Sexagesima Sunday

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Sexagesima Sunday is the second of three pre-Lent Sundays, which are now unique to the Anglican worship tradition. For more historical and other detail on the season watch Episode One in our video series. Gesima: the Pre-Lenten Season or listen to the audio Podcast version, which its linked from the Podcast Archive page. This week I offer site visitors two remarkable examples from our nearly 3000-item library of historic art.

The Collect for Sexagesima Sunday was adapted by Archbishop Cranmer from the Gregorian Sacramentary, which was also the source for the Collect for Septuagesima Sunday. It was used for the first time in the 1549 Book of Common Prayer and was read by Archbishop Cranmer himself on Whitsunday/Pentecost, June 9, A.D. 1549. The prayer book also may have been used earlier in the same year at St. Paul’s Cathedral, London. Like the Epistle and Gospel reading for the day, the themes are the “mercies” of God and the Christian virtues. Sexagesima Sunday is actually 57 days before Easter and not the sixty which its name suggests. Readers should remember that the Greek word for God, Theos, (Strong’s Greek Word #2316) is often translated as The One Who Sees.

O LORD God, who sees that we put not our trust in any thing that we do;
Mercifully grant that by thy power we may be defended against all adversity;
through Jesus Christ our Lord. Amen.

St. Paul, unfinished icon in tempera and gold on wood panel, Andre Rublev, circa 1410-1420, made for the Deesis tier in a Russian church at Zvenigorod, 33 miles west of Moscow, Tretyakov Gallery, Moscow, Russia. Wikipedia Commons/Public Domain.

The Epistle reading, 2nd Corinthians 11:13-21, St. Paul’s letter to the formerly pagan congregation he established at Corinth on his Second Missionary Journey accompanied by Silas. The verses are discussed and illustrated in Episode Two of our video series, Gesima: the Pre-Lenten Season, linked from the Digital Library page and in audio form from the Podcast Homilies page. In this epistle to congregation most resistant to his teachings, he mentions the Christian virtue of diligence and names forms of suffering he endured on his journey, including stoning, beatings, shipwreck, followed by a list of more general adversities, including hunger, thirst and robbery. The image of St. Paul was painted by one of the world’s most gifted icon painters. As the credit line suggests, the image is no longer mounted in the church for which it was being made, having become an “historic” object rather than a religious one. Even in its unfinished form it is an exceptional example of art put to use for Christian purposes. Frequent visitors to this site may have noticed that another image of this icon has a blue background, which was the result of studio lighting. This one is the real thing and will be used in all future AIC Publications and updates to existing books and videos.

The Sower, opaque watercolor over graphite on gray wove paper, James Tissot, 1886-1894, Brooklyn Museum, Brooklyn, NY. Public Domain.

The Gospel reading, Luke 8:4-15, is the evangelist’s account of the Parable of the Sower. The watercolor above appears as Illustration No. 71 in our publication, The Gospel of Matthew: Annotated and Illustrated and Illustration 71 in The Gospel of Mark: Annotated and Illustrated. In the comparable volume on the Gospel of Luke I used an oil on canvas by Vincent Van Gogh. These books are available through my Amazon Author Central page. A summary of the book, including price and pagination, is found on the AIC Bookstore page. The image is from a collection of around 300 images in James Tissot’s Life of Christ series, the largest collection of which is now held at the Brooklyn Museum.

As noted in previous posts late last year, I am working on Episode Six and Episode Seven in our video series, The War on Christianity. I expect to finish the text and slides before the end of this weekend. Each of the 24 slides in Episode Six and 33 in Episode Seven is produced by clipping from a sheet with six slides each and some single image pages in Adobe Photoshop. Afterward, each slide must be inset into a video and the sound track recorded using Apple’s iMovie software. The completed episodes probably will not be ready for publication before the middle to the end of March. It will be linked from the Digital Library page and the voice track, converted into an MP3 file, linked from the Podcast Archive page. In other news, I’ve had.a request from an Anglican clergyman in northern Italy to use some material from this site. I have given permission with the condition that the material contains a link to this site.

As always, thank you for your interest and support. Glory be to God for all things! Amen!

A Correction & Plans for A.D. 2025

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Sharp-eyed readers will have noticed the error in the entry for the final Sunday in Christmastide. I did not see it myself until I sat down in church on Sunday. I suspending writing on Dec. 26th. Call it a “senior moment” that when writing was resumed for the last Sunday in the season it was the Collect, Epistle and Gospel readings for First Sunday after Christmas Day that were posted instead of the later Second Sunday after Christmas Day. Apologies.

Following review of all the blog posts for 2024 A.D., for the new year 2025 A.D. I’ve decided to continue with the old style of commentary on the Collect, Epistle and Gospel (C/E/G) readings for the seasons of Epiphany, Gesima, Lent & Easter and for Whitsunday. That will take readers/site visitors to the point in which C/E/G commentaries were begun in 2024 A.D. with the start of Trinitytide.

During these cold winter days of late December and early January, I have updated the AIC image database, now totaling over 2800 entries. All the uses in this Blog have now been noted in the Excel file. Later this month I expect to start work on the two remaining videos in the War on Christianity series. These two episodes will be focused on practical solutions for Christians living in an anti-Christian world.

Thanks as always for your interest and support. Glory be to God for all things! Amen!

Third Sunday in Advent

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Unlike the Collects for the first two Sundays in Advent, the Collect for Third Sunday in Advent is not an original composition by Archbishop Thomas Cranmer for the 1549 Book of Common Prayer. Just in case readers might not have seen it, here is the Archbishop’s unusually short original composition.peosu

LORD, we beseech thee, give ear to our prayers,
and by thy gracious visitation lighten the darkness
of our heart, by our Lord Jesus Christ.

