First Sunday in Advent

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In the Anglican worship tradition, First Sunday in Advent marks the start of a new Church Year, unrelated to the traditional Western calendar and the Roman Catholic tradition in which years begin on January 1. For the occasion Archbishop Thomas Cranmer composed a new Collect into which he incorporated the details based on the theology of the Pauline epistles (Romans 13:12; Ephesians 6:10-20) and the Evangelists John and Luke (John 1:1-5; Luke 2:1-20). In this new Collect, the first Protestant Archbishop of Canterbury emphasized the dual themes of Advent season: Preparation – not just for one event, the birth of Christ our Saviour – but also for His promised coming again. In the AIC Bookstore Publication, Christian Spirituality: an Anglican Perspective, I offered several examples of St. Paul’s unique understanding of “spiritual warfare” using martial terms, such as “armor of light.” The Archbishop also chose to emphasize the humble manner in which the Son of God entered the human world. The book, like all the AIC Bookstore Publications, is available through my Amazon Author Central page. Note that in the English tradition, “quick,” a word no longer in common usage, refers to those currently alive and thus applies no matter the timing of the Second Coming.

ALMIGHTY God, give us grace that we may cast away the works of darkness
and put upon us the armour of light, now in the time of this mortal life,
in which thy son Jesus Christ came to visit us in great humility;
that in the last day, when he shall come again in his glorious majesty
to judge both the quick and the dead, we may rise to the life immortal,
through him who liveth and reigneth with thee and the Holy Ghost,
now and ever. Amen.

Instead of focusing on the appointed readings (Romans 13:8-14; Matthew 21:1-13) or engaging in the timeless and pointless debate over the decision of the Prayer Books authors to use the Gospel account of the Triumphal Entry into Jerusalem on First Sunday in Advent instead of Palm Sunday, the focus here is on possible homily themes for First Sunday in Advent plus details and music common in Anglican celebrations of the season of Advent.

My Podcast Homily for First Sunday in Advent is The Coming of the Light, the first of four themed Homilies for Advent Season. In other AIC rescources, the AIC Christian Education Video series on Advent, the First and Second Sunday in Advent are discussed and illustrated in Episode One.

Chi Rho and Wreath, bas relief on a lidless sarcophagus, circa 360 A.D. (excavated circa 1817-1821), Museo Pio Christiano (Vatican Museum), Rome, Italy. Public domain.

Advent is not Christmas, nor an abbreviated version of Christmas. In traditional Anglican parishes, the season is celebrated first by what is commonly known and the “greening” of the altar. This refers not only to the addition of seasonal greenery but also the avoidance of commercial products. In the most traditional parishes, the “greening” is accomplished either directly by parishioners. To avoid violating the tradition of not using Christmas decorations before Christmas Eve, many parishes use chrismons, which are symbols of Christian themes. In the illustration above one can see the Chi Rho symbol, in this case placed inside a wreath. Traditionally, Christmas-based hymns and carols are not used until Christmas Eve, when the Lessons and Carols for Christmas Eve office is read and sung This service will be discussed in association with the blog post for Fourth Sunday in Advent. The liturgical color for Advent season is the same penitential purple also used during Lent.

In the post for the Twenty-fifth Sunday after Trinity, I explained that Advent is fixed feast which always begins on the Sunday closest to the Feast Day of St. Andrew, Nov. 30. This means that the earlier possible date for First Sunday in Advent is Nov. 27th and the latest possible date is Dec. 3rd. During Advent season it is traditional for Anglican parishes to display an Advent Wreath, which features five candles, four around the outer ring and a larger central candle. Three of the four in the ring are purple, with the fourth, reserved for the Fourth Sunday in Advent, is white. The late Archdeacon of the United Episcopal Church of North America, the Rev. George McClellan, composed an Advent Wreath Ceremony with themed readings and prayers for each of the four Sunday in Advent. In Fr. George’s memory, I used his text in the AIC Bookstore Publication, Occasional Services for Anglican Worship. In another AIC Bookstore Publication, The St. Chrysostom Hymnal, I included several traditional hymns suitable of use during Advent. Hymn 3 is Lift Up Your Heads, Ye Mighty Gates (George Weisel, 1642 A.D.), Hymn 4 is The Advent of Our King (Charles Coffin, 1786 A.D.) and Hymn 8 is O Word That Goest Forth on High (Latin hymn, 7th C.). Both books are also available through my Amazon Author Central page.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Sunday Next Before Advent

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First, I must apologize for last week’s error in the readings for Twenty-fifth Sunday after Trinity, when the Collect, Epistle and Gospel readings should have been the same as the Sixth Sunday after Epiphany instead of the Fifth Sunday after Trinity.

Trinitytide, the longest season on the Anglican Church Calendar, finally comes to an end with Sunday Next before Advent. In the 1892 Book of Common Prayer the occasion was labelled Twenty-fifth Sunday after Trinity. It is commonly known as “Stir-up Sunday,” a label based upon Archbishop Cranmer’s adaptation of a “Daily” prayer from the Gregorian Sacramentary as the Collect for the Day. Church historians suggest that the “stir up” phrase in the Gregorian prayers was inspired by the writings of the Apostles Paul (2 Timothy 1:6) and Peter (2 Peter 1:13; 3:1).

