 1 Corinthians 13:1-13, in the King James Version also translates agape as “charity.” The Gospel reading, Luke 18:31-43 is the evangelist’s account of Jesus healing the “Blind Man of Jericho.” In St. Mark’s account he is known as “Blind Bartimaeus” and is given a family history. My favorite depiction in Christian art, seen below, is from the 10th C. Ottonian era’s Gospels of Otto III. It is Illustration No. 53 in the AIC Bookstore Publication, The Gospel of Mark: Annotated & Illustrated, which was the subject of the Blog post for Sexagesima Sunday, linked from the Archive column at right. For unknown technical reasons the image would not upload for this Blog post.

Site visitors will find discussion and illustrations for Quinquagesima Sunday in Episode Two of the AIC video series, Gesima: the Sundays of Pre-Lent. The MP3 audio-only version is linked from the Podcast Homilies page. My Podcast Homily for Quinguagesima Sunday is linked from the Podcast Archive page. A related Podcast Homily based on the Psalm reading for Quiquagesima Sunday, Psalms 19 & 23, is linked from the Podcast Homilies-Morning Prayer page. The Gospel of Mark: Annotated & Illustrated and The Gospel of Luke: Annotated & Illustrated (see below for more information) are available through the AIC’s Virtual Bookstore, which is my Amazon Author Central page.

St. Luke Writing, illumination in tempera and gold on parchment, produced at Reichenau Monastery, Reichenau, Germany, circa 1007-1012, Pericope Book of Henry II, Ms. Clm. 4452, Folio 5v, Bayerische Staatsbibliothek, Munich, Germany. CC-by-SA 4.0. Perspective correction applied. Henry II was the last of the Ottonian successors to Holy Roman Emperor Charlemagne.

For this 15th posting of details of the 22 AIC Bookstore Publications, the focus on The Gospel of Luke: Annotated & Illustrated. The volume offers 21st C. readers views of 86 illustrations from the 5th to the 20th C., including mosaics, frescoes, paintings, watercolors, stained glass windows, and illuminations produced originally only for the use of kings, bishops and clergy. The entire text of the Gospel of Luke, using the New King James Version, is included with commentary. The volume includes fourteen special text boxes: The Art of Illumination of Scripture; A Guide to Reading the Gospel of Luke; Angels in the Gospel of Luke; The Temptations of Christ: Reality or Fiction?; The Holy Spirit in the Gospel of Luke; The Prayer Habits of Jesus Christ; “The Son of Man” in the Gospel of Luke; Discernment; Ambrose of Milan on the Raising of the Daughter of Jairus; Theophanies in Scripture; Isaiah on Lucifer/Satan; Samaria and Samaritans in the Gospel of Luke; Unique Parables in the Gospel of Luke; and The Gospel of Luke in the Anglican Worship Cycle. One hundred and eleven illustrations. 276 pages. 8.5″ x 8.5.” $65.00. Available only through our Virtual Bookstore, which is my Amazon Author Central page.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Sexagesima Sunday & AIC Bookstore 14

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The Collect, Epistle and Gospel readings for Sexagesima Sunday are discussed and illustrated in Episode Two in the AIC Seasonal Video series, Gesima: the Sundays of Pre-Lent. The audio-only version in MP3 format of Episode Two is linked from the Podcast Archive page. My Podcast Homily for Sexagesima Sunday is linked from the Podcast Homilies page. A separate homily for Sexagesima Sunday-Morning Prayer, based on Psalm 33, the appointed Psalm for Sexagesima Sunday, is linked from the Podcast Homilies-Morning Prayer page. Sexagesima Sunday is the second of three of the pre-Lenten period.

The Collect for the occasion is another original composition by Archbishop Cranmer for the 1549 B.C.P., based on the Gregorian Sacramentary (10th C.), honoring the 590-604 A.D. Roman Catholic Pope who introduced Ash Wednesday to the Christian calendar. The primary theme is God Almighty as the only true defender of the faithful. The Epistle reading, 2 Corinthians 11:19-31, is a variation on St. Paul’s theme of the importance of the Christian virtues, in this case “diligence.” St. Paul also relates a litany of the forms of persecution he suffered for his advocacy in the spread of the Gospels.