For the 1662 Book of Common Prayer, published after the restoration of the monarchy, a new Collect was produced with a clearer focus on the primary themes of Advent. It places greatly emphasis on words derived from the appointed Epistle reading and the second major theme of Cranmer’s first two Collects for Advent, that is, the promised Second Coming in Christ in judgment. In a nod toward the innovations of Archbishop Cranmer, the revisers introduced a theme from his responses to the first nine Commandments in the Decalogue in the 1549 B.C.P. Holy Communion liturgy: “incline our hearts…” and the response to the Tenth Commandment: “write all these thy laws in our hearts…” Prayer Book scholar Massey Shepherd notes that the preamble includes a rare for the B.C.P. example of direct address to the Lord Jesus Christ and that the “ministers and stewards of thy mysteries” refers to the clergy and bishops of the Church in the role of custodians of the heritage handed down from the Apostles.

O LORD Jesus Christ, who at thy first coming didst send thy messenger to prepare thy way before thee;
Grant that the ministers and stewards of thy mysteries may likewise so prepare and make ready thy way,
by turning the hearts of the disobedient to the wisdom of the just, that at thy second coming to judge the
world we may be found an acceptable people in thy sight, who livest and reignest with the Father and the
Holy Spirit ever,* one God, world without end. Amen.

The Epistle reading, 1 Corinthians 4:1-5, repeats the phrase “mysteries” from the Collect. It includes St. Paul defense of himself against accusations from some members of the congregation at Corinth. St. Paul also mentions “mysteries” in Romans 16:25.

Christ Meets John the Baptist and His Followers, illumination in colors and gold on parchment, the fourth of five scenes on the front (Recto) side of a parchment frieze, with four additional scenes on the reverse (Vers0) side, 4th Qtr., 12th C.; Ms. Additional 42497, Recto, British Library, London, England. The images at the left are part of the second scene, illustrating the naming of Elizabeth. John the Baptist is depicted in a humble, crude green garment quite different from the costume of his followers. The document was acquired by the British Library in 1931 from a private collection in Paris, France.

The Gospel reading, Matthew 11:2-10, goes backward in time to about 28 A.D., being St. Matthew’s account of Jesus’ earliest references to John the Baptist. Followers of John want to know “Are you the Coming One or do we look for another?” (Matthew 1:3). Jesus refers to John in the context of the prophecy of Malachi 3:1. One of the major themes of St. Matthew’s Gospel is that Christ is the fulfillment of Old Testament prophecy.

Other AIC Resources on the topics in the Blog post are: The Collect, Epistle and Gospel readings for Third Sunday in Advent, commonly known as Gaudete Sunday, from the Latin gaudere (rejoice), are discussed and illustrated in Episode Two of our Christian Education Video series, Advent: A Season of Penitence and Preparation. My Podcast Homily on the theme, Rejoice in the Love of God, is linked here and from the Podcast Homilies page. Archbishop Cranmer’s understanding of the concept of taking the Commandents and the teachings of the Church Universal into the heart is explored further in our Bookstore Publication, Christian Spirituality: an Anglican Perspective, pp. 8-13, and the Gospel reading for Third Sunday in Advent is discussed and illustrated in The Gospel of Matthew: Annotated & Illustrated, both available through my Amazon Author Central page.

Additional AIC Resources for days during the week following Third Sunday in Advent include the first four of seven episodes in our Seasonal Video series, The Great “O” Antiphons, based on a 12th C. hymn, with one episode for each of the days from Dec. 18th through Dec. 24th.

December 18th – O Sapientia
December 19th – O Adonai
December 20th – O Radix Jesse
December 21st – O Clavis David

As ever, thank you for your interest and support. The AIC web site remains a reliable resource for teaching and study materials based on traditional understanding of Christian doctrine. Glory be to God for all things! Amen!

Twenty-fourth Sunday after Trinity

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Apologies to followers of this site for absence from Fr. Ron’s Blog last week. My wife and I were travelling to visit our son and his family, an 8+ hours trip down and 8+ more on the way back. Twenty-fourth Sunday after Trinity is the final Sunday with a unique appointed Collect, Epistle and Gospel reading. Since this year there are more than twenty-four Sundays after Trinity it is not the last set of readings. The 1928 B.C.P. has provisions for transferring readings from the final Sundays after Epiphany in years when the calendar has fewer Sundays leading up to Easter. I discuss the complicated rules in Episode Nine in the AIC video series, Trinitytide: The Teaching Season. These will be discussed next week.

The Collect for Twenty-fourth Sunday after Trinity was adapted Archbishop Thomas Cranmer for the first Anglican Book of Common Prayer, published in 1549 A.D. in time for Whitsunday and Trinitytide. The collect was assembled from the collection of prayers for Morning and Evening prayers in the Leonine and Gregorian Sacramentaries, two of the three primary Sacramentaries of the Roman Catholic Church. The common theme continues to be the merciful nature of God the Father and the need for his continual presence in the lives of sinful mankind. A similar prayer was used as the Sixth Prayer in the office of Sixth Hour in our publication. Hear Us, O Lord: Daily Prayers for the Laity, available through my Amazon Author Central page.

LORD, we beseech thee, absolve thy people from their offences;
that through thy bountiful goodness we may all be delivered from the bands of those sins,
which by our frailty we have committed. Grant this O heavenly Father,
for the sake of Jesus Christ, our blessed Lord and Saviour. Amen.

The Epistle reading, Colossians 1:3-12, an advance to the next in the canonical epistles of St. Paul, is a letter to the congregation at Colossae in Asia Minor. The church at Colossae was founded not by St. Paul himself but by his associate, Epaphras. There is no record of St. Paul having visited Colossae. The Apostle to the Gentiles uses spiritual-minded language to both congratulate the Christians at Colossae for their confession of faith and reminds them always of “giving thanks to the Father who has qualifed us to be partakers of the inheritance of the saints in the light.”

Raising the Daughter of Jairus, opaque watercolor over graphite on gray wove paper, part of a series of Scenes in the Life of Christ, James Tissot, 1886-1894, Brooklyn Museum, Brooklyn, NY. Tissot’s historical-style visualizations of Scriptural scenes followed several years of research into clothing styles of the 1st C. and his many visits to the Holy Land.