STIR up, we beseech thee, O Lord, the wills of thy faithful people;
that they, plenteously bringing forth the fruit of good works,
may by thee be plenteously rewarded; through Jesus Christ our Lord. Amen.

For Sunday Next before Advent, the first reading, known as a “for the Epistle” reading, is Jeremiah 23:5-8, a prophecy of the coming of a “righteous Branch” in the line of descent from King David and under whom the people are promised “judgment and justice in the earth.” The prophecy uses all capital letters in the spelling of prophesied Messiah: THE LORD OF OUR RIGHTEOUSNESS. Verse 5 is read as the Second Chapter (of three) in the traditional Anglican prayers for Third Hour in the AIC Bookstore Publication, Hear Us, O Lord: Daily Prayers for the Laity, available through my Amazon Author Central page.

The Gospel reading, John 6:5-14, is the evangelist’s account of the miraculous Feeding of the 5,000, which in extended form (using verses 1-14) is also the reading for Fourth Sunday in Lent. It is illustrated here in one of James Tissot’s historical style watercolors in which the artist captures the enormous scale of the event with details of the audience and the local geography.

Feeding the 5,000, opaque watercolor over graphite on gray wove paper, James Tissot, one of over 300 images in his Life of Christ scenes, 1886-1894, Brooklyn Museum, Brooklyn, NY.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Twenty-first Sunday after Trinity

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For the Twenty-first Sunday after Trinity the Collect is another adaptation by Archbishop Cranmer from the Gelasian Sacramentary (Rome, circa 750 A.D.) for the 1549 Book of Common Prayer. It is also the last Gelasian Sacramentary collect for the season. The collect includes an iconic phrase, “pardon and peace,” in which pardon was substituted for the medieval Latin phrase “indulgence.” The word “indulgence” was, in Cranmer’s view, too closely allied to the Roman Catholic practice of selling indulgences to those with appropriate financial resources. The word “quiet” in the final phrase replaced the Latin “secure.” Quiet in mind implies unshakeable faith in the face of adversity, a concept which remains essential in the anti-Christian political and cultural environment of the 21st C. The Collect is often used by non-ordained Church leadership as a closing prayer in Morning Prayer, since it offers the hope of forgiveness without the official sanction of Absolution which only an ordained clergyman can dispense.

GRANT, we beseech thee, merciful Lord, to thy faithful people pardon and peace,
that they may be cleansed from all their sins, and serve thee with a quiet mind;
through Jesus Christ our Lord. Amen.

The Epistle reading, Ephesians 6:10-20, advances one chapter in St. Paul’s epistles from the reading for Twentieth Sunday after Trinity. The lesson includes some of the most important and boldest statements of the traditional teachings of the Apostle Paul concerning, in the broadest sense, the concept of “Spiritual Warfare.” The verses include several iconic martial phrases used in the context of the battle against “the wiles of the devil” (verse 11) and the “spiritual hosts of wickenedness in the heavenly places” (verse 12). These include “the whole armour of God” (twice, verses 11 and 13), “the breastplate of righteousness” (verse 14), “the shield of faith” (verse 16), “the helmet of salvation” (verse 17) and “the sword of the Spirit which is the word of God” (verse 18). Less military-sounding defenses include “the gospel of peace” (verse 15) in the concept of appropriate footware for spiritual conflict. “Principalities and powers” in verse twelve refers to the traditional understanding of the ranks or orders of angels and heavenly powers. I discuss this interpretation in Ninth Day (Jan 2nd) in our video series, The Twelve Day of Christmas and also in our Bookstore Publication, Angels: In Scripture, Prayer and Christian Tradition, available through my Amazon Author Central page. Paul refers to the importance of prayer and to his own boldness in defense of Christian doctrine in the closing verses (verse 18, 19 & 20).

Paul, miniature illumination in colors and gold on parchment inside the letter “P,” placed before the start of 2 Corinthians, Gloss on the Pauline Epistles, Peter Lombard, France, 4th Qtr. 12th C.-1st Qtr., 13th C., Ms. Royal 4 E IX, Folio 64, British Library, London, England. Perspective correction applied.

The Peter Lombard illumination was used as Illustration No. 74 in The Act of the Apostles: Annotated & Illustrated, available using the link to my Amazon Author Central page. Although the image was used in association with the 2nd letter to the Corinthians, it is used here owing to St. Paul’s fierce facial expression. My personal favorite image of a militant St. Paul was used in the blog post for Seventh Sunday after Trinity, linked from July 2024 entry in the right hand column.

