Today is Ash Wednesday and I took advantage of being snowed in to record the Podcast Homily for First Sunday in Lent. Listen to the Podcast Homily
The Readings are another of St. Paul’s homilies on Christian Virtue (2 Corinthians 6:1-10), this one directed toward Apostles of his time and of ours and St. Matthew’s account of the Three Temptations of Christ (Matthew 4:1-11). Of course, in the modern Church there are many reformist scholars who argue that no such events took place, that Matthew made them up to suit his narrative. Those of us who recognize the philosophical duality on which Christian Spirituality is based (The Reality of Evil in the World | Christian Truth as the Only Antidote) have to problem accepting Matthew’s account. It is only by accepting the duality that a Christian can be equipped to defend himself or herself against the “wiles and assaults of the devil” and the evil he cultivates in the world in the ongoing War on Christianity. If you search the Web, you will find several of the art works shown below listed until the category of
For you Blog readers, I thought to provide three art works, each of which I used in the Bible Study episode on St. Luke’s version of the same events (Episode Sixteen), with more commentary about the work and the artist than was used there. For the offering of bread to assuage Jesus’ hunger after his 40 days of fasting, I offer the dark, foreboding interpretation by Russian artist Vasily Surikov, which now hangs in a gallery at St. Petersburg, Russia. Surikov, considered the greatest 19th century Russian painter of historical scenes, attended the Imperial Academy of Arts at St. Petersburg from 1869 to 1871. He died at Moscow in 1916.
For St. Matthew’s version is this Scriptural quotation in NKJV text: “And the Devil said to Him: ‘If you are the Son of God, command that these stones to become bread.’ But He answered him and said, ‘It is written, “Man shall not live by bread alone, but by every word that proceeds from the mouth of God.”” The quotation is from Deuteronomy 8:3.
For Christians, we understand that the “daily bread” for which we petition in the Lord’s Prayer means those things which are essential for our survival, including access to the word of God (both literally, as Scripture, and spiritually, as St. John wrote, through faith in the Word of God, Jesus Christ.
The second Temptation finds Jesus taken by Satan to the roof of the Temple. Satan offers a parody of Psalm 91:11, 12, the source of both Jewish and Christian belief in the Guardian Angel. If, he says, Jesus will just throw Himself off the roof, He will be protected by angels: “He shall give His angels charge over you…In their hands they will bear you up, lest you dash your foot against a stone.” Jesus replied, again citing a verse from Deuteronomy (6:16): It is written, ‘You shall not tempt the Lord your God.” Those who believe in the Guardian Angel understand that while we believe in his power to protect, we cannot and must not ever place ourselves in danger, effectively taunting God, through the Guardian Angel, to protect us from our own folly.
The third Temptation shows us clearly the strategy that has been followed by Satan (from the Hebrew ha-satan, meaning the Adversary or the Enemy). In this second Temptation Jesus, on a mountain with a view of Jerusalem, symbolic of the whole world, is offered all He sees if He will but worship Satan instead of God the Father. Jesus’ defiant answer, based on Deuteronomy 6:13, offers instruction in the doctrine that Satan/The Devil is a created being, made by God and subservient to His will and word: “Away with you Satan! For it is written, “You shall worship the Lord your God, and Him only shall you serve.”
The illlustration is a very fine Eastern/Byzantine style painting done in egg tempera with gold leaf on a wooden panel. Duccio is known as one of the finest painters of the Siena school. He was trained by masters at Constantinople, the seat of the Byzantine Empire. Duccio was among the last artists in the Western Church tradition to paint such scenes in the Eastern/Byzantine style. The figure of Jesus wears the same red garment with blue robe that was used in Duccio’s painting of the Raising of Lazarus. The craggy, grey mountains and the splayed feet of the figures are typical of the Byzantine style, prevalent before it was supplanted in the West by a more anatomically-correct representation of the human form. The Eastern style still offers a sense of spirituality not present in the modern Western styles.
I hope that if you cannot attend an Ash Wednesday service, you take the opportunity to listen to the commentary on the Collect for Ash Wednesday found in the first minute of the Podcast Homily. Here in Richmond, most Ash Wednesday services have been cancelled owing to the snowfall and the expectation of more to come this evening.
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