The Gospel reading, Matthew 9:18-26, the final reading from the Gospel of Matthew, is a record of the Raising of the Daughter of Jairus and the healing of a woman with a blood disorder, also recounted, with different detail, in Mark 5:21-43 and Luke 8:40-50. The scene was one of the favorite Gospel accounts for use in illuminated Gospels and pericope books (which contain only verses used in a liturgy) in the 8th to 12th C. and later in stained glass windows and, even later, in a famous late 19th C. watercolor by James Tissot. The Tissot watercolor was used as Illustration No. 60 in our publication, The Gospel of Matthew: Annotated & Illustrated. A 12th C. illumination and a 20th C. stained glass window by Franz Mayer of Munich, both based on St. Luke’s account are, respestively, Illustration N0. 33 and Illustration No. 34 in The Gospel of Luke: Annotated & Illustrated. The stained glass window is also used in Paintings on Light: the Stained Glass Windows of St. Joseph’s Villa Chapel. As noted above, all AIC Bookstore Publications are available through my Amazon Author Central page.

As always, thanks you for your interest and support. Glory be to God for all things! Amen!


Twenty-second Sunday after Trinity

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For the Twenty-second Sunday after Trinity the Collect was adapted by Archbishop Thomas Cranmer for the 1549 Book of Common Prayer from a late edition of the Gregorian Sacramentary. The Gregorian Sacramentary was named in honor of Roman Catholic Pope Gregory the Great, who presided at Rome from 590 to 6o4 A.D. Based on 10th C. document at the Vatican Library, it is one of the three great sacramentaries of the Roman Catholic tradition (Gregorian, Gelasian & Leonine). Scholars argue that the content of the work reflects the influence of Charlemagne, implying a contribution by Alcuin of York, who was the Emperor’s spiritual advisor and teacher. For more on the relationship between Charlemagne and Alcuin, see the blog posting for March 16, A.D. 2024. The design of the volume reflects the style of the sacramentaries produced in Germany during the period of the Ottonian successors to the throne of Charlesmagne. The collect is one of three used in Trinity season in which there are prayers for the Church Universal. The other two are the Collects for the Fifth and the Sixteenth Sundays after Trinity. A similar Collect, also based on the Gregorian Sacramentary, is read on the Fifth Sunday after Epiphany, a Sunday which can be transferred to Trinitytide in years with more than twenty-four Sundays after Trinity. The Fifth Sunday after Epiphany and the complex rules through which select Sundays in Epiphany can be transferred to Trinitytide is discussed in Episode Three of our video series, Epiphany: the Manifestation of Christ to the Gentiles.

LORD, we beseech thee to keep thy household the Church in continual godliness;
that through thy protection it may be free from all adversities,
and devoutly given to serve thee in good works,
to the glory of thy Name through Jesus Christ our Lord. Amen.

The Epistle reading for Twenty-second Sunday after Trinity, Philippians 1:3-11, advances to the next epistle in the canonical list of the epistles of St. Paul. In the older Latin plan of readings, the selection began with verse 5. Verses 3 and 4 were added in the 1662 Book of Common Prayer. St. Luke described Philippi as the “foremost city” in the Greek region of Macedonia (Acts 16:12). . A modern Greek Orthodox baptistery at Philippi, traditionally described as being on the remains of the site visited at the time of St. Paul’s baptism of Lydia (Acts 16:11-15), appears in Illustration No. 57 in the AIC Bookstore Publication, The Acts of the Apostles: Annotated & Illustrated, available through my Amazon Author Central page. Additional details and pricing are found on the AIC Bookstore page. When St. Paul writes about “fellowship” in the Gospel, he relies upon the Greek koinonia [Strong’s Greek word # 2842, related to # 2844), which has the same meaning as “thy household the Church” in the Collect. St. Paul refers twice (verses 6 and 10) to a “day of Jesus Christ/day of Christ), when means the promised Second Coming, from the Greek parousia [Strong’s Greek word # 3952]. The Apostle to the Gentiles assures the Philippians of “the fruits of righteousness” that come only from Jesus Christ. I discuss the meaning of “fellowship” (verse 5), “discernment” (verse 9) and “righteous/righteousness” (verse 119) and nearly 350 other commonly used words and terms, in Layman’s Lexicon: A Handbook of Scriptural, Theological & Liturgical Terms, also available using through my Amazon Author Central page. The entire reading is part of St. Paul’s prayer for the congregation at Philippi.

The Parable of the Unforgiving Servant, oil on canvas, 1649 A.D., Claude Vignon, Musee des Beaux Arts, Tours, France.
Wikimedia Commons

The Gospel reading, Matthew 18:21-35, is the seventh of nine readings in Trinitytide from the Gospel of Matthew. The reading includes two parts. Prayer Book scholar Massey Shepherd noted that verses 21 and 22, including Peter’s question and Jesus’ answer, were added to the traditional Latin pericope (meaning a collection of quotes from Scripture used in a liturgy) for the 1662 Book of Common Prayer. The addition placed the reading in the broader context of the forgiveness which Jesus announced in the Second Petition of the Lord’s Prayer. Following the two-verse dialogue on forgiveness is the Parable of the Unforgiving Servant (also commonly known as the Parable of the Ten Thousand Talents), revealing a king who practiced forgiveness of one of his servants, which servant then failed to heed the lesson and failed to forgive one of his own servants. In the final verse (verse 35), St. Matthew returned to the theme of St. Peter’s question in verse 1 with Jesus’ final pronouncement: “So my heavenly father also will do to you if each of you, from his heart, does not forgive his brother his trespasses.” The historical style image above was used as Illustration No. 105 in The Gospel of Matthew: Annotated & Illustrated, available through my Amazon Author Central page. F.Y.I.: the AIC sells these publications solely through Amazon so that we do not have to stock any inventory or report retail sales since the seller is Amazon and not the AIC. All author royalties from the sale of these publications are contributed to the AIC.

My Podcast Homily for the Communion service on the Twenty-second Sunday after Trinity is available in MP3 format. Another Podcast Homily, this one paired to the readings for Morning Prayer, is linked from the Podcast Homilies-Morning Prayer page. The Collect, Epistle and Gospel readings for Twenty-second Sunday after Trinity are one of the subjects in Episode Eight in our Christian Education Video series, Trinitytide: the Teaching Season. Interesting images of the remains of basilicas, mosaics and a map of Philippi are available in the Philippi entry at Wikipedia.