The Gospel reading, John 4:46-54, is the fifth of six readings from the Gospel of John during the period between Whitsunday and Sunday Next before Advent. The subject of the reading is the second “sign” of Jesus’ divinity cited in the Gospel of John, being John’s record of Jesus’ remote healing of a nobleman’s son. According to John’s account, only Jesus, the Nobleman and His Disciples were present in Cana of Galilee, which was also the site of the first miracle recorded by John in Chapter Two. The Nobleman’s son was ill at Capernaum. This record by John near the start of Jesus’ public ministry, traditionally understood to have been in 27 A.D., is unusual in two important ways. In his unique style, John sets the mood of the scene with an account of Jesus having left Judea and gone into the Galilee. In verse 48, John records Jesus, knowing the Nobleman’s thoughts, declaring: “Unless you people see signs and wonders, you will by no means believe.” In verse 49a, the worried man begs Jesus to come with him and heal his sick son in Capernaum, to which plea Jesus responds: “Go your way; your son lives.” John confidently states in the same verse that the Nobleman “believed the word that Jesus spoke.” In the remaing verses, John records the details of how the man learned that his son recovered “at the same hour” which Jesus spoke (7th hour, or 1 PM). John records that not only did the man believe but his household also (verse 51). The historical sytle image below, from the Bowyer Bible, was used as Illustration No. 33 in The Gospel of John: Annotated & Illustrated, available through my Amazon Author Central page. It also appears in Slides 1215-1233 in Episode Thirty-six, the first of four episodes focused on the miracles (or “signs” from the Greek Semeion) of Jesus in our Bible Study video series, The New Testament.

Healing the Nobleman’s Son, etching/engraving, Jan Luyken, 1840, Bowyer Bible, Bolton Library, Bolton, Lancashire, England. From PHOTO by Harry Kossuth; TEXT by Phillip Medhurst. From the 2018 A.D. digital edition, Early Scenes in the Life of Christ, Harry Kossuth (photographs) and Phillip Medhurst (text).

The Collect, Epistle and Gospel readings for Twenty-first Sunday after Trinity are discussed and illustrated in Episode Eight in our video series, Trinitytide: the Teaching Season.

As always, thank you for your interest and support.

Twentieth Sunday after Trinity

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For Twentieth Sunday after Trinity the Collect is another of Archbishop Cranmer’s adaptations from the Gelasian Sacramentary (Paris, c. 750 A.D.). In this case the original Cranmer collect has been modified twice, first for the 1662 Book of Common Prayer in which the Latin phrase “being propitiated” was replaced with “of thy bountiful goodness,” and, in 1789 A.D., in the first American Book of Common Prayer, the collect getting a new ending (“which thou commandest”). The word “cheerfully,” which replaced “with free hearts,” means willingly. For this change and more on the many changes made in the 1662 Book of Common Prayer, consult Massey Shepherd, Jr.’s landmark volume, The Oxford American Prayer Book Commentary, available online for download in pdf format. Shepherd comments upon the history and other details of each Collect, Epistle and Gospel reading.

O ALMIGHTY and most merciful God, of thy bountiful goodness keep us, we beseech thee,
from all things that may hurt us; that we, being ready both in body and soul,
may cheerfully accomplish those things which thou commandest; through Jesus Christ our Lord. Amen.

The Epistle reading, Ephesians 5:15-21, is from the next chapter in the canonical order of the Pauline epistles, once again to the congregation at Ephesus which the “Apostle to the Gentiles” established on his Second Missionary Journey. These seven verses offer St. Paul’s advice to Christians to let themselves be “filled with the Holy Spirit,” rather than being “drunk with wine” and include one his most memorable phrases describing the joy of the Christian faith: “speaking to yourselves in psalms and hymns and spiritual songs.” In the same vein, one of the greatest saints of the early Church, Athanasius of Alexandria, wrote in the 4th C. that “the art of singing effects harmony in the soul.” Many Anglican organizations include an appointed Psalm reading and Old Testament lesson placed just before the Epistle reading in Holy Communion. The participatory, that is, verse and response, reading of the Psalm should be part of every Anglican service and not just the Morning and Evening Prayer services.

St. Matthew, illumination in colors and gold on parchment, produced in Ireland or England, circa 800 A.D., The Book of Kells, Trinity College, Dublin, Ireland. The image reflects the traditional interpretation of the vision in Ezekiel 1:4-12, with Matthew shown as Man/Angel. The volume is one of the finest examples of Christian art in the Western Church tradition.
Parable of the Great Supper, etching/engraving, Jan Luyken, Bowyer Bible, published 1840, Bolton Library, Bolton, England. This image depicting verses 11-13, with image by Phillip Medhurst and text by Harry Kossuth, is from a 2018 digital edition of their Early Scenes in the Life of Christ.

The Gospel reading, Matthew 22:1-14, records another event in the week before the arrest, trial and crucifixion of Christ, being St. Matthew’s record of the Parable of the Wedding Feast, also known as the Parable of the Great Supper. The event, also recorded in Luke 14:15-24 took place just two days before Maundy Thursday. This is the sixth of eight readings from St. Matthew’s Gospel in the Whitsunday/Trinitytide cycle. There have been many explanations of the meaning of the phrases “highways,” which are searched for those who are worthy. Jesus provided an explanation in the final verse. Perhaps lost in the modern world is the tradition that the host provided the Wedding Garment which the guest in question was not wearing. The guest was confronted by the “king,” who pronounced “Bind him hand and foot, and take him away, and cast him into outer darkness; there shall be weeping, and gnashing of teeth.” Jesus closed the address with a warning, putting these words into the mouth of the offended king: “For many are called, but few are chosen.” (verse 14). The image of St. Matthew from the Book of Kells was used in Episode Eight in the AIC Christian Education Video series, Trinitytide: the Teaching Season. Another image by Jan Luyken from the Bowyer Bible, illustrating the opening verses in the Gospel reading, appeared as Illustration No. 80 in the AIC Bookstore Publication, The Gospel of Luke: Annotated & Illustrated. The book is available in paperback at my Amazon Author Central page.