The Sower, stained glass window, St. Mary Abbot’s Church, Kensington High St., London, England, probably 3rd Qtr., 19th C. © Jozef Sedmak|Dreamstime.com

The Gospel reading, Luke 8:4-15, the second from St. Luke’s Gospel so far in A.D. 2026, is the Parable of the Sower. Other versions on the same subject are found in Mark 4:1-9, 13-20 and Matthew 13:1-9; 18-23. In St. Luke’s version the Parable and its explanation are part of a single narrative. The reference in Luke 8:10 to seeing, hearing and understanding in both the Old and New Testament contexts is also addressed in the full-page special text box on Page 36 of the AIC Bookstore Publication: The Gospel of Mark: Annotated & Illustrated. See more below.

The cover illustration is a miniature illumination in egg tempera and gold on parchment, The Pericope Book of Henry II, produced at Reichenau Monastery, Reichenau, Germany, 1007-1012, under the supervision of the monk Liuthar. Ms. Clm 4452, Folio 4r, Bayerisches Staatsbibliothek, Munich, Germany. CC-by-SA 4.0. Perspective correction applied. Henry II was the last of the Ottonian successors to Holy Roman Emperor Charlemagne.

For this Sexagesima Sunday blog post, the focus among the 22 AIC Bookstore Publications is another in the New Testament: Gospels series, The Gospel of Mark: Annotated & Illustrated. The AIC edition of the Gospel of Mark includes an illumination of the reading for the upcoming Quinquagesima Sunday, St. Matthew’s account of the Healing of the Blind Man of Jericho (illus. # 53). The book includes 86 illustrations from the 6th to the 20th C., including a spectacular pair of illuminations of the Three Women at the Empty Tomb and The Angel at the Empty Tomb, placed on opposite pages as they were in the original book. There are ten special text boxes: The Art of Illumination of Scripture; Guide to Reading the Gospel of Mark; Angels in the Gospel of Mark; The Holy Spirit in the Gospel of Mark; “The Son of Man” in the Gospel of Mark; “Heart” & “Understanding” in Scripture; The Twelve: Disciples or Apostles?’ “Ears to Hear” in the Old and New Testaments; The Christian Virtues and Their Opposites; Concepts of Time in the Gospel of Mark. 190 pages. $49.00. The volume is available through our Virtual Bookstore (my Amazon Author Central page).

Later this week or early next week there will be special Blog post on another AIC Bookstore Publication: Easter: the Resurrection of Our Lord in Scripture, Art & Christian Tradition (discussed in my 11/22/2025 Blog post (linked from the Archive column at right). I hope to establish a promotion through the Blaze system used by our site host, WordPress.com.

As always, thank you for your interest and support.

Septuagesima Sunday and AIC Bookstore 13

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The Collect, Epistle and Gospel readings for Septuagesima Sunday are discussed and illustrated in Episode One in the AIC Christian Education Video series, Gesima: the Pre-Lenten Season. The episode includes explanations of the name, the possible dates and many of the myths about the literal meaning of each name. The season’s usage, and non-usage, in other Christian traditions, especially the Roman Catholic, is also explained. The audio only version of Episode One is linked from the Podcast Archive page. My Podcast Homily for Septuagesima Sunday is linked from the Podcast Homilies page. A second Podcast Homily for Septuagesima Sunday, this one based on the Psalm reading in Morning Prayer, Psalm 18:21-35, is linked from the Podcast Homilies-Morning Prayer page. The abbreviated name “Gesima,” a short transitional season, is derived from a Latin word meaning day or days. The start of “Gesima” season is moveable, with variations based upon the date of Easter. The earliest possible date is January 18th and the latest possible date is February 22nd. In A.D. 2026 the first Sunday in “Gesima” season is February 1st.

The Collect for the Septuagesima Sunday is a composition from the 1549 Book of Common Prayer by Archbishop Thomas Cranmer, based on the Gregorian Sacramentary (10th C.) and also strongly influenced by the late 8th-early 9th C. Vulgate Bible translation by Alcuin of York. Alcuin of York was spiritual advisor to Holy Roman Emperor Charlemagne and the imperial family, Abbot of the Abbey of St. Martin of Tours, and author of the Collect for Purity in the Anglican Holy Communion liturgy. The complicated relationship between Alcuin and Charlemagne, and the results of their joint effect upon the development and spread of Christianity in Western Europe was the subject of my Blog post for 3/16/2024. The entry is linked from the Archive column (under March 2024) at right.