Next week I will begin adjusting the Home/Welcome page of this site by modifying links to entries for Trinity season, which this year has 25 days after Trinity. The changes will include links to materials related to Advent season. Advent, a season of penitence and preparation (for Christmas), which heralds the start of a new Church Year on the Anglican Calendar. Advent always begins on the Sunday closest to the Feast of St. Andrew (Nov. 30). In A.D. 2024, the First Sunday in Advent is December 1st.

As always, thank you for your interest and support.

Twenty-first Sunday after Trinity

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For the Twenty-first Sunday after Trinity the Collect is another adaptation by Archbishop Cranmer from the Gelasian Sacramentary (Rome, circa 750 A.D.) for the 1549 Book of Common Prayer. It is also the last Gelasian Sacramentary collect for the season. The collect includes an iconic phrase, “pardon and peace,” in which pardon was substituted for the medieval Latin phrase “indulgence.” The word “indulgence” was, in Cranmer’s view, too closely allied to the Roman Catholic practice of selling indulgences to those with appropriate financial resources. The word “quiet” in the final phrase replaced the Latin “secure.” Quiet in mind implies unshakeable faith in the face of adversity, a concept which remains essential in the anti-Christian political and cultural environment of the 21st C. The Collect is often used by non-ordained Church leadership as a closing prayer in Morning Prayer, since it offers the hope of forgiveness without the official sanction of Absolution which only an ordained clergyman can dispense.

GRANT, we beseech thee, merciful Lord, to thy faithful people pardon and peace,
that they may be cleansed from all their sins, and serve thee with a quiet mind;
through Jesus Christ our Lord. Amen.

The Epistle reading, Ephesians 6:10-20, advances one chapter in St. Paul’s epistles from the reading for Twentieth Sunday after Trinity. The lesson includes some of the most important and boldest statements of the traditional teachings of the Apostle Paul concerning, in the broadest sense, the concept of “Spiritual Warfare.” The verses include several iconic martial phrases used in the context of the battle against “the wiles of the devil” (verse 11) and the “spiritual hosts of wickenedness in the heavenly places” (verse 12). These include “the whole armour of God” (twice, verses 11 and 13), “the breastplate of righteousness” (verse 14), “the shield of faith” (verse 16), “the helmet of salvation” (verse 17) and “the sword of the Spirit which is the word of God” (verse 18). Less military-sounding defenses include “the gospel of peace” (verse 15) in the concept of appropriate footware for spiritual conflict. “Principalities and powers” in verse twelve refers to the traditional understanding of the ranks or orders of angels and heavenly powers. I discuss this interpretation in Ninth Day (Jan 2nd) in our video series, The Twelve Day of Christmas and also in our Bookstore Publication, Angels: In Scripture, Prayer and Christian Tradition, available through my Amazon Author Central page. Paul refers to the importance of prayer and to his own boldness in defense of Christian doctrine in the closing verses (verse 18, 19 & 20).

Paul, miniature illumination in colors and gold on parchment inside the letter “P,” placed before the start of 2 Corinthians, Gloss on the Pauline Epistles, Peter Lombard, France, 4th Qtr. 12th C.-1st Qtr., 13th C., Ms. Royal 4 E IX, Folio 64, British Library, London, England. Perspective correction applied.

The Peter Lombard illumination was used as Illustration No. 74 in The Act of the Apostles: Annotated & Illustrated, available using the link to my Amazon Author Central page. Although the image was used in association with the 2nd letter to the Corinthians, it is used here owing to St. Paul’s fierce facial expression. My personal favorite image of a militant St. Paul was used in the blog post for Seventh Sunday after Trinity, linked from July 2024 entry in the right hand column.

The Gospel reading, John 4:46-54, is the fifth of six readings from the Gospel of John during the period between Whitsunday and Sunday Next before Advent. The subject of the reading is the second “sign” of Jesus’ divinity cited in the Gospel of John, being John’s record of Jesus’ remote healing of a nobleman’s son. According to John’s account, only Jesus, the Nobleman and His Disciples were present in Cana of Galilee, which was also the site of the first miracle recorded by John in Chapter Two. The Nobleman’s son was ill at Capernaum. This record by John near the start of Jesus’ public ministry, traditionally understood to have been in 27 A.D., is unusual in two important ways. In his unique style, John sets the mood of the scene with an account of Jesus having left Judea and gone into the Galilee. In verse 48, John records Jesus, knowing the Nobleman’s thoughts, declaring: “Unless you people see signs and wonders, you will by no means believe.” In verse 49a, the worried man begs Jesus to come with him and heal his sick son in Capernaum, to which plea Jesus responds: “Go your way; your son lives.” John confidently states in the same verse that the Nobleman “believed the word that Jesus spoke.” In the remaing verses, John records the details of how the man learned that his son recovered “at the same hour” which Jesus spoke (7th hour, or 1 PM). John records that not only did the man believe but his household also (verse 51). The historical sytle image below, from the Bowyer Bible, was used as Illustration No. 33 in The Gospel of John: Annotated & Illustrated, available through my Amazon Author Central page. It also appears in Slides 1215-1233 in Episode Thirty-six, the first of four episodes focused on the miracles (or “signs” from the Greek Semeion) of Jesus in our Bible Study video series, The New Testament.

Healing the Nobleman’s Son, etching/engraving, Jan Luyken, 1840, Bowyer Bible, Bolton Library, Bolton, Lancashire, England. From PHOTO by Harry Kossuth; TEXT by Phillip Medhurst. From the 2018 A.D. digital edition, Early Scenes in the Life of Christ, Harry Kossuth (photographs) and Phillip Medhurst (text).

The Collect, Epistle and Gospel readings for Twenty-first Sunday after Trinity are discussed and illustrated in Episode Eight in our video series, Trinitytide: the Teaching Season.

As always, thank you for your interest and support.