As noted many times in earlier posts, the AIC web site offers teaching materials in all three categories as part of our WATCH | LISTEN | READ initiative. Curiously, the subject of individual learning preferences, that is, whether one prefers the written or spoken word or a visual version came up during a conversation with a nurse during my doctor’s visit this month. The offering of all three media is made possible by donations and by the book royalties for AIC Bookstore Publications which are contributed to the AIC. To enhance ease of use, all three media are linked from tabs at the top and bottom of all pages on this site. Please note that, depending upon the subject matter, videos are linked from either the Digital Library page (for the seasonal and topical videos) and the Bible Study/New Testament pages (for the Gospel and Revelation series).

One final note. Be of good cheer and do not let the bias of the corporate world and the media affect your confidence in, and reliance upon, traditional Church teachings. Your best defense against their c0mbined assault on Christianity — remembering that the Church has been under attack since the 1st C.– is to attend a local church where you can, receive Holy Communion regularly, and, when neither is possible, read Morning Prayer and Evening Prayer in the 1928 Book of Common Prayer or the daily “Hours” offices (First, Third, Sixth, Ninth hours plus Vespers and Compline), available in our publication, Hear Us, O Lord: Daily Prayers for the Laity.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Nineteenth Sunday after Trinity

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The Collect for Nineteenth Sunday after Trinity is another adaption by Archbishop Cranmer from the Gelasian Sacramentary for use in the 1549 Book of Common Prayer. It is also another which was amended for the 1662 Book of Common Prayer in which the reference to the Holy Spirit was added. The change made the Collect more consistent with the theme of both the Epistle and Gospel and of the season of Trinitytide. The phrase “direct and rule our hearts” was very popular among the early Saints in the Eastern Church tradition. The doctrine of the equality of the Holy Spirit with God the Father and God the Son was made part of the original Nicene Creed at the Council of Constantinople (or Second Ecumenical Council), 381 A.D. The Council was influenced by the writings of Gregory Nazianzen, who was the presiding Bishop, Gregory of Nyssa and his late brother, Basil of Caesarea. The work of that Council is discussed in detail, with illustrations, in the AIC Christian Education Video series, The Nicene Creed, presented in eight episodes (with the changes made in 381 A.D. in Episode Seven). The contributions of the two Gregories and of Basil of Caesarea are also discussed and illustrated in our video series, The Lives of the Saints, Second Series. Gregory of Nyssa (Feast Day: Jan. 10th) is celebrated in Episode Six; Gregory Nazianzen (Feast Day: Jan. 25th, with some jurisdictions including him with two others in May), in Episode Eight; and Basil of Caesarea (Feast Day: Jun. 14th) in Episode Seventeen. Basil’s most famous essay, On the Holy Spirit, is available in paperback from St. Vladimir’s Seminary Press (ISBN: 978913836-74-3), as Volume 5 in its Popular Patristics Series.

O GOD, forasmuch as without thee we are not able to please thee;
Mercifully grant that thy Holy Spirit may in all things direct and rule our hearts;
through Jesus Christ our Lord. Amen.

St. Paul, illumination in colors and gold on parchment, Siegberg Lectionary, produced at the Benedictine Abbey of St. Michael, Siegberg, Germany, 2nd Qtr., 12th C. Ms. Harley 2889, Folio 2, British Library, London, England. St. Paul shown holding a scroll rather than the traditional use of a symbol of the manner of death.

The Epistle reading for Nineteenth Sunday after Trinity again follows the pattern of the Gelasian Sacramentary (See the blog posts for Trinity 16 and Trinity 17). The sequence was interrupted by the reading from 1st Corinthians for Trinity 18. The Epistle reading, Ephesians 4:17-32, is another long quotation from St. Paul’s Epistle to the congregation he founded in Asia Minor on his Second Missionary Journey. Ephesus was known as the “first city of Asia” when the Third Ecumenical Council met there in 431 A.D. and granted the Blessed Virgin Mary the title, Theotokos, or Mother of God in modern English. As usual, St. Paul was not shy in expressing his views. He speaks emphatically of the “new” man, who, following Christian teachings from the Gospels, is distinct from the “old” man of the Gentile world.

St. Paul also wrote about the need to master one’s passion, by which he means not just sexual lust but passion for material things, including money. The epistle formed much of the scriptural foundation for the lists of Christian virtue. These virtues were previously confined to oral tradition. They appeared first in written form in the Eastern and Western Church traditions in the 6th, 7th and 8th C. St. Paul ends his counsel to the Ephesians with advice on the subject of forgiveness. Forgiven is also major theme of the Gospel reading. The illustration of St. Paul from the Siegberg Lectionary was also used in several AIC Christian Education Video Series, Advent: The Season of Penitence & Preparation, Episode One; The Great “O” Antiphons, Dec. 22nd, Fifth Antiphon (O Oriens); The Twelve Days of Christmas, Third Day-Peace-Dec. 27); Epiphany: the Manifestation of Christ to the Gentiles, Episode Three; and Trinitytide: the Teaching Season, Episode Seven. For more about the architectual remains left by the Christian population at Ephesus, now Selcuk, Izmir Province, Turkey, including the Tomb of St. John, watch the AIC Bible Study Video series, Revelation: An Idealist Interpretation, Episode Five.