The Epistle reading, 1 Corinthians 9:24-27, is the 4th of four lessons by St. Paul’s focused on the theme of the Christian Virtues. The concept of “virtue/virtues” in the Christian Tradition and its development in both the Western and Eastern Church is explored in the AIC Bookstore Publication, Layman’s Lexicon, which was featured in the blog post on 10/18/2025 for Seventeenth Sunday after Trinity (linked from the October 2025 entry in the Archive column at right).

The Gospel reading, Matthew 20:1-6, the fourth so far in A.D. 2026 from the Gospel of Matthew, is the Evangelist’s account of the Parable of the Laborers in the Vineyard. The image below is a 16th C. depiction of the event. An 11th C. depiction of the lesson, with color and more detail, from the Codex Aureus of Echternach, was used in my Blog posts for Feb. 18th, 2025 and Jan. 18th, 2019, both linked from the Archives column at right. The Codex Aureus of Echternach version also appears in the AIC Bible Study Video series, The New Testament: Gospels in Episode Six, using a copy from the Yorck Project: 10,000 Masterworks. The Yorck Project offered quite literally 10,000 images from around the world in both the civil and religious world. The project’s several authors released the images in their DVD into the Public Domain.

The Parable of the Laborers in the Vineyard, engraving after a pen and ink drawing, Andrea del Sarto (also known as Andrea d’Agnola), Florentine artist, 16th C. © Coatchristophe|Dreamstime.com.

This week’s AIC Bookstore Publication is The Gospel of Matthew: Annotated & Illustrated, one of five volumes in our Christian Education: New Testament series. The book is one of twelve printed in the large page format (8.5″ x 8.5″). The format allows for larger images from historic Christian art, wider margins and larger type faces for body text. Three other volumes in the large page format were the subject of my Blog posts in 2025 for 11/15, 11/22 and 11/27. All three are linked from the Archives column.

Matthew Writing His Gospel, a miniature illumination in gold and egg tempera on parchment, Pericope Book of Henry II (1007-1012), the last of Ottonian successor to Charlemagne, produced at Reichenau Monastery, Reichenau, Germany, Ms. Clm 4452, Folio 3v., Bayerisches Staatsbibliothek, Munich, Germany. CC-by-SA 4.0.

The book includes the entire text, with commentary, of the Gospel of Matthew, set in the text of the New Kings James Version. There are thirteen “special text boxes,” including The Art of Illumination of Scripture; A Guide to Reading the Gospel of Matthew; The Holy Spirit in the Gospel of Matthew; Angels in the Gospel of Matthew; Parables in the Gospel of Matthew; The Christian Virtues and Their Opposites; and Samara and Samaritans in the Gospel of Matthew. The book’s 117 illustrations are from the 6th through the early 20th C. 278 pages, including full Bibliography, detailed list of Sources of Illustrations and summary information about other AIC Bookstore Publications. $65.oo. The book is available exclusively through our Virtual Bookstore (which is Fr. Ron’s Author Central page on Amazon.com). Portions of the text of St. Matthew’s Nativity, Resurrection and Post-Resurrection narratives also appear in our two Seasonal publications, Christmas: The Nativity of Our Lord in Scripture, Art & Christian Tradition and Easter: the Resurrection of Our Lord in Scripture, Art & Christian Tradition. Both volumes are also printed in the 8.5″ x 8.5″ format.

During January A.D. 2026 I have continued searching historic archives for additional examples of Christian art depicting scenes which are the subject of the Gospel lessons later in the year. I have also been busy updating and sorting our catalogue of nearly 3,000 images, all with their own detailed entries in an Excel spreadsheet. In the spreadsheet they are categorized first by subject. Each entry includes the source, background, whether Public Domain or copyright protected (with author or source indicated), and where each is filed in the AIC’s records. Even more detailed information about each entry is also listed, where available, in seventeen notebooks labelled “Picture Sources.” I am especially grateful to the helpful staff at the British Library for the continued digitization of the Library’s vast collection. The British Library is still recovering from an assault on its resources in 2024 A.D., which resulted in the destruction of or damage to many valuable cross-references, and previously-digitized material. Many resources used in AIC Bookstore Publications are no longer available to the public. Many sources require expensive re-photographing. The AIC remains committed to keeping these valuable resources available, on-demand, in one or more of the WATCH-LISTEN-READ formats and, except for the Bookstore Publications, free of charge.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Second Sunday after Epiphany and AIC Bookstore, Part 11

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Welcome to the second of three posts for the Sundays after Epiphany in A.D. 2026.