Nineteenth Sunday after Trinity

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The Collect for Nineteenth Sunday after Trinity is another adaption by Archbishop Cranmer from the Gelasian Sacramentary for use in the 1549 Book of Common Prayer. It is also another which was amended for the 1662 Book of Common Prayer in which the reference to the Holy Spirit was added. The change made the Collect more consistent with the theme of both the Epistle and Gospel and of the season of Trinitytide. The phrase “direct and rule our hearts” was very popular among the early Saints in the Eastern Church tradition. The doctrine of the equality of the Holy Spirit with God the Father and God the Son was made part of the original Nicene Creed at the Council of Constantinople (or Second Ecumenical Council), 381 A.D. The Council was influenced by the writings of Gregory Nazianzen, who was the presiding Bishop, Gregory of Nyssa and his late brother, Basil of Caesarea. The work of that Council is discussed in detail, with illustrations, in the AIC Christian Education Video series, The Nicene Creed, presented in eight episodes (with the changes made in 381 A.D. in Episode Seven). The contributions of the two Gregories and of Basil of Caesarea are also discussed and illustrated in our video series, The Lives of the Saints, Second Series. Gregory of Nyssa (Feast Day: Jan. 10th) is celebrated in Episode Six; Gregory Nazianzen (Feast Day: Jan. 25th, with some jurisdictions including him with two others in May), in Episode Eight; and Basil of Caesarea (Feast Day: Jun. 14th) in Episode Seventeen. Basil’s most famous essay, On the Holy Spirit, is available in paperback from St. Vladimir’s Seminary Press (ISBN: 978913836-74-3), as Volume 5 in its Popular Patristics Series.

O GOD, forasmuch as without thee we are not able to please thee;
Mercifully grant that thy Holy Spirit may in all things direct and rule our hearts;
through Jesus Christ our Lord. Amen.

St. Paul, illumination in colors and gold on parchment, Siegberg Lectionary, produced at the Benedictine Abbey of St. Michael, Siegberg, Germany, 2nd Qtr., 12th C. Ms. Harley 2889, Folio 2, British Library, London, England. St. Paul shown holding a scroll rather than the traditional use of a symbol of the manner of death.

The Epistle reading for Nineteenth Sunday after Trinity again follows the pattern of the Gelasian Sacramentary (See the blog posts for Trinity 16 and Trinity 17). The sequence was interrupted by the reading from 1st Corinthians for Trinity 18. The Epistle reading, Ephesians 4:17-32, is another long quotation from St. Paul’s Epistle to the congregation he founded in Asia Minor on his Second Missionary Journey. Ephesus was known as the “first city of Asia” when the Third Ecumenical Council met there in 431 A.D. and granted the Blessed Virgin Mary the title, Theotokos, or Mother of God in modern English. As usual, St. Paul was not shy in expressing his views. He speaks emphatically of the “new” man, who, following Christian teachings from the Gospels, is distinct from the “old” man of the Gentile world.

St. Paul also wrote about the need to master one’s passion, by which he means not just sexual lust but passion for material things, including money. The epistle formed much of the scriptural foundation for the lists of Christian virtue. These virtues were previously confined to oral tradition. They appeared first in written form in the Eastern and Western Church traditions in the 6th, 7th and 8th C. St. Paul ends his counsel to the Ephesians with advice on the subject of forgiveness. Forgiven is also major theme of the Gospel reading. The illustration of St. Paul from the Siegberg Lectionary was also used in several AIC Christian Education Video Series, Advent: The Season of Penitence & Preparation, Episode One; The Great “O” Antiphons, Dec. 22nd, Fifth Antiphon (O Oriens); The Twelve Days of Christmas, Third Day-Peace-Dec. 27); Epiphany: the Manifestation of Christ to the Gentiles, Episode Three; and Trinitytide: the Teaching Season, Episode Seven. For more about the architectual remains left by the Christian population at Ephesus, now Selcuk, Izmir Province, Turkey, including the Tomb of St. John, watch the AIC Bible Study Video series, Revelation: An Idealist Interpretation, Episode Five.

The Gospel reading for Nineteenth Sunday after Trinity, Matthew 9:1-8, is the fifth of nine readings from St. Matthew’s Gospel in Trinitytide. A very short reading, or “pericope” (scholarly terminology meaning Scripture verses read in a liturgy), includes two of St. Matthew’s major themes: the birth and life of Jesus as fulfillment of Old Testament prophecy and events in both His Nativity and life as demonstrations of His divinity. The reading includes some unique details, including the only example of someone who is healed by Jesus being lowered into the scene through the roof, in this case of a house in the region of Capernaum, or “his own city” in verse 1, near the western shore of the Sea of Galilee. The time of the event is early in Jesus’ public ministry, likely in 27 A.D. The audience for the event includes Jesus’ Disciples (not named in the text), the paralytic man and his friends, and “Scribes,” meaning men associated with the Pharisees and with the governance of the Temple. Unlike other accounts of miraculous healings, there are no dramatic examples of the actual healing. Instead, the focus is on the meaning of the event. In this case, Jesus gives credit for the healing to the “faith” of the man’s friends, who have gone to considerable trouble and effort to lower the man into the presence of Jesus.

In St. Matthew’s account, Jesus demonstrates His divinity in knowing the thoughts of both the paralyzed man’s friends, “he saw their faith” (v. 2b) and said to the paralyzed man: “Son, be of good cheer; your sins are forgiven you.” When “some of the scribes” in their minds accuse Jesus of blasphemy, Jesus said, “Why do you think evil in your hearts? For which is easier, to say, ‘Your sins are forgiven you,’ or to say ‘Arise and walk?’ “But that you may know that the Son of Man has power on earth to forgive sins.” (verses 4b, 5 & 6a). When they did not answer, Jesus said: “Arise, take up your bed, and go to your house.” (verse 6b). St. Matthew records in one of his characteristic summaries that the man arose and departed for his home and that the multitudes “marveled and glorified God, who had given such power to men.” (verses 7 & 8). The phrase “Glorifying God” is the key phrase for Eleventh Day – January 4th in the AIC Christian Education Video series, The Twelve Days of Christmas, in which there are key words or phrases for all the days from Dec. 25th to Jan. 5th (Epiphany Eve).