The Gospel reading for Nineteenth Sunday after Trinity, Matthew 9:1-8, is the fifth of nine readings from St. Matthew’s Gospel in Trinitytide. A very short reading, or “pericope” (scholarly terminology meaning Scripture verses read in a liturgy), includes two of St. Matthew’s major themes: the birth and life of Jesus as fulfillment of Old Testament prophecy and events in both His Nativity and life as demonstrations of His divinity. The reading includes some unique details, including the only example of someone who is healed by Jesus being lowered into the scene through the roof, in this case of a house in the region of Capernaum, or “his own city” in verse 1, near the western shore of the Sea of Galilee. The time of the event is early in Jesus’ public ministry, likely in 27 A.D. The audience for the event includes Jesus’ Disciples (not named in the text), the paralytic man and his friends, and “Scribes,” meaning men associated with the Pharisees and with the governance of the Temple. Unlike other accounts of miraculous healings, there are no dramatic examples of the actual healing. Instead, the focus is on the meaning of the event. In this case, Jesus gives credit for the healing to the “faith” of the man’s friends, who have gone to considerable trouble and effort to lower the man into the presence of Jesus.

In St. Matthew’s account, Jesus demonstrates His divinity in knowing the thoughts of both the paralyzed man’s friends, “he saw their faith” (v. 2b) and said to the paralyzed man: “Son, be of good cheer; your sins are forgiven you.” When “some of the scribes” in their minds accuse Jesus of blasphemy, Jesus said, “Why do you think evil in your hearts? For which is easier, to say, ‘Your sins are forgiven you,’ or to say ‘Arise and walk?’ “But that you may know that the Son of Man has power on earth to forgive sins.” (verses 4b, 5 & 6a). When they did not answer, Jesus said: “Arise, take up your bed, and go to your house.” (verse 6b). St. Matthew records in one of his characteristic summaries that the man arose and departed for his home and that the multitudes “marveled and glorified God, who had given such power to men.” (verses 7 & 8). The phrase “Glorifying God” is the key phrase for Eleventh Day – January 4th in the AIC Christian Education Video series, The Twelve Days of Christmas, in which there are key words or phrases for all the days from Dec. 25th to Jan. 5th (Epiphany Eve).

Healing the Paralytic Man at Capernaum, tinted drawing on parchment, one of four Gospel scenes on a single page, Holkam Bible Picture Book, produced at or near London, 1327-1335, Ms. Additional 47682, Folio 24v, British Library, London, England. Commissioned by an unknown Dominican friar, the book was acquired by English collector Thomas Coke in 1816. Formerly known as the Holkam Ms. 66, it was purchased by the British Library, 1952. The image is based on Mark 2:1-12 and St. Luke 5:17-26. The complete book includes 231 miniatures, generally two per page illustrating scenes from Genesis through the Gospel accounts of the Ascension. The captions are in Anglo-Norman French with some English words. Description © British Library Board.

The image from the Holkam Bible Picture Book also appears as Illustration No. 25 in the AIC Bookstore Publication, The Gospel of Mark: Annotated & Illustrated. As with all our books, the volume is available using the link to my Amazon Author Central page.

In my research for this Blog post, I realized that the video and soundtrack for Episode Five and Episode Six in our series, The War on Christianity were never completed. I have started work on finishing the script and slide with the goal of completing the work during January A.D. 2025.

One final note: the blog post for Eighteenth Sunday after Trinity did not include any reference to the Archangel Michael, whose Feast Day, September 29th, coincided with Eighteenth Sunday after Trinity. Images and text regarding St. Michael are the subject of two AIC Christian Education Video series, The Lives of the Saint, Second Series, Episode Twenty-three, and the traditional understanding of the origin, number (or orders or ranks) and nature of angels in The Twelve Days of Christmas, Ninth Day (Jan. 2nd).

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Seventeenth Sunday after Trinity A.D. 2024

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For the Seventeenth Sunday after Trinity the Collect is a composition by Archbishop Thomas Cranmer based upon the Gregorian Sacramentary, named in honor of Pope Gregory the Great, who led the Roman Catholic Church from 590 A.D. until his death in 604 A.D. Illuminations depicting Gregory, acknowledging his profound influence on the liturgy of the Church, often show him with the Holy Spirit whispering into his ear. Note that the word “prevent” has a different meaning than the modern usage. In the 16th-17th C it meant “stand before.”

Gregory the Great, illumination in colors and gold on parchment, placed between Book 3 and Book 4, Dialogues, Gregory the Great, Germany, 1st Qtr., 12th C. Ms. Harley 3011, f. 69v, British Library, London, England. Copyright British Library Board.

LORD, we pray thee that thy grace may always prevent and follow us,
and make us continually to be given to all good works; through Jesus Christ our Lord. Amen.