The Collect (Gregorian), Epistle (Romans 12:1-6) and Gospel (Mark 1:1-11) readings for Second Sunday after Epiphany are discussed and illustrated in Episode Three in the AIC Seasonal Video series, Epiphany: The Manifestation of Christ to the Gentiles. The audio version of Episode Three is linked from the Podcast Archive page. My Podcast Homily for Second Sunday after Epiphany is available on the Podcast Homilies page. My Morning Prayer Podcast Homily for Second Sunday after Epiphany, with commentary and reading of Psalms 22 and 29, is linked from the Podcast Homilies-Morning Prayer page.

The Collect for Second Sunday after Epiphany, another composition by Archbishop Cranmer based upon the Gregorian Sacramentary, includes a plea to Almighty God to hear “the supplications of thy faithful people.” The Epistle reading, Romans 12:6-12, is the second of a sequence of four readings from Romans on St. Paul’s understanding of the Christian virtues during Epiphany season.

Baptism of Christ, fresco, Chiesa di San Agostino, Milan, Italy. The fresco is a 20th C. reproduction of the original mosaic which was destroyed by bombing during World War II. © Jozef Sedmak | Dreamtime.com.

The Gospel reading, Mark 1:1-11, is St. Mark’s account of the baptism of Christ, presented in the context of the fulfillment of Old Testament prophecy (verse 3) and the importance of John the Baptist, the last prophet of the Old Testament, as the “forerunner,” appropriately placed at the start of Jesus’ earthly ministry.

Baptism of Christ, marble bas relief, Benedetto da Maiano, San Zeno Cathedral, Pistoia, Tuscany, Italy. © Jozef Sedmak | Dreamtime.com

Sr. Mark describes the simultaneous presence of all three divine persons of the Holy Trinity: the Father, the Son and the Holy Spirit (the latter as the dove who speaks (verses 10-12). The same verses are pictured in Illus. No. 24 of a stained glass window by Franz Mayer of Munich in the AIC Bookstore Publication, Paintings on Light: The Stained Glass Windows of St. Joseph’s Villa Chapel, discussed in the post for First Sunday after Epiphany (1/5/26), linked from the Archive column at right.

The focus of this week’s installment of my commentary on the AIC Bookstore Publications is Occasional Services for Anglican Worship. Presented in 198 pages in our 5.5″ x 8.5″ black & white format. The volume includes the text of offices not provided for in the 1928 Book of Common Prayer. The include a) Holy Communion in the style of the 1549 Book of Common Prayer, a text I produced at the request of former UECNA Archbishop Stephen C. Reber, at whose direction a text of the Decalogue, harmonization of the offertory text with the 1928 Book of Common Prayer version and two additional Propers were included; b) a Christmas Eve suite in three parts: the Great “O” Antiphons for Dec. 12 to Dec. 24; Midnight Mass for Christmas Eve/Christmas Day with parts of Evening Prayer, and a Midnight Office for Christmas Eve, commonly known as Visits to the Crib; c) Holy Communion for Maundy Thursday using my 1549 version; d) In the Cross of Christ I Glory, prayers and responses for Good Friday, with each section based on the Seven Words from the Cross, 1940 Hymnal & St. Chrysostom Hymnal; e) Easter Morning Office, a Sunrise service for use either outside or inside at dawn on Easter Sunday; f) Ascension Day Office, including music for A Hymn of Glory Let Us Sing; g) Holy Communion for Transfiguration Day, using the 1549 BCP); h) Hours Offices for First Hour, Sixth Hour & Compline; i) A Litany for Healing; and, finally, j) an Advent Wreath Ceremony, a four-part verse and response originally composed by the late UECNA Archdeacon George McClellan.

The cover image (see above) is a detail of the stained glass window for the Annunciation to the Blessed Virgin Mary at St. Joseph’s Villa Chapel. The full image is Illustration No. 54 in the AIC Bookstore Publication, Paintings on Light: the Stained Glass Windows of St. Joseph’s Villa Chapel. The book was featured in my Blog post for 1/9/26, which is linked from the Archive column at right.

This week, as part of the continuing effort to make this site easier to navigate using the built-in links at the top and bottom of all pages, I have made some corrections. These are: a) fixing broken links on the Podcast Archive and Bible Study pages; b) editorial changes to line spacing and other technical details on the Digital Library and Podcast Archive pages; c) adding the cover image and summary text for Christian Spirituality: An Anglican Perspective (highlighted in my 12/5/25 blog post),which was missing from the AIC Bookstore page. We aim to provide access to teaching and learning materials in all three forms: watch/listen/read.