Healing the Paralytic Man at Capernaum, tinted drawing on parchment, one of four Gospel scenes on a single page, Holkam Bible Picture Book, produced at or near London, 1327-1335, Ms. Additional 47682, Folio 24v, British Library, London, England. Commissioned by an unknown Dominican friar, the book was acquired by English collector Thomas Coke in 1816. Formerly known as the Holkam Ms. 66, it was purchased by the British Library, 1952. The image is based on Mark 2:1-12 and St. Luke 5:17-26. The complete book includes 231 miniatures, generally two per page illustrating scenes from Genesis through the Gospel accounts of the Ascension. The captions are in Anglo-Norman French with some English words. Description © British Library Board.

The image from the Holkam Bible Picture Book also appears as Illustration No. 25 in the AIC Bookstore Publication, The Gospel of Mark: Annotated & Illustrated. As with all our books, the volume is available using the link to my Amazon Author Central page.

In my research for this Blog post, I realized that the video and soundtrack for Episode Five and Episode Six in our series, The War on Christianity were never completed. I have started work on finishing the script and slide with the goal of completing the work during January A.D. 2025.

One final note: the blog post for Eighteenth Sunday after Trinity did not include any reference to the Archangel Michael, whose Feast Day, September 29th, coincided with Eighteenth Sunday after Trinity. Images and text regarding St. Michael are the subject of two AIC Christian Education Video series, The Lives of the Saint, Second Series, Episode Twenty-three, and the traditional understanding of the origin, number (or orders or ranks) and nature of angels in The Twelve Days of Christmas, Ninth Day (Jan. 2nd).

As always, thank you for your interest and support. Glory be to God for all things! Amen!

Eighteenth Sunday after Trinity

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The Collect for the Eighteenth Sunday after Trinity is another adaptation by Archbishop Cranmer from the 1549 Book of Common Prayer, which the Archbishop adapted from the Gelasian Sacramentary. As noted in earlier posts, the Gelasian Sacramentary is named after Pope Gelasius (ruled at Rome, 492-496), but the document did not appear until the mid-8th C. at Paris, France. The Gelasian document was widely used in the English Church before the separation from Rome during the reign of Henry XVIII. In Western Europe, the Gregorian Sacramentary, which is derived from an an early 9th C. initiative by Holy Roman Emperor Charlemagne, influenced by his spiritual advisor, the Blessed Alcuin of York. A fuller version of the Gregorian Sacramentary was completed around the 10th C. I saved the Gelasian image below from the Wikipedia Commons version of The Yorck Project, commonly called 10,000 Masterworks, which was distributed on a DVD and entered into the public domain in 2002 A.D. The original document measures 10.2″ high and 13.1″ wide. In order to improve the resolution for this usage. I reduced its size and raised the resolution to 300 dpi..

Gelasian Sacramentary, Title page (left) and 1st page (right), colors and gold on parchment, 8th C., The Yorck Project, or 10,000 Masterworks, DVD 2002. Public Domain.

The preamble to the Collect was reworded for the 1662 Book of Common Prayer. It includes the iconic phrase, “the temptations of the world, the flesh and the devil.” The same words also appear as part of the third phrase of the deliverance requests in The Litany, or General Supplication, published in 1544 A.D., the first English language liturgy of the Church 0f England.

LORD, we beseech thee, grant thy people grace to withstand the temptations of the world, the flesh and the devil;
and with pure hearts and minds to follow thee, the only God, through Jesus Christ our Lord. Amen.

The Epistle reading, 1st Corinthians 1:4-9, is one of the shortest readings in the Book of Common Prayer. On this occasion, the canonical order of the Pauline epistles is interrupted, leaping backward from Ephesians 4 on the Seventeenth Sunday after Trinity to a point earlier in the epistle than the first reading from 1st Corinthians 10:1-13 (Ninth Sunday after Trinity) and other readings on the Tenth and Eleventh Sundays after Trinity. The epistle includes closing reference to “the day of our Lord,” an allusion to Jesus coming again.

The Gospel reading, Matthew 22:34-46, includes two important dialogues, the first also recorded in Mark 12:28-37 and the second in Luke 20:41-44. The event is thought to have happened on Tuesday, 30 A.D., three days before Good Friday. The background of the two dialogues is the continuing rivalry between the Sadducees and the Pharisees. In verse 35, one of their number, a lawyer, asks Jesus, “Master, which is the great commandment?” Some context is needed to understand fully the question. Both the Sadducees and the Pharisees had their own answer to the question, with the Pharisees having calculated that there were 613 commandments in Hebrew Scripture and not just the ten in the Decalogue. In this context, the “lawyer” in verse 35 thought that any answer would offend someone. A cardinal rule for all modern-era lawyers is that a lawyer should never ask a question unless he or she already know the answer. In the reading, Jesus replied, as He often did (most famously in His dialogue with Satan in Matthew 4), with verses from Scripture. Here the verses are Deuteronomy 6:5 and Leviticus 19:18. His answer, in verses 37-40, was incorporated into the Anglican Holy Communion liturgy in the 1714 and the 1764 versions. It is commonly known as the Summary of the Law. The Summary of the Law was incorporated into the Holy Communion liturgy in the first American prayer book, published in 1789 A.D.

Jesus continued to befuddle His inquisitors with a second citation of Scripture regarding David. He quoted Psalm 110:1, the most-quoted verse in all the Psalms. As Matthew recorded in the closing verse, no one thereafter asked Him any more questions. In Christian art, the Gospel reading is generally depicted by a graphic displaying the words quoted by Jesus. For this blog post, I offer you a graphic which I adapted from a Christ Pantokrator mosaic (literally: Ruler of the Universe) from the Basilica of St. Ambrose, Milan, Italy. Because this Byzantine-style mosaic is very high above the floor level any photographs are distorted by sightlines diminishing toward top center. In the mosaic, Jesus is seated on a throne with the Archangels Michael (left) and Gabriel (right) and several saints. I used this image in the AIC Bookstore Publications, The Gospel of Mark: Annotated & Illustrated (Illus. # 66), Angels: In Scripture, Art & Christian Tradition (Illus. # 13) and Christmas: In Scripture, Art & Christian Tradition (Illus. No. 58). All books are available through my Amazon Author Central page. The image was also used in several AIC Video series, including The Great “O” Antiphons, Episode Two – O Adonai; The Twelve Days of Christmas, 2nd Day – Dec. 26th, 11th Day – Jan. 4th & 12th Day – Jan. 5th; In the Cross of Christ I Glory, 3rd Word, 6th Word, 7th Word; Eastertide, Episode 1; The War on Christianity, Episode 6; Trinitytide: the Teaching Season, Episode 7; and New Testament: Gospels, Episode 2.