In the Epistle reading, Ephesians 4:1-6, St. Paul also emphases the presence of the Holy Spirit in the faithful in his message concerning the unity of the faith. The reading includes two ic0nic phrases important to St. Paul’s theology: “one faith, one baptism, one God and Father of all” and “the unity of the Spirit in the bond of peace.” The recipient of the letter, the church at Ephesus, was another congregation visited by St. Paul on his second missionary journey (described in Acts 18). According to tradition, St. John served for a time as the functional equivalent of a bishop at Ephesus, where he had taken the Blessed Virgin after the Crucixion. The House of Mary at Ephesus, traditionally said to be the house St. John built for Mary, remains a popular tourist site and is a designated holy place for Roman Catholics. It was visited by three Popes: Paul VI (1967), John Paul II (1979) and Benedict XVI (Nov 2006 during his historic visit to Istanbul (formerly Constantinople) which included celebration of Holy Communion with the Eastern Orthodox Ecumenical Patriarch, Bartholomew II.

The Gospel reading, Luke 14:1-11, is the twelfth and last reading from St. Luke during Trinitytide: the Teaching Season (in which calculation I include the Sunday next before Advent). All the remaining Gospel readings are from the Gospel of Matthew and the Gospel of John. The reading includes two separate but related scenes. The first scene simply sets the stage for the second and illustrates the strained relationship between Jesus and the Pharisees. Both scenes, the Healing of the Man with Dropsy and the Parable of the Chief Seats, are unique to the Gospel of Luke. Dropsy, technically known as edema, is a disease which results in extreme fluid retention, usually in the legs and feet. In the mosaic below, the swelling is shown in young man’s lower torso. The mosaic is in the upper walls of the Apse, Monreale Cathedral (Cattedrale di Santa Maria Nuovo de Monreale in Italian). The cathedral was dedicated to the Nativity of the Blessed Virgin Mary in 1182 A.D., eight years after the structure was begun in the reign of the Norman King of Sicily, William II. The full legend above the image is in Latin (only the final three words are visible in the image): “Jesus in domo cujusdam principis fariseorum sanat hydropicum die sabbati” (literally: “Jesus heals the man with dropsy in the house of the leader of the Pharisees on the Sabbath day”). The mosiac, presented in red, white, silver, blue is set into a gold background, with Jesus’ followers at left with two Pharisees and members of the household at right. Look closely at the fine detail in the background buildings and, especially, at the suggestion of flow of the robes of the figures in the foreground. The silver-haired figure, whose face is only partially visible at the left of the image, is consistent with traditional imagery of St. Peter. The halo around Jesus’ head includes the traditional Eastern Church symbology of Christ, always shown with two vertical and two horizontal lines. The “X” above Jesus’ head is a traditional symbol identifying Christ. Every part of the mosaic is made from varying sizes of glass tile. For more details about this ancient method, typical of Byzantine Christian art, see the Fr. Ron’s Blog post, Deesis Mosaic-Hagia Sophia & Other Images, dated April 6, A.D. 2024 (linked from the Archive column at right). In that post I include enlarged sections which reveal more about the “how” of creating mosaics. My Podcast Homily for Seventeenth Sunday after Trinity is linked from the Podcast Homilies page. The readings are discussed in the AIC Christian Education Video series, Trinitytide: the Teaching Season in Episode Seven.

Christ Healing a Man with Dropsy, Byzantine-style mosaic, north wall, apse, Monreale Cathedral, Palermo, Sicily, late 12th-early 13th C. Photo, June 2010, by Sibeaster. Public Domain.

Finally, I offer you one piece of advice for survival in our anti-Christian world of the 21st C. Instead of allowing such thoughts to negatively influence your daily life follow this mantra “Turn it off and tune it out.” The mantra is easy to apply not only to media but also to enterprises which, directly or indirectly, are hostile to the Christian faith. To fill the void, use web resources to create your own list of trusted resources in video, print and electronic and bookmark them for ease of daily use.

As always, thank you for your interest and support. Glory be to God for all things! Amen.

Sixteenth Sunday after Trinity

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The Sixteenth Sunday after Trinity, celebrated on September 15th in A.D. 2024, marks the first reading from Ephesians during Trinitytide: the Teaching Season. The Collect for the day is another composition by Archbishop Thomas Cranmer made for the 1549 Book of C0mmon Prayer. It is another which was drawn from the “Gelasian” Sacramentary, named after the 5th C. pope although the volume was not published until circa 750. As you have undoubtedly noticed, the Gelasian liturgy, the second oldest in the Roman Catholic tradition, was highly-favored in the English Church both before and after the Church of England separated from the Church of Rome. The word “Church” was substituted for the original “congregation” in the 1662 Book of Common Prayer.

O LORD, we beseech thee, let thy continual pity cleanse and defend thy Church;
and, because it cannot continue in safety without thy succour,
preserve it evermore by thy help and goodness; through Jesus Christ our Lord. Amen.