As always, thank you for your interest and support. Glory be to God for all things.

Second Sunday in Advent & AIC Bookstore Preview, Part 8

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Advent, the season of both penitence and preparation, continues on Sunday, Dec. 7. As with other Sundays in Advent, I continue with a theme word or phrase. For Second Sunday in Advent my Podcast Homily is focused on the “Fire of Judgment.” For those who prefer visual imagery, the commentary for Second Sunday in Advent is available (paired with First Sunday in Advent) on the Digital Library page. The commentary comes from our Seasonal Video series: Advent: the Season of Penitence & Preparation. The Digital Library pages offers access to the Seasonal Video series not only for Advent but also Christmas, Twelve Days of Christmas, Epiphany, “Gesima,” Lent, Easter, Good Friday, and Trinitytide (including Trinity Sunday).

For Second Sunday in the newly-created season of Advent, Archbishop Cranmer wrote an original Collect, first published with the 1549 Book of Common Prayer. The Collect includes the only reference to God in the Book of Common Prayer collects as “Blessed Lord.” As in previous years, I offered an image of Christ-in-Majesty which was produced circa 700 A.D. at a Benedictine monastery in Wearmouth-Barrow, Northumbria, England. The volume containing the image has been at the Laurentian Library, Florence, Italy, since 1786 A.D. For this post, the size is small because I have not found a higher resolution version that would not “pixilate” when enlarged.. The term “Christ-in-Majesty” is a Western Church name that is comparable to the Eastern Church’s use of Christ Pantokrator, which is roughly translated as Ruler of the Universe, but can also be interpreted as “He who does whatever He wishes.”

Christ-in-Majesty with angels and evangelists, frontispiece, Codex Amiatinus, folio 796v, early 8th C.. Laurentian Library, Florence, Italy. Public Domain.

Continuing the preview of important volumes among the AIC Bookstore Publications, the focus for Second Sunday in Advent A.D. 2025 is Christian Spirituality: An Anglican Perspective. This volume is the first in this series of previews which is printed in black & white only in the traditional 5.5″ x 8.5″ format. All the earlier books are full color printed in the 8.5″ x 8.5″ format, which enhances the color illustrations, allowing for larger, full page images.

I wrote this volume during my service at St. John Chrysostom Anglican (now closed) to answer commonly-asked questions from both parishioners and those inquiring about membership. List the parts here. 144 pages with 18 illustrations (including the cover image of Christ as the Lamb of God, St. Paul’s Church, Halifax, Nova Scotia (copyright Can Stock Photo, Inc./onepony).

The subject of “spirituality” can be confusing. In this book I explain it in the context of Anglican worship using the 1928 Book of Common Prayer, which descends from the first prayer book in English published in 1549 in time for Trinity Sunday. The volume is divided into five parts. In Part One, I explain the “first premise” of Christian Spirituality: which is the reality of evil in the world, and, second, its corollary: God’s eternal truth as the only antidote and place it in the context of the writings of two Anglican clergymen: Archbishop Thomas Cranmer and the Blessed Lancelot Andrewes, Chaplain to Elizabeth I and James I and a member of the supervisory team which prepared the King James Bible.

In Part Two, the explore the many ways which mankind can “see” the face of the Almighty God. In Part Three, I explore the true meaning of the phrase: “Blessed is the man…Blessed are….” and their many variations in the Book of Psalms. In Part Four, I explore another phrase, also based on the Psalter: “Put not your trust in princes….” through study of three stages of prayer: of words; of the mind; and of the heart; and offer ideas on developing one’s own catanae, or prayers based on Scripture; offering apostolic wisdom based on the words of two pair of saints: Peter and Paul; James and John. In Part Five, “A Primer on Using our Resources,” I explain how to use the resources available through links on the AIC web site including media based on the written word, the spoken word or, in a combination of the two, in visual media. All book royalties are contributed to the AIC. Learn more about Christian Spirituality: an Anglican Perspective, available through my Amazon Author Central page, and about all our publications on the AIC Bookstore page.

Next time, I will explore both Third Sunday in Advent and another 5.5″ x 8:5″ volume. As always, thank you for your interest and support. Glory be to God for all things! Amen!