Christ Enthroned, mosaic, 13th C. Basilica of St. Ambrose of Milan, Milan, Italy. Image copyright Can Stock Photo, Inc./Tupugato. The original basilica was built in the 6th C., with additions made in the 11th C. Perspective correction, image cropping and image rotation applied. The original image is displayed below. Traditionally, the image is also known in the Western Church as Christ in Majesty and Christ Pantokrator (literally, Ruler of the Universe) in the Eastern Church tradition.

I hope viewers find these resources inspiring and comforting, especially in the current anti-Christian age. We aim to make documents from the 2000 year history of the Church more easily accessible across the spectrum of print, audio or video media.

As always, thank you for your interest and support.

Seventeenth Sunday after Trinity A.D. 2024

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For the Seventeenth Sunday after Trinity the Collect is a composition by Archbishop Thomas Cranmer based upon the Gregorian Sacramentary, named in honor of Pope Gregory the Great, who led the Roman Catholic Church from 590 A.D. until his death in 604 A.D. Illuminations depicting Gregory, acknowledging his profound influence on the liturgy of the Church, often show him with the Holy Spirit whispering into his ear. Note that the word “prevent” has a different meaning than the modern usage. In the 16th-17th C it meant “stand before.”

Gregory the Great, illumination in colors and gold on parchment, placed between Book 3 and Book 4, Dialogues, Gregory the Great, Germany, 1st Qtr., 12th C. Ms. Harley 3011, f. 69v, British Library, London, England. Copyright British Library Board.

LORD, we pray thee that thy grace may always prevent and follow us,
and make us continually to be given to all good works; through Jesus Christ our Lord. Amen.

In the Epistle reading, Ephesians 4:1-6, St. Paul also emphases the presence of the Holy Spirit in the faithful in his message concerning the unity of the faith. The reading includes two ic0nic phrases important to St. Paul’s theology: “one faith, one baptism, one God and Father of all” and “the unity of the Spirit in the bond of peace.” The recipient of the letter, the church at Ephesus, was another congregation visited by St. Paul on his second missionary journey (described in Acts 18). According to tradition, St. John served for a time as the functional equivalent of a bishop at Ephesus, where he had taken the Blessed Virgin after the Crucixion. The House of Mary at Ephesus, traditionally said to be the house St. John built for Mary, remains a popular tourist site and is a designated holy place for Roman Catholics. It was visited by three Popes: Paul VI (1967), John Paul II (1979) and Benedict XVI (Nov 2006 during his historic visit to Istanbul (formerly Constantinople) which included celebration of Holy Communion with the Eastern Orthodox Ecumenical Patriarch, Bartholomew II.

The Gospel reading, Luke 14:1-11, is the twelfth and last reading from St. Luke during Trinitytide: the Teaching Season (in which calculation I include the Sunday next before Advent). All the remaining Gospel readings are from the Gospel of Matthew and the Gospel of John. The reading includes two separate but related scenes. The first scene simply sets the stage for the second and illustrates the strained relationship between Jesus and the Pharisees. Both scenes, the Healing of the Man with Dropsy and the Parable of the Chief Seats, are unique to the Gospel of Luke. Dropsy, technically known as edema, is a disease which results in extreme fluid retention, usually in the legs and feet. In the mosaic below, the swelling is shown in young man’s lower torso. The mosaic is in the upper walls of the Apse, Monreale Cathedral (Cattedrale di Santa Maria Nuovo de Monreale in Italian). The cathedral was dedicated to the Nativity of the Blessed Virgin Mary in 1182 A.D., eight years after the structure was begun in the reign of the Norman King of Sicily, William II. The full legend above the image is in Latin (only the final three words are visible in the image): “Jesus in domo cujusdam principis fariseorum sanat hydropicum die sabbati” (literally: “Jesus heals the man with dropsy in the house of the leader of the Pharisees on the Sabbath day”). The mosiac, presented in red, white, silver, blue is set into a gold background, with Jesus’ followers at left with two Pharisees and members of the household at right. Look closely at the fine detail in the background buildings and, especially, at the suggestion of flow of the robes of the figures in the foreground. The silver-haired figure, whose face is only partially visible at the left of the image, is consistent with traditional imagery of St. Peter. The halo around Jesus’ head includes the traditional Eastern Church symbology of Christ, always shown with two vertical and two horizontal lines. The “X” above Jesus’ head is a traditional symbol identifying Christ. Every part of the mosaic is made from varying sizes of glass tile. For more details about this ancient method, typical of Byzantine Christian art, see the Fr. Ron’s Blog post, Deesis Mosaic-Hagia Sophia & Other Images, dated April 6, A.D. 2024 (linked from the Archive column at right). In that post I include enlarged sections which reveal more about the “how” of creating mosaics. My Podcast Homily for Seventeenth Sunday after Trinity is linked from the Podcast Homilies page. The readings are discussed in the AIC Christian Education Video series, Trinitytide: the Teaching Season in Episode Seven.

Christ Healing a Man with Dropsy, Byzantine-style mosaic, north wall, apse, Monreale Cathedral, Palermo, Sicily, late 12th-early 13th C. Photo, June 2010, by Sibeaster. Public Domain.

Finally, I offer you one piece of advice for survival in our anti-Christian world of the 21st C. Instead of allowing such thoughts to negatively influence your daily life follow this mantra “Turn it off and tune it out.” The mantra is easy to apply not only to media but also to enterprises which, directly or indirectly, are hostile to the Christian faith. To fill the void, use web resources to create your own list of trusted resources in video, print and electronic and bookmark them for ease of daily use.