The Epistle reading, Ephesians 3:13-21, as noted above, is the first in Trinitytide from St. Paul’s Epistle to the Ephesians, a congregation he established in Asia Minor on his Second Missionary journey. This selection includes St. Paul’s colorful and vivid language which later became popular parts of Christian prayer. These verses are the source of the Christian understanding of the Church as the earthly body of the faithful (as reflected in the previously mentioned insertion of “Church” in place of “congregation”) and the necessity of the Holy Spirit “in” the “inner man” and Christ “dwelling” in the heart (v. 16b-19a). He also uses another term which became part of Christian belief: fulness. I discuss the meaning of “heart” (used 826 times in the King James Version) in the AIC Bookstore Publication, Layman’s Lexicon: a Handbook of Scriptural, Liturgical & Theological Terms, available through my Amazon Author Central page.

The Gospel reading, Luke 7:11-17, the eleventh reading from Luke’s Gospel in Trinitytide: the Teaching Season, is Luke’s account of Jesus “raising” the son of the Widow of Nain, an event which took place around 28 A.D. in western Judea in the second year of Jesus’ public ministry. Fortunately for Christians, the event was featured often in illuminated Gospels, pericope books and other media. For this post I offer three examples from the AIC’s image archive. The first two, in the spiritual style, are Byzantine/Ottonian illuminations from the late 10th and early 11th C. and the third is an example in the historical style in the form of a last quarter 19th. C. watercolor. All three examples were used in one or more episodes Episode Twenty and Episode Twenty-five in the AIC Bible Study Video series, The New Testament, and in Episode Seven in our Christian Education Video series, Trinitytide: the Teaching Season. The spectacularly detailed image from the Gospels of Otto III was used as Illustration No. 56 in the AIC Bookstore Publication, The Gospel of Luke: Annotated & Illustrated, available through my Amazon Author Central page.

Raising the Son of the Widow of Nain, illumination in tempera and gold on parchment, Gospels of Otto III, circa 998 A.D., Clm 4453, Image 60, Bayerische Staatsbibliothek, Munich, Germany. CC by-NC-SA-4.0

This first example was produced at Reichenau Monastery, Lake Constance, Reichenau, Germany, for Holy Roman Emperor Otto III, whose mother was a Byzantine princess. Using that family connection, artists from Constantinople were brought to Reichenau to aid the already-experienced local artists in producing illustrated Bibles and other liturgical books in the Byzantine style of illumination. During the Ottonian era of Holy Roman Emperors, successors to Charlemagne, coronated at Rome, Christmas Day, 800 A.D., developed their own distinctive style, often labelled after the monk Liuthar, the chief of the artists who began in the Scriptorium at Reichenau around 1000 A.D. The art they produced there remains unequalled in the range of detail, including facial expressions, the use of gold as a background, elaborate foliage and flora patterns as borners (see the example above), and scenes often framed between classical architectural features, such as the columns shown above.

The second example is from the Hitda Codex, an illuminated liturgical book produced for Hitda, the Abbess of Meschede, Germany, circa 1020 A.D. The Codex is the only surviving example of Christian art produced at or near Cologne, the center of the empire created by Charlemagne, a Frankish monarch whose kingdom stretched from the southern half of presentday Denmark into most of Spain, a large part of northern Italy and eastward into the edge of the Balkans. Charlemagne was crowned Holy Roman Emperor at Rome on Christmas Day, 800 A.D., becoming the first Christian emperor in the West since the Vandals sacked Rome in 455 A.D. In earlier posts, I have explained the important part which Charlemagne and his spiritual advisor, the Blessed Alcuin of York, played in the spread of Christianity into western Europe.

Raising the Son of the Widow of Nain, illumination in colors and gold on parchment, Hitda Codex, produced for Hitda, Abbess of Meschede, Germany, circa 1020 A.D., Hs. 1640, Universitats- und Landesbibliothek Darmstadt, Darmstadt, Germany. CC0 license.

The third and final example is another watercolor created in the historical style by James Tissot, part of his Life of Christ series produced between 1886 and 1896 and now part of the collection of the Brooklyn Museum. In the watercolor, Tissot’s mastery of architectural detail, costume and a wide range of facial expressions is evident, as is his capture of the details of the central scene in St. Luke’s account.

Raising the Son of the Widow of Nain, opaque watercolor over graphite on gray wove paper, James Tissot, 1886-1896, Brooklyn Museum, Brooklyn, NY.

As always, I thank you for your interest and support. Especial thanks is owed to those who have signed on as followers of this Blog. The AIC’s online presence is intended to make these and other amazing examples of Christian more widely available in a variety of media. Most of our material is available free of charge. Author royalties from all the AIC Bookstore Publications are donated to the AIC. I encourage readers/viewers to visit the host sites for all these images, where these and many more are available in the public domain. They are owed a great debt of gratitude for preserving, archiving and, especially, digitizing the original art and making it available for research and education.

Glory be to God for all things! Amen!

Sixth Sunday after Trinity

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First, let me thank all those viewers who have taken advantage of our unique offerings of teaching materials in print, video or audio formats. Learn more about our LISTEN/WATCH/READ initiative at the bottom of the Home/Welcome page. The videos and podcasts were updated in 2022 and 2023. They are keyed to the appointed readings for all the Sundays in the 1928 Book of Common Prayer. Viewers may want to visit the Western Journal web site (https://www.westernjournal.com/bible-discovery-researchers-find-small-relic-previously-unknown-depiction-jesus/) for a story about an archeological project in Austria which includes an early image of the Ascension.