First Sunday in Advent & AIC Bookstore Preview – Part 7

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Sunday, Nov. 30th, A.D. 2025, marks the start of the penitential season of Advent. My Podcast Homily for First Sunday in Advent is linked from the Digital Library page. The theme is “The Coming of the Light” and in it I discuss Archbishop Cranmer’s new Collect for the occasion, the Epistle reading (Romans 13:8-14) and the Gospel lesson (Matthew 21:10-13). Another Podcast Homily for First Sunday in Advent, this time based on the Morning Prayer readings for the same occasion, is also available. Should you be visual-minded you can watch Episode One (focused on First and Second Sunday in Advent) in our Seasonal Video series, Advent: a Season of Penitence & Preparation. In this video series I also explain other traditions associated with Advent, including the “Greening of the Altar,” the use of Chrismons rather than Christmas ornaments, and the practice of avoiding Christmas carols until Christmas Eve.

For this post for First Sunday in Advent, the highlighted AIC Bookstore Publication is a very special book, Angels: In Scripture, Art & Christian Tradition, which was published in A.D. 2023.

The cover art is an 11th C. Byzantine-influenced mosaic in the upper registry, Baptistery of Saint John, located opposite the Basilica of Santa Maria dei Fiori, Florence, Italy. A full view of the mosaic is printed on page 4.

In the Preface to Angels: In Scripture, Art & Christian Tradition I offered this: “The purpose of this book is to educate Christians in the rich literary, artistic and liturgical traditions concerning angels in both the Western and Eastern Church understanding.” In the book I explore every mention of angels in the Old and New Testament, plus the second canon Old Testament and a non-canonical Old Testament book in the Eastern Church tradition. There are 153 illustrations including frescoes, icons, mosaics, stained glass windows, watercolors, paintings and engravings. I pay special tribute to the Holy Roman Emperor Charlemagne and his spiritual advisor, the Blessed Alcuin of York; and to the Ottonian and other successors to the title Holy Roman Emperor in the Western Church; to St. John of Damascus, author of the Exact Exposition on the Orthodox Faith, the earliest known explanation of the origin, nature and purpose of angels; and, finally, to St. Clement of Alexandria and St. Thomas Aquinas, the former from the Eastern Church tradition and the latter from the Western Church tradition.

The book is divided into five parts: Part One is a primer on angels); Part Two is focused on every reference to angels in the Old Testament; Part Three includes discussion of each mention of angels in the New Testament; Part Four is focused on references to angels in Christian worship; and Part Five includes discussion and illustrations of angels traditions around the world, including foods and festivities.

The publication of Angels: In Scripture, Art & Christian Tradition completes the planned catalogue of AIC Bookstore Publications. Corkie Shibley suggested the concept of a book on angels. As a special bonus for readers, I have included her recipe for the remarkably light biscuits, which she calls “Angel Biscuits.” The recipe is placed at the end of Part Five.

Royalties on this and the other AIC Bookstore Publications are donated to the AIC. The book is available online through my Amazon Author Central page. Additional information about the catalogue is available on the AIC Bookstore page.

I offer a special thanks to our contributors — and also those who assisted in the production of the book, each of whom is named in the Preface. Contributions and book royalties provide the funds necessary to obtain the high-resolution images and licenses for the use of the same. Through reader support, we have been able to collect and catalogue over 3,000 such images, most of them rarely seen by the general public.

As always, I thank you for your interest and support. Glory be to God for all things! Amen!

Trinity 23 and AIC Bookstore – Part Six

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Ooophs. In A.D. 2025, there is no Trinity 23. On the traditional calendar it is preempted by Sunday Next Before Advent. In 2024 A.D. for reasons I do not remember, I did not provide a Blog post for Trinity 23. In 2025 A.D. it is the final Sunday after Trinity, since Advent begins on Sunday, November 30th. However, you can listen to my Podcast Homily for Trinity 23 or, for a visual version, watch Episode Eight in Trinitytide: the Teaching Season. The Gospel reading for Trinity 23 includes Jesus’ use of the phrase, “Render unto Caesar…” (Matthew 22:15-22). In the video series, the discussion includes another of James Tissot’s remarkable watercolor interpretations of the words of Christ. The Gospel reading for Trinity 23 is the ninth quotation from the Gospel of Matthew in Trinitytide.

For this week’s Blog posting, the focus is on the second of two AIC Bookstore Publications focused on the primary seasons on the Anglican Church Calendar: Easter and Christmas.

The cover image is an 11th C. mosaic, Christ Resurrected (known as the Anastasis in Greek), east wall, Narthex, Hosios Loukas Monastery, Distoma, Greece. Source: Wikipedia Commons. The theological symbolism of the image is discussed in Chapters 2 and 3.