As always, thank you for your interest and support. Glory be to God for all things! Amen.

Sixteenth Sunday after Trinity

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The Sixteenth Sunday after Trinity, celebrated on September 15th in A.D. 2024, marks the first reading from Ephesians during Trinitytide: the Teaching Season. The Collect for the day is another composition by Archbishop Thomas Cranmer made for the 1549 Book of C0mmon Prayer. It is another which was drawn from the “Gelasian” Sacramentary, named after the 5th C. pope although the volume was not published until circa 750. As you have undoubtedly noticed, the Gelasian liturgy, the second oldest in the Roman Catholic tradition, was highly-favored in the English Church both before and after the Church of England separated from the Church of Rome. The word “Church” was substituted for the original “congregation” in the 1662 Book of Common Prayer.

O LORD, we beseech thee, let thy continual pity cleanse and defend thy Church;
and, because it cannot continue in safety without thy succour,
preserve it evermore by thy help and goodness; through Jesus Christ our Lord. Amen.

The Epistle reading, Ephesians 3:13-21, as noted above, is the first in Trinitytide from St. Paul’s Epistle to the Ephesians, a congregation he established in Asia Minor on his Second Missionary journey. This selection includes St. Paul’s colorful and vivid language which later became popular parts of Christian prayer. These verses are the source of the Christian understanding of the Church as the earthly body of the faithful (as reflected in the previously mentioned insertion of “Church” in place of “congregation”) and the necessity of the Holy Spirit “in” the “inner man” and Christ “dwelling” in the heart (v. 16b-19a). He also uses another term which became part of Christian belief: fulness. I discuss the meaning of “heart” (used 826 times in the King James Version) in the AIC Bookstore Publication, Layman’s Lexicon: a Handbook of Scriptural, Liturgical & Theological Terms, available through my Amazon Author Central page.

The Gospel reading, Luke 7:11-17, the eleventh reading from Luke’s Gospel in Trinitytide: the Teaching Season, is Luke’s account of Jesus “raising” the son of the Widow of Nain, an event which took place around 28 A.D. in western Judea in the second year of Jesus’ public ministry. Fortunately for Christians, the event was featured often in illuminated Gospels, pericope books and other media. For this post I offer three examples from the AIC’s image archive. The first two, in the spiritual style, are Byzantine/Ottonian illuminations from the late 10th and early 11th C. and the third is an example in the historical style in the form of a last quarter 19th. C. watercolor. All three examples were used in one or more episodes Episode Twenty and Episode Twenty-five in the AIC Bible Study Video series, The New Testament, and in Episode Seven in our Christian Education Video series, Trinitytide: the Teaching Season. The spectacularly detailed image from the Gospels of Otto III was used as Illustration No. 56 in the AIC Bookstore Publication, The Gospel of Luke: Annotated & Illustrated, available through my Amazon Author Central page.

Raising the Son of the Widow of Nain, illumination in tempera and gold on parchment, Gospels of Otto III, circa 998 A.D., Clm 4453, Image 60, Bayerische Staatsbibliothek, Munich, Germany. CC by-NC-SA-4.0

This first example was produced at Reichenau Monastery, Lake Constance, Reichenau, Germany, for Holy Roman Emperor Otto III, whose mother was a Byzantine princess. Using that family connection, artists from Constantinople were brought to Reichenau to aid the already-experienced local artists in producing illustrated Bibles and other liturgical books in the Byzantine style of illumination. During the Ottonian era of Holy Roman Emperors, successors to Charlemagne, coronated at Rome, Christmas Day, 800 A.D., developed their own distinctive style, often labelled after the monk Liuthar, the chief of the artists who began in the Scriptorium at Reichenau around 1000 A.D. The art they produced there remains unequalled in the range of detail, including facial expressions, the use of gold as a background, elaborate foliage and flora patterns as borners (see the example above), and scenes often framed between classical architectural features, such as the columns shown above.

The second example is from the Hitda Codex, an illuminated liturgical book produced for Hitda, the Abbess of Meschede, Germany, circa 1020 A.D. The Codex is the only surviving example of Christian art produced at or near Cologne, the center of the empire created by Charlemagne, a Frankish monarch whose kingdom stretched from the southern half of presentday Denmark into most of Spain, a large part of northern Italy and eastward into the edge of the Balkans. Charlemagne was crowned Holy Roman Emperor at Rome on Christmas Day, 800 A.D., becoming the first Christian emperor in the West since the Vandals sacked Rome in 455 A.D. In earlier posts, I have explained the important part which Charlemagne and his spiritual advisor, the Blessed Alcuin of York, played in the spread of Christianity into western Europe.

Raising the Son of the Widow of Nain, illumination in colors and gold on parchment, Hitda Codex, produced for Hitda, Abbess of Meschede, Germany, circa 1020 A.D., Hs. 1640, Universitats- und Landesbibliothek Darmstadt, Darmstadt, Germany. CC0 license.

The third and final example is another watercolor created in the historical style by James Tissot, part of his Life of Christ series produced between 1886 and 1896 and now part of the collection of the Brooklyn Museum. In the watercolor, Tissot’s mastery of architectural detail, costume and a wide range of facial expressions is evident, as is his capture of the details of the central scene in St. Luke’s account.

Raising the Son of the Widow of Nain, opaque watercolor over graphite on gray wove paper, James Tissot, 1886-1896, Brooklyn Museum, Brooklyn, NY.

As always, I thank you for your interest and support. Especial thanks is owed to those who have signed on as followers of this Blog. The AIC’s online presence is intended to make these and other amazing examples of Christian more widely available in a variety of media. Most of our material is available free of charge. Author royalties from all the AIC Bookstore Publications are donated to the AIC. I encourage readers/viewers to visit the host sites for all these images, where these and many more are available in the public domain. They are owed a great debt of gratitude for preserving, archiving and, especially, digitizing the original art and making it available for research and education.

Glory be to God for all things! Amen!