In what I think is the best episode yet in the revised and expanded version of the AIC Bible Study Video series, New Testament: Gospels is now available. Episode Thirteen features many rarely-seen illustrations from the 11th, 13th, 18th, 19th and 2nd Qtr 20th C. to aid in viewer/listener comprehension of the Gospel of St. Luke.
Watch the Video. Listen to the Podcast
The focus in Episode Thirteen is on the second and best known of three “annunciations” in the Gospel of St Luke, in this case “The” Annunciation to the Blessed Virgin by the Archangel Gabriel; the first two of 4 songs in the Gospel of St. Luke, the Magnificat and the Benedictus, the latter occasioned by the birth of John the Baptist and the loosening of the tongue of Zacharias.
Personally, I really miss the congregational singing of the Benedictus (as well as the Jubilate Deo and the Te Deum laudamus). No musical instrument, no matter how well played can equal the emotional feeling of united voices singing the theological songs.
I have completed both the sound and pictures for Episode Fourteen and will complete the video and upload it next week. I am currently prepared the slides and script for Episode Thirty-two, on the Gospel of St. John.
As always, thank you for your interest and support. May God bless you in all that you do in His Name! Amen! Glory be to God for all things! Amen!
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The episode is loaded with many of the examples of historic art added to our library in the last year. Few in the Western Church are aware that St. Luke is credited in the Eastern Church and among many Roman Catholics as the first icon-painter. The episode includes St. Luke Painting the Virgin Mary, a miniature illumination (less than 1″) in colored inks and gold on parchment with an elaborate floral border from The Gospels of Luke and John, a codex made in England in the 1st Quarter of the 16th C., from Ms. Royal 1 E V, Folio 3, British Library, London, England. The image is so small that I could not use it here. Instead, I offer another you, St. Luke Writing His Gospel, an illumination in tempera and gilt on vellum from the St. Augustine Gospels, begun in Italy (presumably Rome) in the 6th C. and completed in England after being given to Corpus Christi College, Cambridge, by St. Gregory the Great. The original is at Cambridge, CCC Library Mss 286, Folio 129v. This version is in lower resolution for internet use. The version in the video is 300 dpi. Both versions have been modified with perspective correction technology.
Episode Ten in the revised and expanded Bible Study Video series, New Testament: Gospels, is now available. This latest episode includes the final 3 of 18 miracles and the Jesus-Disciples dialogue that comes immediately before the Turning Point Verse, Mark 10:45. The selected illustration is Feeding the Multitude, an illumination in tempera and gilt on parchment from the Codex Egberti, a Gospel book prepared for Egbert, Bishop of Trier, between 980 and 993 A.D. at the Reichenau Monastery, Reichenau, Germany. Folio 047V, Trier City Library, Trier, Germany.
Episode Nine in the revised edition of our Bible Study series, New Testament: Gospels is now online in both video and podcast versions. In Episode Nine I continue discussion of the Gospel of St. Mark with the next six of eighteen miracles he describes. The first three demonstate Divine Power over Nature and the second three demonstrate Divine Power over Speech and Sight. The illustration, Calming the Seas, is the top half of a miniature illumination in colored inks and gilt on vellum from the Gospels of Otto III, produced at Reichenau Monastery, Reichenau, Germany, in the late 10th or early 11th C. The original is at the Bavarian State Library, Munich, Germany. I applied perspective correction to the original image. Otto III was a Saxon/German king who ruled the Holy Roman Empire in Europe, which was revived in 800 A.D. by Charlemagne. The monastery is the same facility where the Bamberg Apocalypse was prepared in the early 11th C. Viewers who have read the AIC Bookstore Publication, Revelation: An Idealist Interpretation, which includes 51 illustrations from the Bamberg Apocalypse, will recognize the style and, possibly, some of the faces.
The example is Christ Healing the Man with a Withered Hand from the Hitda Codex, a Gospel book commissioned by and named in honor of the Abbess of the convent at Meschede, Germany, after 1020 A.D., Hessische Landesbibliotek, Darmstadt, Germany. Photoshop effects applied. The document is in the artistic tradition of the Ottonian dynasty of Saxon kings, successors to Charlemagne in the revived Holy Roman Empire in Western Europe. A better image is now available in The Gospel of Luke: In Scripture, Art & Christian Tradition, image number 52 (See the 