Easter: The Resurrection of Our Lord in Scripture, Art & Christian Tradition is presented in 156 pages. There are 132 illustrations from the 6th C., 9th through 17th C. and 19th through 21st C. The book is divided into six parts, plus a Preface, List of Illustrations and a brief guide to the art of illumination of Scripture. Part One includes discussion and art related to events and prophecies during the three days between Good Friday and Easter Sunday (called the Triduum in Latin), including the “Harrowing of Hades.” This is the period of Jesus’ visit in Hades/Hell that is mentioned in the Apostles’ Creed. A special text box includes the Easter/Paschal sermon of St. John Chrysostom, which is still delivered annually on Holy Saturday in many Eastern Orthodox Churches. Chapter Four in this section is focused on Jesus’ prophetic references to Resurrection in three days.

Part Two is focused on events of the Resurrection recorded for early on Easter Day, according to the accounts in the Gospels of Matthew, Mark, Luke and John. A special text box explains the “Three Marys” tradition regarding the three women at the empty tomb in these Gospel accounts.

Part Three is focused on Post-Resurrection appearances of Jesus Christ, as recorded in the Gospels of Luke and John, including those occurring on Easter evening and the eight days afterward, including accounts of the “doubts” of St. Thomas and his confession; on meeting Apostles on the road to Emmaus and the subsequentmeal at Emmaus; and Jesus with the Apostles at the Sea of Tiberius, uniquely recorded in the Gospel of John.

Part Four is focused on Jesus’ final post-Resurrection appearances, the Great Commission and the Ascension. The text is based on the accounts in the Gospels of Matthew, Mark and Luke, plus The Acts of the Apostles. There are fourteen illustrations of the Ascension depicting the event from both the Western and Eastern Church traditions.

Part Five is focused on music for Easter in both the Western and Eastern Church traditions, including the text of Easter hymns and Psalms; a special text box listing all the seasonal music printed in another AIC Bookstore Publication, The St. Chrysostom Hymnal, which was used at my former parish and which is now available in paperback.

Part Six is focused on Easter traditions both in liturgy and foods and includes images of Easter worship in Kent, Lancashire, St. Agnes Island, and London, England; and in Bucharest, Romania; Kiev, Ukraine; Emmaus-Nicopolis, Israel; and Gomel City, Belarus. For this volume, Corkie Shibley created a recipe for “Empty Tomb Hot Cross Buns.”

Sources for this collection of Christian art include icons, mosaics, frescoes, altarpieces, bas reliefs, tapestries, oil paintings and watercolors; stained glass windows; illustrated Psalters, Pericope Books, Sacramentaries, as well as illustrated Bibles and Gospels produced for the use of both clergy and royalty. The format used in Easter: The Resurrection of Our Lord in Scripture, Art & Christian Tradition is slightly different than in the Christmas volume. For this blog post, there is no image of an inside page, because nearly all the illustrations, for best effect, are printed on full pages placed opposite the actual Scripture text.

This volume, first published in A.D. 2023 and updated at Epiphany A.D. 2024, was written and edited primarily for the education of the laity of the Church; however, clergy from both the Western and Eastern Church traditions may find the Bibliography and the Sources of Illustrations pages useful for further learning and research. I am grateful to the staff at libraries and other archives in England, Europe and the United States and to our donors, who make possible the acquisition of the high-resolution images used in this book. Several individuals who provided exceptional assistance in resolving the many technical issues (resolution, clarity, etc.) are named in the Preface.

Like all the AIC Bookstore Publications, Easter: The Resurrection of Our Lord in Scripture, Art & Christian Tradition is available only through my Amazon Author Central page. Royalties for all the AIC Bookstore Publications are contributed to the AIC. Additional information about pricing and pagination of this and the other AIC Bookstore Publications is found on the AIC Bookstore page.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Trinity 22 & AIC Bookstore – Pt. 5

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My Fr. Ron’s Blog post for Trinity 22 was posted on October 25th, A.D. 2024. The episode is linked from the Archives column at the right side of the page. I discussed the Collect, based on the late Gregorian Sacramentary (10th C.), St. Paul’s epistle to the congregation at Phillipi (Philippians 1:3-11) and St. Matthew’s account of Jesus’ lesson on the Unforgiving Servant (Matthew 18:21-35) with first half, 17th C. art work by Claude Vignon. These readings were also discussed in Episode Eight in our Christian Education video series, Trinitytide: the Teaching Season. The podcast version of Episode Eight is linked from the Podcast Archive page. Additionally, the Podcast Homily for Morning Prayer on the Twenty-second Sunday after Trinity is also available.