For the Sixth Sunday after Trinity the choice of appropriate historic Christian art is limited. Of the appointed readings from the Psalms (Ps. 16 and 111); Epistles (Romans 6:19-23) and Gospels (Matthew 5:20-26, the first of nine readings in the season for Trinity 6), the Psalm reading includes the important advice: “Fear of the Lord is the beginning of wisdom” does not easily admit of illustration. For more, see the “Fear” and “Wisdom” entries in Layman’s Lexicon (more on the Bookstore page). Neither the Epistle nor the Gospel readings were among the favorites of artists in the Byzantine, Carolingian, or Ottonian eras or, later, in the post-Reformation era. For tge reasons I offer my personal favorite images of St. Paul and St. Matthew.

In the AIC’s archive of images of Paul there are about three dozen images from the 11th to the early 21st C. from both the Eastern and Western Church traditions. The selected image of Paul, an oil on canvas, clearly sugguest a man of firm conviction, one with whom anyone would think carefully about offending. The artist gave him a bald head, full black beard and clad him in a red robe of a vibrant shade. The “Apostle to the Gentiles,” holds in his right hand a spear bearing a round emblem with a cross. The image was originally part of the polyptych in which he is paired with Saint Jerome.

The Apostle Paul, oil on canvas, Bartolomeo Mantagna, 1482 A.D., Museo Poldi Pezzoli, Milan, Italy. Google Art Project.

The Gospel reading, Matthew 5:20-26, is part of the second and third sections following the Beatitudes in the Sermon on the Mount. The verses bridge from the end of the section on Jesus as fulfillment of the law using the “one jot and tittle” phrase (verses 17-20) and the start of Jesus’ lecture on murder and conflict resolution (verses 21-26). Next week, Seventh Sunday after Trinity, the Gospel reading will be the first of three from the Gospel of St. Mark. A reading from the Gospel of St. Matthew will not appear again until the Fifteenth Sunday after Trinity.

The second image is an illumination of St. Matthew seated, with his traditional symb0l, an man/angel, above, from an illuminated Gospel with a curious history. It was prepared for Christ Church Priory, Canterbury, England, around 750 A.D. The volume was carried away by Viking raiding southeast England in the 9th C. It was returned to Canterbury about a century later following the payment of a ranson to the Vikings. How it came to be owned by a noble Spanish family in the 15th and 16th C. is unknown. What is known is that the family sold it to a representative of the King of Sweden in 1690 A.D. It has been part of the Royal Library of Sweden, Stockholm, Sweden, since 1705. Of the four original images of the four Evangelists only this image of Matthew and the image of St. John have survived. In the AIC Bookstore Publication, The Gospel of Matthew: In Scripture, Art & Christian Tradition, the image appears, with a copy of the opening page of the Gospel of Matthew, as Illustration No. 12.

St. Matthew, illumination in tempera and gold on parchment, Codex Aureus of Canterbury (also called Codex Aureus of Stockholm), circa 750 A.D., Ms. A.135, Konigsliga Biblioteket, Stockholm, Sweden.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

New Testament: Gospels – Episode Six

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Peter-Fish-coin-AugustinTunger-1486-PCA
St. Peter Paying the Temple Tax, illumination in colored inks on paper, Augustin Tumbler, Facetias Latinae et Germanicae (literally, Amusing Things), Konstanz, Germany, 1486 A.D. Codex HB V 24a. Public Domain (Wikipedia Commons).  Perspective correction applied.

Episode Six, the final episode focused on the Gospel of St. Matthew, in the AIC Bible Study Video series, New Testament: Gospels, is now online in video and podcast versions.  This completes the rebuild of the St. Matthew portion of the Bible Study Videos, making them consistent with current videos in all series and also adding many examples of historic Church art from many sources.  Episode Six includes selected examples of unique content and quotations, including the long form of the Lord’s Prayer and the Beatitudes, plus the “kingdom” parables, and, as shown in the illustration, the curious miracle of the coin in the fish at Capernaum (Matt. 17:24-29).

Watch the Video       Listen to the Podcast

In the next episode, Episode Seven, I focus on the Gospel of St. Mark with an introduction to its history, authorship, time frame, language, intended audience and style, plus the beginning of my discussion of St. Mark’s themes, starting the Jesus as Servant of the Father.

As always, thank you for your interest and support, which enables the production of these videos free-of-charge, on-demand, through links from this Web Site.

May God bless you in all that you do in his name! Amen.  Glory be to God for all things! Amen.

 

Sunday Next Before Advent

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My Podcast Homily for Sunday Next Before Advent (Stir-up Sunday) has been uploaded to the Podcast Homilies page at the AIC web site.  This completes the archive of traditional homilies for all the regular Sundays in the 1928 Book of Common Prayer.  I include a review of the secular and Scriptural origins of the “Stir-up” idea as well as commentary on the “For the Epistle” reading (Jeremiah 23:5-8) and the Gospel reading (John 6:55-14), St. John’s unique account of the Feeding of the 5,000, the sixth of seven “signs” (Greek: semeion) in St. John’s Gospel.     Listen to the Sunday Next Podcast Continue reading “Sunday Next Before Advent” →