This week’s post continues my focus on the unique books available in the AIC Bookstore, on this occasion focusing on the first of two books on the Church’s two major seasons, Easter and Christmas. Here, near the start of Advent in A.D. 2025, I present more about Christmas: The Nativity of Our Lord in Scripture, Art & Christian Tradition. This resource would be a great gift to any Christian this year. The volume is available only through my Amazon Author Central page.

Cover image, a stained glass interpretation at an unspecified location, copyright Waamel|Dreamstime.com.

The book was first published at Christmas, A.D. 2023. Art work includes 113 illustrations from the 5th to the early 20th C., including mosaics, icons, frescoes, stained glass, paintings, watercolors and two maps: Palestine in the Time of Christ and an 1835 Plan of Jerusalem. This 173-page high-quality paperback is divided into five parts. Part One includes text and commentary on St. Luke’s unique pre-Nativity account (Luke 1). Part Two continues with text and commentary on St. Luke’s version of the actual Nativity and his transition to post-Nativity events (Luke 2). Part Three includes text and commentary on St. Matthew’s version of the Nativity through the flight to and return from Egypt (Matthew 1 & 2). Part Four is focused on two pre-and post-Nativity traditions with art related to The Great “O” Antiphons (for Dec. 18th to 24th) and The Twelve Days of Christmas (with a theme words or phrases for Dec. 25th to Jan 5th). Part Four includes examples from the AIC’s two video and podcast series of the same name. Part Five, Christmas Traditions from around the World, includes discussion and illustrations of gift-giving, Dickens’ A Christmas Carol, Christmas cards, the Three Kings tradition, Christmas music and foods, including Corkie Shibley’s recipe for my grandmother’s Sugar Cookies.

With its unique format and content, this volume will enhance anyone’s personal library of Christian resources. Next time, my focus will be on Easter: The Resurrection of Our Lord in Scripture, Prayer & Christian Tradition.

As always, thank you for your interest and support. Sales of these volumes help keep the Anglican Internet Church’s unique resources available online, mostly free of charge. All book royalties are donated, as received, to the AIC. Glory be to God for all things! Amen!

Liturgical Worship: Scripture-based – Part 2

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This week I continue my discussion about Liturgical Worship in the Anglican tradition using the 1928 Book of Common Prayer. The illustration below shows clergy officiating at Holy Communion using the Sarum Rite. Sarum is modern day Salisbury, England. The Sarum Rite in England is a predecessor of the 1549 Book of Common Prayer, the first England language liturgical prayer book produced under the supervision of Archbishop Thomas Cranmer.

Priests Celebrating at Altar, using the Sarum Rite, illumination, Book of Hours, circa 1400, Ms. Richardson 5-92, Folio 44v, Houghton Library, Harvard University, Cambridge, MA. Public Domain.

One of the best commentaries on the 1928 Book of Common Prayer was written by Massey Shepherd. It includes an introductory commentary plus section-by-section commentary on the entire BCP. On the Holy Communion liturgy, pages 67-89, he observes that the words to be spoken by clergy and people before an after the Gospel reading (“Glory be to thee, O Lord” and “Praise be to thee, O Christ”) are “a reminder that liturgical worship is a corporate action of both minister and congregation, conducted under the inspirational judgment of the Lord.”

Shepherd also notes that the Sanctus prayer, spoken during the Preface, is a paraphrase which is derived from the prophet Isaiah’s vision of the heavenly throne, in which the seraphim sing (Isaiah 6:1-3). Holy, holy, holy, Lord God of hosts, Heaven and earth are full of thy glory: Glory be to thee, O Lord most high.”

Another interesting observation by Massey Shepherd concerns the opening words of the Prayer for the Whole State of Christ’s Church (BCP p. 74) is evidence of the Church’s acceptance of the understanding that God listens of the prayers/petitions of His faithful people and, further, that the text affirms that the people/congregation, in hearing the remainder of the prayer, acknowledge the obligation to be obedient unto His divine will: “all those who do confess thy holy Name may agree in the truth of thy holy Word, and live in unity and godly love.” This understanding is more directly addressed in the preface to the General Confession (p. 75).

As always, thank you for your interest and support. Glory be to God in all things! Amen!